Finished?

I think I might have finished the first draft of my current work-in-progress. I know that it could go on forever in some ways, but I feel like my characters are saying that this is it, it’s enough, it’s the slice of life they wanted told and they don’t need me anymore to keep on living their lives.

This is extremely scary, because I’m going to be embarking on my first second draft now. I don’t even know where to begin. If anyone has any tips for me, I’d be grateful.

I’m feeling overwhelmed. I finished yesterday, but today I’m beginning to really understand the meaning of having finished the first draft. I feel a little bereft, a little lonely, but also gratified and fulfilled. The human capacity for emotion is a strange thing indeed.

The Ogre in the Bar [Flash Fiction]

Brad knew he was drunk because the ogre across from him was buying another round.
“Listen,” said the ogre. “I’m telling you, man, Shrek was the worst thing that ever happened to us. I mean, sure, now everyone loves ogres, right? But the problem is now we got standards. Before that blasted movie it was pretty much do-what-you-want, you know? No ogre told another ogre how to set up his swamp. Now, though, now we all gotta look kind of humble and be bad-tempered but not too much, and a lot of us have even started buying donkeys and turning their places into tourist attractions, and that’s just selling out as far as I’m concerned.”
“Yeah,” said Brad. “Yeah, that’s right.” He took a long sip of his sixth – or maybe eighth – glass of beer. “Tell me, friend,” he slurred, peering shortsightedly over the tops of his glasses, trying not to see the ogre too clearly. “How you got money to buy me all these drinks? Do ogres have jobs?”
The ogre looked offended. “‘Course we do! What do you think, we just loaf around all day making bubbles in mud-baths? See, that’s another thing, Shrek’s this layabout bum who doesn’t do nothing, and now people think we’re all like that.”
“What do you do, then?”
“Construction, mostly. Got the natural muscles for it. Sometimes I get a shift or two as a bouncer. But some of us have gone to school, you know, gotten an education, used brains instead of brawn and all that.”
“That’s great,” Brad said. He clicked his fingers at the waitress, who shot him an angry glance. “I think I’ll get the tab, man. I’m pretty beat.”
“Sure, sure, whatever you want. If you’re around tomorrow come by to chat. I’m here almost every night after work.”
Brad nodded vaguely. When he got home and climbed into bed, he thought about the ogre’s offer to hang out again. He had a feeling, though, that he would never to go to any bar on that side of town ever again.

A Pleasant Surprise – A Writer’s Tale

I tell people that I write. Because I do. But I have a hard time calling myself a writer. I wouldn’t dream of telling anyone I was an author, either, even though I’m working on my third novel right now.

However, I just had one of the coolest writing experiences I’ve ever had, and one which I’m eager to remember in years to come. Which is why I’m writing a second blog post today, something I rarely, if ever, do. Ready? My tale might not be exciting to anyone who isn’t me, but here goes.

My current work in progress includes some six main characters. I wrote the first ten pages of it about a year ago, in this blog in fact [if you’re interested, search for “Mr. and Mrs. Adams,” “Amanda,” and “Heather.”] During my semester at Sarah Lawrence this year, I took a writing class, and began to write this novel in earnest.

About five months ago, I wrote a scene in which Amanda, one of my characters, is drunk and having a breakdown of sorts. She has never been drunk before, is introverted, is scared of her own passions and hides behind her instincts as a caregiver much of the time. As the listener, she can remain safe and closed off while still maintaining meaningful relationships with people she cares about.

Now, this scene I wrote so many months ago was, I knew, going to fit in only towards the very end of the novel. I haven’t looked at the scene in months, waiting for the right time to go back to it and insert it where I wanted it to go. The day before yesterday, I was writing the scene that I knew would directly precede it, in which Amanda’s friend makes her a drink, and Amanda, for the first time ever, decides to be reckless and takes it.

In the scene I wrote the other day, I had her friend making her a White Russian. The next scene I wrote was about other characters. Today, I wanted to put in the scene I’d written all those months ago, and so I scrolled to the very bottom of my file to reread it and see what I was going to have to change. And here’s the kicker. I’d written there that Amanda was drunk on “milky White Russians.”

!!!

I had NO IDEA that I’d specified in that scene what she’d been drinking! I didn’t remember AT ALL that I’d already had the idea of what I wanted her to be drunk on! When I’d written the scene a couple days ago, I’d decided to go for White Russians because I thought it was the kind of yummy alcoholic drink that her friend would mix in order to lure Amanda into drinking!

But it seems that Amanda told me ages ago that she wanted her first experience with alcohol to be with this particular drink. It seems that even her friend, a relatively minor side-character, knew in February already that she was going to make Amanda a White Russian for her first alcoholic beverage. It seems that I know my characters even better than I thought, or else that they’ve been driving me to write what they feel is the truth for them.

So. Maybe not the most exciting tale for anyone who hasn’t had the experience of their writing taking on a life of its own. But let me tell you, I’m going to be grinning about this revelation all day long.

EDIT: Another thing – in this same scene, written months ago, I’d mentioned homesickness for her mother. In a scene I wrote about a week ago, Amanda was missing her father and feeling homesick. So yeah, I think Amanda is really quite alive in my mind. Which is exciting.

Paparazzi [Character Study]

Mick groaned at the blinking icon on his camera’s screen; his battery was nearing empty and he had nowhere to recharge it. It was a heavy thing, one of those cameras that impress people because they make a click-click sound when they snap a photo. Nowadays there were plenty of puny digital cameras that made the same sound just for the effect of it. Mick hated those.

He wasn’t the best-looking guy in the world, but he’d learned to use what nature had given him to good advantage. When his buddies asked him how he did it, how he managed to get the one-night stands past his wife, he just smiled knowingly. The truth was that Brenda didn’t give a rat’s ass about him anymore. He suspected that she, too, had a couple of men at her beck and call. The bitch.

Turning off the camera to conserve the battery, Mick stretched. There wasn’t much room in the car – there was another thing that wasn’t fair, his wife had gotten the new car and left him with this hunk of junk – and he had to turn so that his left arm would have some room to maneuver.

Across the street, the line in front of the nightclub never seemed to get any shorter. New people kept coming: women who looked prepubescent and too-thin, men with elaborate sweeping hair-dos made to look casual, muscled and toned giants, fake girls with more plastic in their body than actual tissue. Mick was a simply guy, he liked his women real, even if it meant that they sagged a little or were a bit uneven. But his work revolved around places like this, where he got to see this other world that he would never belong to.

Like always, the space of a blink changed everything. Mick straightened up, alert, switching his camera on and bringing it close to his eye. The door to the club had opened and two well-known faces came out. They were holding hands. They leaned towards each other for a kiss and Mick began to click away.

Full of It [Flash Fiction]

The world outside my window seems to be covered in mist but I don’t know whether my vision is screwed up, my medication is affecting my eyesight, or there is simply a haze due to pollution and humidity. I find myself doubting my own perception a lot lately. Ever since I had that dream the other night, my reality has been compromised.

My boyfriend tells me I’m full of crap, of course. He’s tall, six-foot-something, and he has to bend down quite far to kiss me. Not that he does that a lot anymore. Usually he expects me to climb up on my tip-toes or stand on some higher ground and reach up to him. He still leans down to whisper in my ear, though. I used to love it, but not anymore, not since the dream. I made the mistake of telling him, yesterday, that his whispers were giving me the creeps. Maybe I could have been more tactful about it, but I was telling the truth, asking him to stop sneaking up on me like that. He blew a gasket. I’m not actually sure what ‘gasket’ is (according to Google, it’s “A shaped piece or ring of rubber or other material sealing the junction between two surfaces in an engine or other device.”) but I think that’s what he blew. He told me that I was losing it, and that if I wasn’t careful, he would force me into the loony-bin.

I’m not scared of psychiatric hospitals, though. I sort of, kind of, accidentally-on-purpose forgot to tell him that I spent a lot of time in them when I was a kid. Although I’m kind of still a kid. But you know what I mean; when I was prepubescent and innocent, I spent a lot of time in hospitals. They were quite helpful, actually. I wish I hadn’t agreed to quit therapy for my boyfriend. But he told me that we needed the money for a bigger place, and I caved in without really thinking about it. But I wonder what Sonia, my most recent psychiatrist, would have said about the dream.

A scream echoes outside, and I can’t tell whether it’s a cat or a baby. Sometimes they sound the same. Maybe my neighborhood is actually full of shape-shifting babies, turning from human to kitten and back again? There are old people in the park, with Filipino caretakers swarming around them, chattering in their local dialects, socializing with others who know the village where they grew up. The old people drool and blink at each other, silent. Actually, they’re not there now; but I know that they’ll be there soon, gathered around the benches, so I’m already prepared for the way they’ll all look and the conflicting emotions I’ll have when I see them.

I can’t really remember the dream from the other night. I think it involved old people. And Filipino caretakers. Maybe even babies morphing into felines. And maybe none of these things. The dream has passed beyond the veil of my coherent memories now, and all I know is that I feel, for the first time in years, bereft of something. It’s as if, when I woke up from the dream, I woke up into this life that I wasn’t really aware I was living. The thought has even occurred to me that maybe I wasn’t living in this body before I woke up the other day. Maybe I was an old person in a wheelchair, or a lonely Filipino sending money to my wife back home, or a baby watching in wonder as its fingers grow claws and its thumbs retract back into its skin.

My boyfriend says I’m full of crap, though, so maybe I’m just imagining things and foaming at the mouth, desperate for something different to come along and save me from the monotony.

Amelia [Character]

Amelia thought about death a lot. She didn’t consider herself morbid. She told people she was a realist. “Every time you cross a street, you might die,” she would say. “A freak tornado can happen at any time. Earthquakes aren’t that rare. All it takes is one moment of being in the wrong place at the wrong time, and you’re dead. And that’s a fact.”

She ran a finger underneath the velvet choker tied round her neck. Lifting the long-stemmed glass in front of her, she took a sip of champagne. The bubbles burned her tongue. The restaurant was brightly lit, clean and simply decorate, but Amelia saw dozens of opportunities for death all around her. If the waiter slipped right there, he would bang his head on the corner of a table. If the bartender poisoned the beer barrels, everyone who was ordering on tap would be in trouble. If the electric chandelier fell, it would crush the angry family sitting at the table directly beneath it.

“Ah, Amelia! Welcome back, welcome back,” the head waiter said, shuffling over rather nervously and drying his sweating hands on his tailcoat. “What can I get you today?”

“Nothing much, nothing much. This champagne is rather nice, you know.”

“I’m glad it’s to your liking!”

“Yes. Do you know that if you swallow something the wrong way, the fluid stays in your lungs? You can accumulate so much fluid there that it can kill you.”

“Indeed?”

“Hm. I think so. Maybe not. But it makes sense, doesn’t it?” Amelia realized she was a little tipsy. This was, after all, her third glass. “Death is a beautiful thing, my dear sir, did you know that?”

“Amelia, now,” the head waiter extended his hands forward, trying to ward off the oddness. “You remember what happened last time we had this talk?”

“Yes,” Amelia said, her voice serene and her eyes gazing far away. “You ended up escorting me out very rudely and then calling the police. The police, mind you, could have been very rough with me. Did you know that there was a kind of thing as ‘suicide-by-cop?'”

“No, I wasn’t aware. The cops weren’t rough with you, were they?” The head waiter’s anxiety levels were rising and he could almost feel the blood pressure closing his arteries and making it difficult to breathe. Amelia, or maybe it was Amelia’s money, often had that effect on people.

“No, no, of course not. But they could have been, you know. I just think you should get us both some lemon pie and then sit down and have a chat with me. What do you say?”

The head waiter made his excuses and hurried away to get the bill which he would put, not so tactfully, beside Amelia’s plate of pie. He sometimes had nightmares about Amelia. It was hard for him to envision her as someone like him, with a family and a past and some future. She had significantly less future than he did. Maybe that was part of why she frightened him so much.

It was so convenient and easy to see her as a scary old witch who was fascinated with her mortality; it was rare that people saw her for what she was – her friends dead, her family members all involved in their own lives, she was an old woman who was, indeed, fascinated with her mortality.

X-Men: First Class [Review]

I watched the first two X-Men films on a television screen in preparation for seeing the third in the theater. I remember choice moments from the series, although if you asked me to organize them, I wouldn’t be able to figure out which bit belonged in which film. I remember, for instance, the talented Sir Ian McKellen as Magneto; I remember lovely Anna Paquin playing some character with a white streak in her hair and not being able to kiss anyone; I remember the fascinating Mystique, her character a silent, blank, dimension-less shadow; I remember Xavier’s infuriating calm and how angry I was that he pronounced his name Exavier instead of Zavier.

The newest addition to the X-Men saga is a prequel that follows the origins of the mutant movement. The film was fun, gripping and action-packed but managed to move through a coherent and interesting plot as well. No small feat for a film based on a comic series that includes so much information that it could never hope to all be transferred to the screen. I enjoyed seeing Xavier’s arrogance as a young man, his high-and-mighty nobility that really stems from a need to be accepted and adored. I found the friendship between him and Magneto to be a beautiful thing, but very much like that of Sebastian and Charles in Brideshead Revisited or else Dumbledore and Grindlewald in Harry Potter and the Deathly Hallows – that is, beautiful, but with a clear lack of balance and sticking-power. It was, I suppose, to good to be true, and so of course they must part. This isn’t a spoiler, mind you, because anyone who’s seen the X-Men series so far will remember that Xavier and Magneto are sworn enemies who speak very nicely to each other and allude to a former friendship.

And yet, sadly, there was much to complain of. Mystique’s character was annoyingly vague – fine, she appeared in Xavier’s kitchen one day, they became staunch friends… and? Where did she come from? What makes her trust him? Why does it take her so many years to realize that she has feelings for him? And those feelings, once displayed, disappear so quickly that I wonder if they were even there at all! She’s very confusing, which isn’t helped by the fact that the actress seemed, to me, to be having a tough time stringing more than a couple of words together at a time. The script, too, failed me towards the end, when I began to predict every line the characters uttered because they were a string of clichés that explained, very quickly, several facts that are supposed to make the audience go “ooooh!”

Finally, I remained unconvinced that the film was taking place in the early sixties. Everyone’s clothes seemed exactly like those we wear now. Maybe the X-Men all have another mutation that allows them to predict the fashion sense of the future? Maybe I’ll find the scene explaining that one in the deleted scenes on the DVD.

Jo’s Bee [Flash Fiction]

In a pinch, anything will do, Jo thought. She wondered whether she should write the sentence down in the little purple notebook that she carried with her, but decided it wasn’t important enough. She watched a bee climb higher onto a flower. Its furry body was enticing, a stuffed-animal in miniature, and she longed to touch it, to stroke its back gently with a finger and feel the hairs tickle her flesh.

She moved very slowly, trying to position herself so that she could see what the bee was doing inside the flower. She couldn’t remember how they carried pollen; did it stick to their legs or their bodies? If it was to the legs, was it the back or front ones? And what about that thing people always said, that bees weren’t, technically, supposed to be able to fly? She’d heard someone say that if you could convey to a bee that it wasn’t supposed to fly, it would fall right out of the air. A beard and rimless glasses shaped themselves in her mind around a thin-lipped mouth saying the words, trying to explain the concept of conceptual reality to her (and that was an issue in itself: the concept of something conceptual? It was all very confusing.). She thought of whispering softly, in bee-language, “You can’t really fly, you know,” but decided it would be much too cruel.

A shadow fell over her, the bee and the flower. Jo didn’t move, and neither did the flower, but the bee was startled and flew away. “Wait,” Jo called to it. “Come back!” But it was gone. She turned to the possessor of the offending shadow. “Look what you did!”

“What did I do?”

“You scared the bee away.”

“I did no such thing. Come, dear, supper is being served. There’s green jello for dessert today – your favorite!”

Jo sighed, but she allowed herself to be helped up and steered inside. She suddenly had an idea. “Can I have honey with my tea and toast?”

“Honey? Why, of course you may, dear. You never ask for anything special, you’re so good, I’m sure we can give you some honey today as a treat.”

“Good.” Jo pulled the notebook out of her pocket and stopped for a moment to write down the following:

If you can’t watch the bee collecting pollen, at least you can taste a little honey. In a pinch, anything will do.

Lily and Jasper [Flash Fiction]

Lily pushed her sunglasses down over her eyes and stretched. The summer sun was beginning to set, and the tree she’d been lying under would soon be at the wrong angle to give her shade. That was alright, though. Her skin was hardy enough to withstand the evening sun’s rays.
A hiccough made her look down. Jasper’s eyes, almost impossibly big in his small, chubby face, were inquiring. Lily was fascinated by the way he always seemed surprised. Every burp, every laugh, every awakening seemed entirely new to him and full of excitement.
“Is that enough tummy time?” Lily asked. “Hmm? What do you say, big guy?” Jasper hiccoughed again in answer. Lily smiled and lifted him up into her arms. She leaned sideways and dug around the big bag her mom had helped her organize, trying to find the bottle. She discovered it tucked sensibly in an outside flap where it couldn’t spill over into all the bibs, diapers and wet-wipes that weighed the bag down.
Fussing a little, Jasper eventually latched onto the rubber nipple and – of course – looked surprised at the liquid that he was sucking from it. Surprise turned to pleasure and he half-closed his eyes.
“You look just like me when you do that, you know? Just like me. We both love good food.” Lily had decided before he was born that she would talk to Jasper just like she talked to anyone else. She wouldn’t raise her voice even one note into the high-pitched tones that her mother and sister used. Her mother thought she was being pretentious, but Lily didn’t care. She was going to give Jasper what she’d given up when she’d discovered, six months in, that she was pregnant. She was going to give him the scholarship she couldn’t use yet, the love that her parents had only sporadically given her, and the respect he deserved from the moment he was born.
The only thing she couldn’t give him was a father, and she hoped that one day she’d manage to fix that.

Kiss Me [Flash fiction]

“Kiss me.

I want you to kiss me.

Do I get a kiss?

So what about a kiss?

How about a kiss?

Goddamn it!”

Shannon’s face screwed up and she put her fists over her eyes, blocking the view of her rapidly reddening face in the mirror. She breathed deeply, trying to calm down. She felt the blush recede slowly, and took her hands away, although her eyes were still closed. Puckering her mouth, she made a soft kissing noise and then uttered a loud “yech!” Turning away from the mirror she grabbed the phone off her bedside table and scrolled through the texts she’d received from Peter. They weren’t many of them, but they all seemed to indicate that he enjoyed the two evenings they’d spent together.

So why won’t you kiss me? she thought fiercely, trying to telepathically send him the question burned across the coils of her thoughts. She wasn’t obsessing. She’d been warned not to obsess again, not over another one. The past three men had been nothing, bodies that she remembered stretched naked in her bed, unappealing in the morning when the alcohol and excitement had worn off. But Peter was different. He and she had known each other for years, had worked together companionably at the factory. There was that one week when she’d been transferred to make up for a lack of employees in some other section, and it had been horrible, full of men trying to hit on her and women who looked at her tank top and low-slung jeans derisively.

Peter saw past that. He told her about his troubles at home and how his wife’s last miscarriage had been the final blow for them. He was a widower, and three dead babies hadn’t helped him emotionally. But Shannon thought that she might be helping. She wanted to see him in her bed from the first time they’d met, but, uncharacteristically, she’d never made a move, even when he and his wife were separated. She waited until the divorce papers went through, and still never hinted at her interest in him. Instead, she continued to date others, pretending that everything in her life was just the same as it had been.

But then, finally, he’d asked her out. And now he wouldn’t kiss her. Tonight was the third date, and she didn’t know if she should kiss him or not. She didn’t want to, though. After years of being the initiator, she thought that it was someone else’s turn this time. She threw her phone back on her narrow bed and strode over to the closet. The door creaked as she opened it. She pulled down one of the blankets from the top shelf, a blue and purple afghan, and flung it over the mirror. Then she picked up her toiletry bag and went to the shared bathroom in order to get ready for her date.

But all night, the two words that kept going around and around her mind, looping like a broken record, were ‘kiss me.’