imagination

Horror

Horror doesn’t only happen at night, you know. It happens on the streets of London and in the slums of New York. It happens in the homes of the rich and the poor alike. It happens in your back garden when you’re not looking, or right in front of you when you’re trying not to see. Horror is everywhere.

Believe me, I know. Why? I’m not sure you’d understand. I’m not sure you really want to know. See, there’s a problem with you people – you always say you want to know, but then you cringe and cry, snivel and beg, and I need to deal with it. It all gets very tiresome. So if you want me to tell you why I know about horror, you need to promise me that you can deal with what I’m going to tell you. Well?

Ah, there, I knew it. Once you’re confronted with what happened to everyone else who asked the same question, you back off. That’s smart of you. Sometimes you people actually do learn something. I like that. There’s nothing fun about playing with your food if it doesn’t know what the outcome is. The mouse, for instance, instinctively knows that the cat wants to eat it, so when a cat’s paw descends on its tail, it’ll bit that bit off in order to get away. Of course, once it does that, the cat will catch it by its body and eat it anyway. But the point is, the only reason it’s fun for the cat to play with the mouse is because the mouse knows what’s coming. And now, you do too.

Now, now, don’t give me that look, please. You knew from the moment you called for me what was going to happen. Yes, remember? You’re the one who called me here. You called horror upon you, and horror comes in the guise you gave it. It’s time for you to live with it simply being your own fault. You think you’re dreaming, I know, and maybe you are! But tell me… Right now, does it matter whether or not you’re dreaming? I’m pretty horrible either way.

 

Creatures of the Mind

Far off in the meadow,

Resides the fairy queen.

She’s always dressed in yellow,

Her face always serene.

**

High up in the cloudy sky,

Santa Clause snores away.

His wife bakes him apple pie,

For warmth on chilly days.

**

Deep down in the earth,

The devil plays at cards.

He welcomes to his turf,

All sinners, cheats and bards.

**

In every theater around,

Dionysus spends some time.

He helps sew up the gowns,

And always shares his wine.

**

The graveyards hold Death,

In all his austere glory.

He’ll take away your breath,

When it’s time – don’t be sorry.

**

In recesses of our minds,

Inside the hearts of all,

Live things we can’t define,

Unreal creatures, great and small.

 

 

Not Enough Colors

The sky outside is so black.

The light inside is so yellow.

It’s so damn hot that I feel red all over.

The screen in front is blindingly white.

My hair really is brown, no matter what they say.

I wonder if I’ll ever have the guts to color it purple…

Maybe then, my eyes will look more blue again.

It’s amazing, but I’ve actually managed to avoid having anything pink in my entire room.

It’s odd, but the only green that I can see is on Dr. Seuss’s Yurtle the Turtle.

The speaker on my left has a silver glint to it with the light on the way it is.

Gold? Well, my bracelet is rusting and looks pretty gold now.

I’m quite unimaginative at the moment, so I must be missing some colors. I’ll keep looking around. Anything to distract me from the dead grey of the stone sitting in my chest.

“Some Fish Need Certain Bicycles”

I want to be very clear that the narrator of this poem is NOT ME. That is, she is perhaps an aspect of something within myself – but the poem wasn’t written about someone specific. It’s from a couple years ago, and I just rediscovered it in my files and thought I would share it.

I’m sorry I come off strong,
But I’ve been with you too long
to try to hide what I feel and shut my mouth.
I would agree to never see another snowflake
if only things would stay the same,
If only I’d be the only name in your mind
that brings memories of the kind of pleasure
you and I share.
I cannot imagine another life,
Not without your mind and body and soul.
My only goal, as of now,
is to make sure you don’t get tired of me,
that you keep on loving me,
that you won’t want to forsake me.
I wish I needed you like a fish needs a bicycle,
but it’s not true that I do,
And I don’t know how it ever could.
Scary? Oh, I know I am.
Am I in love? Very much so, thank you.
Sad? You have no idea.

Groceries

You can learn a lot about people when you go the grocery store. Well, perhaps that’s not right. Seeing them shop doesn’t tell you a thing about their life, not really, except for their attitude in a grocery-store, surrounded by ads, products, sales and other people. But I like to invent lives for them, as I pretend not to watch them.

There’s the man who’s losing his patience with his two young sons. There isn’t a woman around, and I assume that this man has already started his spring vacation from the office but his wife is still working. That’s why he needs to take the boys, who are on their vacations too, shopping with him. The man is large, tall and broad with a beer-stomach hanging over his belt, and his two boys look to be between eight and ten years old. Both have straight brown hair, not cut shortly but allowed to grow around their ears, and round faces, rosy with the fun of shopping. They run between carts, duck under baskets and then run back to their dad, shouting suggestions. He snaps at them, but it does nothing to dampen their enthusiasm.

There are two women standing together at the cheap, bad quality clothing section. The clothes aren’t folded very well, and the shelves look a mess. Still, one of the women is holding up a shirt to the other one, and they seem to be deciding whether or not it’s worth it. I can almost hear their conversation, even though I have earphones on: Should I? No, I shouldn’t, right? Sure you should, look how cheap it is! But do you really think it’ll look good on me? Yeah, I do, but who cares – look how cheap it is!

At the checkout line, there’s a young man with curly brown hair and fuzz on his cheeks. He’s waiting patiently in line, which isn’t surprising, because he’s too occupied with a loud conversation he’s having with his cellphone. He smiles a lot and laughs, and I like to think he’s talking to a buddy, laughing about the antics they’re looking forward to experiencing during the coming weekend. He’s also looking around a lot, keeps turning around from his cart to gaze at the aisles. I think he might have met someone here a week ago, at around this hour, and that’s why he’s here again this week at the same time. He’s looking for her, this woman he laughed and chatted with and didn’t have the guts to ask out on a date last time.

In front of me, in my line, there are two women – they have to be mother and daughter, but they couldn’t look more different. The one who’s leaning on the cart is short, tiny, and ancient. Her hair has that bluish tinge to it and is thinning, and her hands look like a map, veins representing mountains or streams and the liver spots representing dwellings. Her daughter is middle-aged, probably around fifty or so, and is tall and skinny. Her face is lined, too, but from care or hurt rather than from age. She has sad eyes, even as she acts with great speed: taking things out of the cart, moving it to the other side of the register, starting to bag the items and putting them back in the cart, and paying her bill. She speaks familiarly to her mother, and even though her actions point to an efficiency and brisk character, there’s a subtle tinge of tragedy about her. Maybe a death of a loved one – husband, or maybe even a child.

And then, finally, it’s my turn at the register, and I mimic the sad woman’s efficiency, trying to get my things out of the way as fast as possible so I can get back home and out of the heat of this sunny March day.

A Monarch’s Responsibilities

History is a vast and incomprehensible mystery to me in many ways. We have facts about things that have happened in the past – we have dates, records of events, paintings reproducing the faces involved in those events, poems and diaries devoted to giving opinions and preserving what happened in a biased manner. We have all these things. Mystery, to some people, seems like a wide-open book, its contents there for us to look through, sift for what interests us, and indulge ourselves in knowledge of old.

I don’t feel this way. In my opinion, history is full of so much that we don’t know and so much that I wish I could know. True, we know when Martin Luther began to speak and write about his emotions about being a monk and part of the Catholic Church. In his instance, we can find quite a lot of emotional and sentimental writings from his own pen, or maybe quill, and we can see into his mind, as far as he lets us.

But what about others? What about the farmers and the spinners and the dye-makers that England had in such profusion in the sixteenth century? What were the children running barefoot through the streets of London, so much smaller than it is today, thinking? What games were they playing? What was the man smuggling illegal documents from Europe into the English Empire thinking as he worked? Was he scared for his life or merely waiting to get paid so he could go home to his wife and child? What were the nuns, sequestered in their cloisters, talking about? How did they speak to their young students, and how did they infuse them with a love and a belief for the divine? Through fear? Through love? Through simply offering worship as a fact of life?

And if these so-called simple people’s lives aren’t interesting enough for historians to dwell on – well then, what about the monarchs? How could Henry VIII hold such power in his hands and play with it so lightly at times? What did Katherine of Aragon feel as she was condemned? We can guess, surely, but how can we know? What of Elizabeth? How did she feel when she was sought after for marriage through the years? Did she decide on her own to remain a single ruler in order to maintain a stable throne? Did she, perhaps, not find men pleasing in the manner she would have been expected to? Had she fallen in love with someone who never returned her love or never could?

It’s bad enough, thinking of the power that politicians and governments hold today. At least it’s distributed power, and is more or less given by the people. But monarchs… They were born. Some of them believed they were chosen by divinity to be kings or queens. They held so much power in their cupped hands, that they’d let some of it run through their fingers to those sitting at their feet, just waiting for a pearl or jewel to drop from those mighty hands. I can’t imagine how such responsibility could be held without driving the holder mad with indecision, worry, guilt. Such are the things that the annals of history can’t reveal to us. Thoughts, emotions, private sighs of elation or grief.

A Painting of Marie

The painting was by an artist whose name I don’t remember. I never looked at the name of the painting. I don’t remember what gallery it was in, nor what country the gallery was in. I don’t even remember how old I was when I saw it, only that it had to have been in the last few years. Still, despite all this, the painting is clear in my mind’s eye as if it were hanging in my room.

In the painting sits a girl. She looks like she’s in her early teens, just blossoming into womanhood. She is sitting on a nondescript and unimpressive wooden chair, and the backdrop behind her is just a gloomy sort of brown. It’s unclear where she is, nor why she is sitting down. I named her Marie.

Marie has skin the color of milk chocolate- dark, but not very. Her hair, black as coal but looking a little matted, is tumbling around her shoulders, though I get the impression that it’s normally pinned in a quick bun and has only just tumbled down. Her lips are red and full, and she’s not really smiling, nor is she frowning. She’s simply gazing into space, not focused on the viewer of the painting but rather seems to be looking right over your shoulder, at someone behind you. Her eyes are a wonderful dark brown and seem intelligent but tired.

She’s wearing a blue dress with a white apron over it. She looks like she could be a maid, or perhaps a shop-girl sometime in the 1700s in the United States. For some reason, I feel like she’s a dweller of New Orleans, and I can picture her running barefoot through the dusty streets, maneuvering herself between pirates, privateers, salesmen and prostitutes.

Her hands are folded on her lap, and it looks like they’re not used to being idle in this manner. They look rough and work-weary, just like her.

When I saw Marie, I sat before her for maybe an hour, maybe more, just looking at her. I wanted to speak to her, hear her thoughts and dreams, laugh with her, walk down the streets of her life with her. But she stayed in her painting, caught forever by an artist in this one moment of repose.

Writing Exercise: The Portal

It’s not every day that you see a portal. Actually, I don’t know about you, but I’ve never seen a portal in my life. Well, let me amend that; I’ve seen portals, but they were just regular doorways or windows, a portal from one normal space to another. This portal, the one I saw today, was different.

At first, I wasn’t sure that what I was seeing was a portal. It looked like a shimmer of air – like the sort of shimmering that happens above the flames of a bonfire in a hot and humid night. As I drew closer to the wavering patch of air, I realized that if I looked at it out of the corner of my eye, I could see something through it. What I should have seen through it was just the trees, tall and boring palm trees, on the other side of the park. Instead, what I saw through the patch of air was something exceedingly odd.

It looked like a kind of demonic vortex: a sort of whirlwind of dark colors, weaving through each other and around and around the spiral they made, tumbling over one another and creating frightening images if I tried to concentrate on them. Sweat poured down my face in the summer heat as I kept turning my head this way and that, trying to see where the moving tunnel inside that patch of air led to. It was no use, however. The spirals of color just kept on and on inside that portal, and the ending was so far away it just looked like a black dot at the end.

The portal drew me towards it. I took a step, and another. I wanted to enter it, get swept up in that endless darkness and see where it would lead me. Before I knew it, my hand was inches away, reaching towards the shimmering air through which I saw the tunnel.

My logic kicked in. I snapped my hand back. I shoved both hands in my jeans pockets, like unruly children who had gotten away from me and needed to take a time-out. With one last, involuntary yearning, glance at the portal, I turned away. I turned my back on the fate that would await me if I entered that darkness. Now, at day’s end, my curiosity burns for that knowledge and my logic must sooth my imagination. “There, there,” it says in my mind. “It couldn’t have been anything good. There, there. It’s alright.”

Either-Or

Either…

A girl, a young woman really, will walk around the tree lined campus. It is a fairy-land, with gorgeous trees and small, squat buildings peeking around every bend in the twisting paths. The swing-set will be populated with the laughing, the confidant, the oh-so-cool older students. Her classes will be held in carpeted rooms with wooden panelling, in buildings with spiraling staircases and that smell of old wood. Her time will be spent in the tea house with the wood-burning fireplace, or at the small library or in the surrounding town’s adorable cafes. Ventures into the greatest of cities will be frequent and interesting. Her friends will be women, mostly, and her professors will know her by name, by writing style, by her very soul soon enough, as she will pour herself into the unrelenting and fascinating school-work.

Or…

A girl, a young woman really, will walk through the wide streets, entering campus and quad from the very streets of the suburb of the city. Her surroundings will be bustling rather than quiet, extremely collegiate and always full of students, both the young and the old, hurrying from one place to the other. Her classrooms will be small, but not quite so small, and she will learn to read the writings of conquerors and philosophers, of dictators and kings and mere professors of other times. She will be amongst a small group in a much larger place, and her outings will vary from visits to the cafes of 57th Street to tours of the grand theaters and museums. Her friends might be misfits like she’d been and perhaps not so intimidating.

Either… Or…

A girl, a yound woman really, sits and thinks and deliberates. She cannot decide. She must decide.

The Countess

The Countess sat stiffly upon her throne-like chair. Her face was unreadable, except for the eyes. Those eyes were like endless black tunnels, drowning whoever dared look into them – the iris’s were such a dark brown that they seemed black, and it was difficult to tell the difference between them and the pupils. The Countess’s skin was a smooth, deep shade of bronze, perfect and without blemish. Her face, although expressionless, was built of contrasts: her eyebrows were a shade too thick for fashion, but were arched strongly and proudly above those cold eyes; her mouth was wide, her lips full, though her nose could almost have been seen as hawk-like on a less imposing woman; her cheekbones were high and sharp, though her chin was more rounded. The Countess’s hair was a tumble of ebony curls, pinned in an elegant knot at the back of her head and covered in a sheer veil.

The Countess was resplendent in a black gown, cut low to bear more of her smooth skin and to accent her long, slender neck and full bosom. Although black, the gown shimmered with a hundred points of light that came from the tiny crystal beads that were sewn into it, making the Countess glimmer and blind those who stood before her with every shift of the cloth, as those beads sparkled in the light coming through the tall windows.

The Countess was feared through-out several lands, and respected and feared in her own. She knew this. She used her power. She wrote laws, built bridges, waged war and made peace, all while sitting stiffly on her hard, wooden chair, gilded in gold paint that was never allowed to chip. Her power seemed limitless to those who were in awe of her, and unnaturally so to those who feared her. The Countess alone knew, and pondered, that a day would come when her stiffness would give way to fatigue and her convictions would shatter in the face of weariness. She alone knew that she would not last forever. But until the rest of them realized it, she would never, ever, let it be known that she knew it.