As you enter, you hit not so much a wall, but rather a whole cathedral of sound. There is no escape, no corner where relief from it can be found. If you’re there, you’re not looking for that kind of relief anyway. No, if you’re there, if you’re one of the mass and crush of bodies that fill the place, you’re looking for the kind of relief that can be found only in surrounding and drowning yourself in sound.
Darkness – though punctured by swirling colored lights one moment and a bright flashing white light the next moment – is still the feeling and the living presence that dominates the space. You can feel it in every square inch, the darkness being beckoned and welcomed as a savior, as a necessity, as a living thing to be worshiped. The throng of people treat the darkness as a blessing, a way to keep their anonymity, a way to overcome shyness or fear, a way to live out their wildest sides.
The music is no less important than the darkness. It seems to induce madness, or perhaps levitate towards ecstasy, as people lose themselves in the movement, in the noise, in the never-ending thrum of the bass in their hearts and stomachs. Smoke coils endlessly in the air, the pungent smell of strong alcohol mixing with it, as cigarettes are lit one after another, as drinks pass from hand to hand.