Some people notice the buildings. They look up, the backs of their necks wrinkling like old men’s foreheads, and they strain their eyes and get dizzy with vertigo. They notice the heads carved above the windowsills on lower Broadway. They notice the snazzy designs on the Flatiron and the dials on the elevators going from the lower tracks to the main concourse of Grand Central.

Some people notice other people. They notice the variations in skin color and, for the first time, stare at their arms encased in black coats and gloves and their chest wrapped in scarves and realize that on the crowded bus where the windows are all blocked they cannot see any reflections of themselves. They notice the possibility of their skin being any color at all; they could blend with any of the races siting around them or be a mix of any or all of them. They could be green or blue or polka-dotted and it wouldn’t matter in this moment.

Some people notice the reactions, the connections, the bizarre randomness of people finding one another in lines for coat checks, on street corners, inside corner delis, before entering a taxi, upon exiting an elevator.

Noticing everything in New York City is impossible. Noticing as much as possible is the constant, ultimate goal. It is a city evolving and living up to and through every stereotype it has ever had while building new and unique traditions for itself at the same time. Things are old and new, familiar and strange at the same time. There is a sense of having been everywhere before and seen everything, even as the unfamiliar shadows of taller buildings than those ever encountered before fill the streets and avenues. New York is a city of unnoticing lives being noticed by noticers.