Swamping a small space inside an inn that is surely not in Surrey despite its name are several dozen frozen faces, dripping in the heat lamps. Masked in social-butterfly expressions, they eat brownies, pretzels and sip white and red wine. A few of the brave clutch bottles of cool green beer, proving their ability to think outside the box, which in this case is the social gathering they have gathered socially for.
A white man with white hair speaks from a podium to a room of mostly white faces. He is shrivelling up like an acorn’s shell left in the corner of the room during several seasons; the signs of decay are barely there but if you chip the exterior with a fingernail, all the little outside triangles will dust right off and you’ll be left with a wrinkled and broken thing that used to hold a seed of something great.
Polite claps. The writers flee as politely and unobtrusively as they can, in groups of three or four, pretending that their greatest desire isn’t to hide under the covers with their antidepressants, whether in bottle, pill, teddy-bear, book, television, or person form.
It is the beginning of what promises to be a gruelling, frightening and terribly – in all the disparate meanings of the word – illuminating two weeks