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Balm

On the deck of a ship made of stars and woven by the magic of dreams, you and I stood together. It was a cruise ship, and we were surrounded by other people. I always start conversations about important things when there are other people around. I wondered whether he actually listened anymore. Whether it mattered at all, that there were others there to hear. Maybe I created them as witnesses to my downfall, to my humiliation.

“It’s his birthday,” I told you. You nodded, and you smiled.
“He would have been sixty-six,” I told you. You bowed your head, and frowned.
“Yeah,” I said. You rubbed my arm a bit, a cursory gesture, a symbolic one with nothing behind it except the weight of a history that I remembered and you didn’t.

There was a cord tied around my chest, making it hard to breathe. It was tied to your wrist. I remembered how, when I was little, my parents would tie balloon strings to my wrist so that I wouldn’t let go and lose them and cry. But they’d tie them tightly, making a red stripe in my flesh. The cord on your wrist was so loose that it was almost falling off. Had it ever been tied tightly? I couldn’t remember anymore.

A wave rocked the ship, making me jump. You stayed calm, collected, cool, even though there were tears in your eyes. You said there weren’t. But there were. I wished they were there because of me, but I knew they weren’t. They never had been, even though once, a long time ago, I had convinced myself that they were.

When I woke up from the dream, I found that I had wet the bed. There were still strangers all around me. They were asleep, thankfully. I was on the bottom bunk, and I got up and stripped the sheet as quietly as I could. I hadn’t done anything like that since I was five or six years old. The smell of urine was as familiar as your scent but far less pleasant. I tip-toed out of the twelve-bed room, into the hallway, down to the back and out the hostel door to the courtyard. I threw the sheet in the industrial-sized garbage cans there. I was too embarrassed to leave it on the bed to be stripped and washed. I decided I’d rather be charged an extra four euros for stealing it.

The night was balmier in this foreign country full of guttural voices. Barefoot, I stretched out my arms and felt the wind cool the sweat on my body. It was the nicest thing I had felt on my skin ever since your fingertips had traveled the same soothing route when I used to have bad dreams.

On Being Freshly Pressed

I started writing when I was fifteen. Oh, I don’t mean that I learned to write then. I learned to read and write at a pretty typical age. But an important part of the process for me has to do with the fact that I am bilingual. Although I was born in Los Angeles and my parents had no idea, at the time, that we’d end up moving to Israel, my father wanted his children to grow up speaking Hebrew and so from the time that my brother and I were born, he spoke Hebrew – and only Hebrew – to us, while my mother spoke English – and only English – to us. This doesn’t always work, apparently. It very nearly didn’t, with me. I understood my father, but until I was three years old, I would answer him in English, even though he spoke to me in Hebrew.

We moved to Israel when I was three, and I began to be immersed in the Hebrew language. I had to speak it, whether I wanted to or not, because I wouldn’t be understood otherwise. So I did. I first learned to read and write in Hebrew, although my parents both read me stories constantly, every night, in either Hebrew or English, depending on which parent was doing the reading.

My mother had to teach me how to read and write in English, on her own, with the help of little brown books with stick figures in them. I hated the lessons, for some obscure reason. I hated learning to read and write in Hebrew at school, as well. Curious, really, as I loved books and stories. I went to bed every night listening to audiobooks, and I loved being read to.

I did learn to read. And to write. First in Hebrew. Then in English. The reason this is important, is that I think that this order is connected to the fact that I also started writing creatively in Hebrew first. I wrote poems, as many an angsty teenager has. I wrote poems about burgeoning lust, love, trials and tribulations, about friendships and desires and disappointments, about my low self esteem and the way I felt I didn’t have a voice.

When my father died, when I was sixteen, I shifted over to English. Though I had become a voracious reader at the age of nine, with the discovery of the Harry Potter books, I began to read far more than ever before – my need for solitude and escape made me turn towards the imaginary worlds inside books. I began, tentatively, to write bits of things. Poems. Stories. Bits of characters. Nothing particularly coherent, though.

There was a self-discovery to this. When I was eighteen, I started this blog. This very blog, the same one that I have now, four years later. I had written in many diary-like blogs before. I had written and abandoned too many paper-based diaries as well. But this blog, I decided to use strictly in order to practice my writing. I didn’t know what I was going to do with it. I didn’t know what kind of writing I was going to stick to, if any, though for some reason I thought at first that I was going to try to be funny and witty. I thought I was going to try to comment on my life and write anecdotes about it. I have, and I still do, at times.

But that is not what this blog, or my writing, is really about. Of course, I cannot claim my writing is about any one particular thing, because it’s not. I am young, ridiculously so, and though I am continuing on my path to become a working writer, I also know that there is no single definition to that term.

What I do know, however, is that I cherish stories. Stories, to my mind, are where people can find empathy and relate to others. Stories are the way we communicate with one another on a daily basis, they’re the way we pass things along from one generation to another, and they’re the way we define ourselves. Stories are my lifeblood, they are the way mind works, and they are the reason I love language and words and books so fiercely.

Being chosen to be featured on WordPress’s “Freshly Pressed” page is an honor that I can’t really understand or contain, especially as the story chosen was one that – when I wrote it – I didn’t think was particularly good. It was okay, but it wasn’t one that I was (or am) very proud of. But a writer doesn’t get to choose what others see in her work. Part of what publishing my stories online is about is allowing them to be seen for what they are and to stand alone.

I want to welcome all the new followers I’ve garnered and to thank you for deciding to accompany me on my continuing quest to practice writing. What you’ll find here, most of the time, will be short stories or flash fiction. I will also occasionally write posts about my life, or things I see, although oftentimes I choose to explore those things in story-form as well.

Some Everydays

Wadi’ah sat under the table, tying and untying her father’s shoelaces. He was speaking English, a language she knew the contours of and could recognize, but didn’t understand. She knew that he was talking to a sahafi from a radio program from America. He told her that talking to the sahafi might help, that he would tell the people in America that they needed help, to please help everyone who was struggling. He had made Wadi’ah promise to be quiet during the interview, and she’d promised.

And now she was under the table. Wadi’ah hadn’t expected was for the sahafi to be a woman, in jeans and a long-sleeved black shirt and short, graying, uncovered hair. The woman’s shoes were similar to Wadi’ah’s father’s. They were tennis shoes, grey with a blue stripe. One of the laces was untied.

Wadi’ah slid, as quietly as she could, across the dusty floor. Her mother wasn’t around to clean anymore. Her father said she wasn’t coming back anymore. He’d cried, and she’d cried too, but she still was certain, somehow, that he was wrong.

She lifted the woman’s white laces up off the floor. The woman’s leg was very, very still, and she said something in English that made Wadi’ah’s father laugh. Wadi’ah loved her father’s laugh because it was very loud, like a donkey braying. It made her nervous for a second now, though, because she thought that maybe he would look under the table and see that she was holding the woman’s laces, but he didn’t, so she tried to tie the woman’s shoelaces tightly but without the woman feeling it. When she finally managed the last bit of the knot without the whole thing falling apart, the woman’s leg twitched, and Wadi’ah scuttled back towards her father’s feet.

There was a bang. The door of the house had slammed open. It was Farouk. He was yelling, shouting, like he had so many times before. Wadi’ah lifted her arms up, almost on autopilot, and sure enough, her father swept her up from under the table, at once.

The shelling began in the street as he ran downstairs to the tiny cellar they had built under their house when all this began. Farouk pushed the sahafi woman in front of him and heaved the cellar door shut behind him. The woman whispered something and Farouk hissed, angry. Wadi’ah’s father slapped his wrist in the dark. Then he spoke in Wadi’ah’s ear, so softly that only she could hear it.

“You saved her life, you know. If you hadn’t tied her shoelace, she’d have fallen and never gotten in here. You’re a good girl, my Wadi’ah, you’re a good girl.”

“Will Ama come back to us now I’m good?” Wadi’ah asked.

Farouk hissed at them to be quiet again, and the sound of shelling and the stomps of soldiers grew closer. Wadi’ah knew she couldn’t ask any more questions now, so she hushed. She’d have plenty of time to ask about her mother again later.

 

How I Deal With Things

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It sounded like fireworks, first. I thought it was maybe fireworks, like maybe one of the big kids brought them to school when they wasn’t supposed to. We’re not allowed to bring things like that to school. We’re not even supposed to have fireworks at all, but one time me and Adam and Jake and Hamed, we all had fireworks and we tried to light them but they were bust because they were wet. Adam got them from his big brother, but his big brother musta wet them before giving them to us. I bet he thought it was really funny.

So I didn’t know why there was fireworks at school. But it didn’t sound exactly like fireworks because there wasn’t that after bit. And there was a bit of other noise, like kids yelling and stuff. But I don’t know if I really heard that or not because Mom and Dad said that I might be imagining some stuff. I don’t know, I don’t really get it.
Anyway, Miss Anna, that’s our teacher, she got really angry when she heard the firework sounds. Popping noises, that’s how I heard other people talk about it. Popping sounds. So when she heard them, she got angry. And she told us all to be very quiet, but she didn’t yell it, like she sometimes does. I don’t know why, but we all did. We got quiet. I was kinda scared of her, I think. Because she looked seriouser than she did other times. I guess she wasn’t angry, I guess she was worried. I asked Mom about that and Mom said she wasn’t angry. Just worried. Everyone was worried. We were so worried, that’s what everyone keeps saying. Mom and Dad were outside when we ran out after everything, and they both hugged me and said we were so worried. I still didn’t understand why but the sirens hurt my eyes so I put my head into Dad’s stomach and he thought I was crying. I’m not crying, I told him, but I know he didn’t believe me and that’s when I got real mad and didn’t talk to him for a while. He always thinks I’m crying when I’m not. Just cause he cries all the time. I don’t have to cry all the time too.
Miss Anna first told us to get under our desks after the popping noises and then she did something she tells us never to do. She answered her phone. It was buzzing, not ringing, but we could all hear it, just like she can hear it if we try to play games with the sound off. She always says she has really sensy tev ears, I don’t know what she means, but I guess it means she knows when you’re using your phone even when you shouldn’t be.
She whispered into the phone instead of talking into to and I didn’t know how anyone could hear her on the other side because when I try to whisper to Mom on the phone she always says speak up. Then Miss Ann got down on the floor with us and I started to giggle a little because, well, it was funny. And Adam laughed too because he was next to me and he saw it was funny too. Mom told me after that it was okay that I laughed because I didn’t know what was happening and then it’s okay to laugh. But I still don’t really now so maybe it’s still okay to laugh.
But I guess it’s not okay to laugh because when I tried to laugh with some woman who had really nice red hair and was standing near Mom at the meeting where we saw the President, Mom told me to hush up. Sometimes she tells me to speak up and sometimes she tells me to hush up. I don’t know what I’m supposed to do then. Dad hugged me tightly when we saw the President speak. I know there’s a big P in President because Miss Anna taught us that last week in school.
There isn’t any school now. I just stay at home with Mom who isn’t going to work and Dad comes home from the shop for lunch and we all eat together. Which is really nice. But Mom keeps rubbing my hair a lot and she doesn’t let me watch anything on tv except for DVDs. And I want to watch something on the Disney channel but she keeps saying no, because she can’t see the news again. And then she cries. I still don’t really get why. I asked if it was about the fireworks at school and she looked confused, and so I said that popping noises and she asked where I heard about that. I didn’t want to tell her that I can’t sleep so good and that I hear her and Dad watching the news late at night, so I didn’t tell her. I said I just heard it somewhere. She said yes baby, it’s about that. And then she said thank god and she hugged me again. Parents are weird sometimes.

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Photo / Alexandre Laurin

[Note: Photo has no direct affiliation to this post and is being used for artistic purposes only]

Tin House – Master Plotto Student Edition – Second Publication

*Click here to read the story!*

I meant to share this with you guys quite a while ago, but I was in the middle of my second-to-last week of my first (very intense) term at Oxford. So, slightly belatedly, here it is. In November, I got emailed two very specific, quite weird prompts, of which I was to choose one. I had to write a thousand word short story within a week and submit it. The four winners of Tin House’s weekly Plotto competition competed against one another and… you guessed it, I won! The link at the top of this post will lead you right to the page with my story.

You are not so good

You begin to realize you’re not as good a person as you wish were. You’re not sure whether this is because of who you are, who you’re comparing yourself to on a daily basis, who you’re aspiring to be, or what you’re keeping in your belly and is emerging, in fits and bursts, and shocking people. You think it’s the last of these. Because, after all, if you would raise things that worried you at the right time, they wouldn’t bubble up like boiling water. As it is, you end up burning people, and they resent you for it. They begin to think you’re not as good a person as they thought you were before. They think you are hiding malice in your throat and in your lungs.
You wonder if they’re right. Everyone hides evil inside them, but there is evil and there is malice and there is innocent selfishness. You know your evil, your malice, is not original. You know that it is a product of your fear and your embarrassment. But you know that others don’t know this. It bothers you that the innocent selfish are seen as better people, because they, after all, are innocent. Selfish, yes, but innocent. Selfishness is being appreciated in your current surroundings, more and more so. You don’t understand this. It puzzles you. You’ve never experienced people who admire it so much. It makes you wonder, and it is one of the poisons leaking into your veins.
Your skin is peppered with invisible needles, the syringes of these poisons, most of which are connected to your own head. Others, just a few, come from other people. But really, even they, are probably linked to your own head in a way you don’t quite understand. You wish you could get it. You wish you understood better how to pluck these needles out, simply cut them out of your flesh.

You sit and listen to people talk everywhere and you wonder what happens in their heads. You love listening to them so much. They distract you from everything else you should be doing. Their heads – you know – must be just as loud as yours, but you wonder how different or similar they are. You know that each of you, each and every one, must be wrapped up to some extent or other in their own private world, and that is fascinating. You want their stories. You want to know their stories.

Fifty Words

Watching your father shave reminds you of the lion in the MGM logo. The movements are predictable, identical every time, but no less impressive for that. There is a grandiosity you wish you had, a majesty of spirit and body you have not yet attained. Manhood, you think, is incredible.

My First Publication

I am honored, terrified, ecstatic, nervous, pleased, proud (and so many other adjectives that seem quite incompetent to describe the strange muddle of emotions in me) to share with you the following link, which leads directly to my first ever credited publication:

http://www.tinhouse.com/blog/18949/master-plotto-week-two-winner-ilana-masad.html

Oh, Please Believe [Flash Fiction]

When Mother forbade me from going into her office, I was, of course, determined to go in there. I should have respected her privacy. I didn’t have the excuse of being a curious, nosy seven year-old anymore. I was married, thirty-two, and had a child of my own. But I was going through a bad divorce and I was living with her for the first time in over a decade, and I didn’t like the idea of not being allowed to go somewhere in the place that I once called home so naturally.

Mother and Father had moved into the house in the 60s, before I was born, and they never left. After I was five or so, Father stopped leaving for good. He was too heavy to go out much past the garden when I was a toddler, and by the time I was skipped up into first grade, he was only able to stand for a few minutes at a time and poke his head out the kitchen window to wave at me. I loved him for it, at the time. It took me a few years before I really understood how shameful it was to have a father who stayed inside all the time. I was proud of him, then, because I could boast of how often he played with me.

Our games were simple ones. I hid, and shouted out for me, moving from one easy chair to another, heaving and puffing. His sweat smelled of talcum powder. He was fastidiously clean. He was shy of his big underarm stains, even though I knew them so well that I used to put my forehead under them in the summer, when I was hot, and cool myself off. I would giggle and he would blush. He loved me, I think, even though he died before he ever really told me so. He didn’t talk very much. Most of his communication was accomplished through his eyes, which crinkled at the sides like his his favorite potato chip brand.

Mother talked too much, and when he died, she let him out of the house only long enough to be cremated. Then he was back, and she carried him around in a jar with her. She talked to him, and to me, sometimes getting us confused. It made me angry at him. I didn’t like being confused with a pewter jar full of dust. I peeked inside once, even though she told me not to, so I knew that he wasn’t in there really, despite what she always said.

Now, at thirty-two, I knew better. She hadn’t lied to me. I just hadn’t understood that my father wasn’t sitting in that jar like a genie in a bottle. A comforting thought, especially because the environment would have suited him – he wouldn’t have to move very much at all – but one that at my age I knew was stupid. I should have trusted her this time when she told me not to go into the study. I should have learned from past mistakes. I should have realized that I’d only be disappointed.

I waited until she went to her quilting class. She never carried Father around with her anymore. She’d bought a lot of new clothes and gone back to work when I started high school. She was better. That’s what she always said. Better. Like Father had made her sick. Maybe he did.

I made sure that Jonah was sleeping. Ever since leaving his father, he’d been sleeping badly, prone to nightmares. I wasn’t sure that I’d be able to get as much custody over him as I wanted, because I knew that he loved his dad and that it would be cruel to him – not to his dad – to separate them completely. I couldn’t hurt Jonah, even though I wanted to knife his father with a set of scalpels.

Opening the door to the study, I already knew that I was making a mistake. It wasn’t dramatic. It was anticlimactic. I really should have expected it when Mother had “thrown” Father’s favorite chair away, the last of the old possessions in the house, a few years ago. Of course, there it was, right there. I leaned on the door frame and sighed, disappointed. I was expecting a family of bears, or maybe some secret lover hidden away there. But a chair? An old chair.

The worst bit of it all was trying to figure out why Mother needed to hide from me that she’d ever loved Father. I didn’t understand it. I closed the door, decided never to ask, and ran to Jonah who had started crying, waking up out of a nightmare.

An Unaccepted Submission (#1)

“Sorry. Stinky, get down. He’s got this chemical stuff all over him, you know, the flea stuff. Sorry.”
The paws receded, and the little dog with the wet, searching muzzle was pulled off my lap. His owner was a skinny woman with black hair and a bright metal ball dotting the skin above her lip. She was slurring and her voice filtered through a throat plugged by permanent cigarette smoke and a thick layer of mucus.
“Mummy’s trying to get you money. Oh, he’s so hungry. Stinky – no. You stink.”
The dog was under my legs, eating a sandwich that someone had abandoned at the bus stop. The woman saw me glance down at him, assumed that I wanted him away, and she pulled him back hard. He looked up at me with sad eyes, licking his chops.
“What’s his name?” I asked, reaching down to him. I didn’t meet the woman’s eyes. If the dog’s name was Stinky, I wanted her to admit it to me.
“Simo.”
“Simone?”
“Simo. Es-eye-em-oh. Si-mo.”
“He’s cute. Is he eating enough?”
“I’m trying, I’m trying, but he’s…” She stopped in the middle of her sentence. “Sorry, I’m just waiting for someone.” This was something she’d been repeating for a while. I’d stopped believing it. But this time she added, immediately, “There you are.”
The man I assumed she’d been waiting for seemed to step out of the shadows behind her, clutching a bottle of amber liquid to his chest. He looked as surprisingly clean, young and healthy as she did. He reeked of alcohol too, even worse than her. It was ironic that she thought the chemical smell coming off her dog was bad.
The woman picked up her heavy-looking black duffle bag from where she’d set it between other people waiting for the bus, scaring them away. She pulled Simo’s leash again. I continued not looking at her, kept my eyes on the dog. Animals are easier than people. Even when they’re fierce.
“Are you feeding him enough?” This was a different question than my previous one. I felt justified in asking it. The woman was shorter than me and she managed to stare at my face. I could tell, out of my peripheral vision. She had a pale face. I looked at the man behind her who was tugging at her puffy jacket now, trying to get her to move faster.
“Are you feeding him enough?” I asked him.
“Ask her, he’s hers.” He giggled, and hugged, actually hugged, his bottle. I stared. He ignored me.
“Come with us, you’ll see,” the woman said, jutting her chin up challengingly, pulling the dog’s head closer to her every time he tried to move. She was hurting him. “He eats better’n I do.” She didn’t emphasize any words; just spoke in a flat, dead tone. I met her eyes and thought about Nora, my last alcoholic.
“Okay. Show me,” I said.