Back!

I’m back in Israel, land of Jews, Jesus and Jonflicts [because “conflict” doesn’t start with a “J”].

I took over a thousand photographs during my two-week visit to Los Angeles – something I’ve never done before. I never was a photographing kind of person, but I had a camera of my very own that I received for my nineteenth birthday, and I decided to finally use it properly. Plus, this way I’ll be able to show Sir B. F. some of the City of Angels’ marvels. I know they may not seem so special to many people, but the fact is that I grew up in a country where the architecture of choice for apartment buildings seems to be concrete boxes on concrete pillars, naked of any ornament or exterior decor. The houses in Los Angeles are like looking at the window of a candy store for me – each is more beautiful than the next. This is excluding the many monstrosities, of course.

Can you tell I’m jet-lagged? I sure can. Whenever my mind is confused about what time zone it’s in, I begin rambling, words tumbling out too fast for anyone around me to make the connections between subjects that are perfectly clear in my overdriven thoughts. Which is why I’m now going to post a photograph, and shut up. Starting tomorrow, I’ll try very hard to get back to my schedule of writing every day, and writing fiction, poems or at least more coherent ramblings. See? I said I’d shut up, but here I am, still a-writing. Okay, here we go – photo:

Arrived

Los Angeles is one of the most special cities in the world. Even when the weather forecast announces that it’s going to be overcast with possible showers, you can still feel the presence of a bright yellow sun behind the clouds, and within hours the sky clears and that bright orb makes its appearance just in time for a last walk in the sunlight before dusk falls.

Beautiful as it still is and will always be to me, there are things that have changed. Nothing that’s unique to LA, but rather things that have changed across the United States. Melrose, the hip-happening street of fashion, food and fun, has now more FOR LEASE signs that it ever has before. Shutters are drawn across the empty store fronts, and the glass looks dusty, as if it’s been waiting for a new tenant for longer than it’s used to.

When we ate lunch today, a dark-haired, scruffy, tall homeless man walked over to the table behind us and took the tip that was left there for the waitress. We saw it, as did a woman inside the restaurant, and none of us did anything. It seemed to happen so fast. We all were sure he was going to take some item of food, but then he was gone and so was the waitress’ tip. What do you even do in a situation like this?

I’ve been taking photos. Too many, and probably mostly bad ones, but I’m finally going to try to catch some of the essence of this bizarre half-city-half-suburb in more than words.

I’m jet-lagged and exhausted and our trip took more than twenty-four hours. I think now is the time to sleep.

___ Drive: An Essay

This was the essay I submitted to the University of Chicago. It’s more of a creative writing piece than an essay, though, which is why I decided to share it here.

Nestled in the gorgeous hills of the city called Los Angeles, there is a street. It is a pretty street, suburban and colorful. It is called ____ Drive.
Many of the houses on ____ Drive are rather old, though you wouldn’t guess it by looking at them. In the fifties, all the houses were new and pristine, perfect little packages of suburbia. Young couples or families just beginning their lives moved onto the street, and made it what it really became – a homey, beautiful, precious place to live.
The street starts out with a wide bend, curving off the main street that leads up the hill. There is a store there, right near the corner, ridiculously overpriced and adorable, all brown wood on the outside and the good smell of bread and snacks on the inside. For me, that’s where the street really starts, at that store.
Right on the bend into the actual street, there is a single, solitary apartment building. It’s been renovated so many times over the years that it never seems to actually house anyone at any given time. After the building, the street starts proper, with a dip down straight off, houses looking crooked on both sides. There aren’t any sidewalks on the street – for why would there be? This is LA, the city of cars – and so you always need to be careful to walk against traffic, along the side of the road.
Every house on the street is different than its neighbor. There are no two alike, not even a little – each has its own unique brick patterns on the outside, its own colorful or bare garden, its tree or its bushes or its roses, the swing next to this house and the bench in front of that one. This one has a porch, the next might have a wildflower garden, and the next might have a collection of stones in front of it. Some of the houses are memorable, and some aren’t.
Although time has been kind to most of the houses on the street and they still look classic and well-tended, some newer families have moved onto the street and they decided that the houses they bought were too small. So what did they do? Why, what any upper-class family trying to live the American dream would do. They tore down the old, endearing, family-sized house, and built large concrete monstrosities with four garages and five stories, and park their Hummers on the street, because apparently the kids need the garages.
Still, if one can ignore those places, which stick out like sore thumbs, the street is one of beauty and tranquility. On Sunday mornings the grandkids come visit and ride their little tricycles in the driveways. Their parents sit back indulgently, speaking of times when they were that little with their own parents, the inhabitants of the street. On most other mornings, you will see sixty- and seventy-year olds walking briskly up and down the street with their usually-outdated portable music players, or maybe you’ll see them driving to work in suits and ties, with hair and mustaches sleeked.  You’ll see the younger families carpooling to work with their children bouncing in the back seat, watching Spongebob Squarepants on their portable DVD players.
The afternoons on ____ Drive will be quiet, people napping, resting, doing homework, relaxing and giving themselves alone time, swimming in their pools by the light of the setting sun and its reflection on the water. Occasionally the sound of a helicopter will break the peace of the quiet afternoon, but more often than not the street will be serene, almost eerily so.

So, the days. The nights are different. The nights might be noisier, as one house or another is bound to be having a dinner-party, a birthday, a casual get-together, a wild night of drinking in the house where the parents have gone on vacation. Even when it’s quiet, the patches of yellow glow from the windows cast a pretty light up and down the street. Everyone remembers dutifully to turn on the garden lamps as well, so as to help drivers coming down the road to see well.
There are walkers at night too, of course – the people with their music players, all bundled up now because of the cool, crisp mountain air. It is always cool at night up there, even during the height of summer. Some nights it’s foggy, making the air smell deliciously damp, like being in a real cloud.
If you walk down the street very late at night, it will be quite dark. Although many people leave their garden lamps on, their light is dim, especially at that hour of the night. Coyotes and raccoons often roam the street, the raccoons even opening garbage cans to rummage inside, and deer creep into the backyards to eat the flowers or drink from the pools. The man with the hybrid wolves will be walking down the road, taking them for their walk when the fewest people are around. The wolves are part dog apparently, but they look fearsome, even though they’re muzzled, and their size, their ice-blue eyes, and the ample amount of spiky grey fur on them isn’t very reassuring, though beautiful to look at.

There are two things that make ____ Drive the most wonderful, beautiful, splendid street in the world for me. The first is what you will see if you walk down to the very end, at night. Once upon a time, when I was very small, there was no gate there. There was just a long, long driveway, leading down to the biggest, ugliest house of all that sat alone on a huge plot of land, surrounded by out of place palm-trees and odd gazebos. Now, the house is the same, but there is also a gate before the driveway, a big black gate.
Still, nothing, not even the gate, can ruin that spot. You can stand there and see the whole of Los Angeles spread out before you, all twinkling lights. The lights are arranged in grids, little squares of suburbia similar to the one you’re standing in. It’s an astounding sight, awe-inspiring, especially when the air is clear and you can truly see so far. It is just a blanket of endless fairy lights, all seeming so happy.
The second reason for this street’s splendor is the fact that it was the center of my visits to the US all through my childhood; it was where my beloved maternal grandparents’ home was. The memories of it are now bittersweet. I will probably never venture up there again, as my grandparents have both passed away and we’ve sold their gorgeous, comfy house. Still, I will always and forever remember every detail of the street and its atmosphere, both with the sweetness and innocence of my childhood days there and with the cynicism of my older state today.

Santa Ana

A Los-Angeles girl at heart and soul in many ways, there are certain feelings and scents and types of weather that I can identify as being utterly LA-ish, even though I have no good reason to know or understand LA weather to such an extent. For instance, there is a wind blowing outside my window right now – a warm wind, carrying with it dust and grit and a dryness that makes you need to lick your lips every few seconds.

This sort of wind is called a “Santa Ana” wind, because that’s the sort of wind that flows through that area in California. It’s a desert wind, and there’s something infinitely creepy about feeling it on one’s face at midnight in January. It is earthquake weather – it feels as if the earth is about to tear open, as if all the dogs are going to start becoming giddy soon, feeling the disaster coming on. It feels as if the sky will break open and sandy, dirty rain will fall, even though there are no clouds to speak of.

It is the sort of night that is build for unconventional horror stories, a night where you know you won’t be able to fall asleep because the warm air will prevent you being comfortable in your quilt. Moreover, the wind will be moaning its dreadful sound and making the dry, dead leaves shake like death rattles. The wind brings to mind graveyards in summer nights, endless deserts and no water or sustenance, haunted houses and funerals. It is unpleasant, and yet it still smells and sounds like a bit of home to me, a bit of LA transferred to this tiny country.