character

Progress

It’s four days into NaNoWriMo. I’m ahead of the required daily word count. I’ve written some twenty-five pages since November 1. There also happens to be incredibly annoying music coming out of one of the windows in my building. But that’s entirely beside the point.

My nose keeps bleeding because it’s so dry in my room. That’s irrelevant as well.

Okay, so I guess what I’m trying to avoid writing about is this: I’m not really sure whether or not I like the novel I’m writing. I have this issue that spans across almost everything I write: I create characters that I like. Almost without fail, my characters have redeeming qualities and are people that I can relate to. But that can get incredibly boring, and most of the writers I know who take this approach invariably begin churning out repetitive books that have similar voices. One of my favorite writers does this, and I forgive him because I love the style of his writing and his characters as much as he seems to: but I also know that there are probably many readers who he’s alienated this way. This is one thing I’ve developed since taking writing classes – a heightened and more realistic sense of literary criticism.

So this year, for NaNoWriMo, I’m writing about characters who are incredibly different than me. They’re people who I probably wouldn’t like very much if I met them. I have a soft spot for them – of course I do, despite everything – but I don’t particularly like them. Sometimes I get mad at them as I’m writing, because they’re selfish or annoying or mean. It’s an interesting experience, but it’s harder for me to gauge whether what I’m writing is any good or not.

Oh, well. Here’s to another twenty-six days of writing and finding out!

Worrier

The trembling in the barman’s fingers was noticeable when he brought the next round of drinks to their table. Tabby, the tall brunette who had been eyeing him up all night, spoke up.

“Hey man, you okay?”

“What?” He set down her drink, sloshing some of the brightly colored liquid out onto the table, distracted by the question more than by his hands.

“Your hands. They’re shaking. Everything alright?”

“Of course,” he said, fixing a grin on his face. “Sorry about that,” he pointed to the spilled drink, “I’ll get a rag. Just a sec.” He hurried back to the bar, and Tabby turned to her girlfriends.

“Something’s not right with that guy.”

“Shut up, Tabby, you’re drunk. Also, you’re a fixer.” Joanna was big-boned but lanky, and she was the drunkest of them all at that particular moment. She didn’t notice the way her words were slurring together or how her eyelids were already drooping a little.

Tabby rolled her eyes at Kate and Gina. “If I’m drunk, then you’re a lobster,” she muttered under her breath. Joanna didn’t hear her. She was digging in her wallet for a couple quarters for the old-fashioned jukebox in the corner. “No, but seriously,” Tabby continued. “He’s shaking.”

“I didn’t notice,” Gina said. She shrugged, a dramatic feat that caused her to immediately hitch up her shirt so that nothing would spill out. Kate wasn’t listening to any of them; she had her face buried in her phone and was alternately typing and staring intensely at the screen as if it would grant all her wishes. Tabby raised her eyebrows at Gina and gave Kate a pointed look. Gina rolled her eyes and mouthed “They’re fighting again.”

Some girls’ night out this turned out to be, Tabby thought. Joanna’s drunk already and is going to fall asleep in five minutes, Kate’s having the same old relationship issues as always, Gina is in one of her quiet moods and I’m still stone-cold sober. And worrying about a barman who I’ve never met before.

The barman came back with a rag and wiped the spill. His hands were still shaking. Tabby stared after him. She hoped he was okay.

The Man in the Park

The duck waddled across the expanse of green grass until it reached the fountain. Its head was a dark and glossy green that shone in the sunlight. As it slid into the water gracefully, it knew itself to be beautiful.

A man dressed in two pairs of pants, three button-down shirts, a windbreaker and an overcoat stared at the duck hungrily. His hair, some might say, looked like a nest. But the man knew that no nest would be as messy, as greasy, as greasy and limp as his hair was. The man knew that nests were works of art.

Watching the duck ruffled its feathers, the man sank to his knees. He hadn’t eaten in two days, but there was a fair amount of cheap wine in his system and he felt dizzy. He wished he’d saved some of the money he’d gotten from begging at subway stops and bought some seeds or oats to feed the ducks with. He knew that bread wasn’t good for them.

He tried to remember the last time that he’d handled a bird, helped to fix its wing or given it its shots. He couldn’t remember quite how he came to be this way, dressed in everything he owned, with only a few keepsakes stuffed into his pockets from a life he didn’t know how to live anymore.

Lying down on the grass, he shut his eyes and tried to catch a nap before the inevitable policeman would tell him to get up and move on.

Paige [Flash Fiction]

Paige Crandall was frequently to be found standing on the docks, her short hair ruffling up a little in the breeze, a cigarette grasped loosely between the finger and thumb of her right hand. Her hair had gone grey early in life; she couldn’t be much older than forty, but with a head of steely bristles. Her clothing was an almost daily uniform of overalls over a white men’s t-shirt. In the winter, she’d wear a thick black coat over that, but it was usually unbuttoned, and the overalls and t-shirt could be seen underneath.

Nobody knew what to make of her. The residents of the dockside neighborhood knew her both by sight and by name, but none could quite recall how or when they’d ever met her, even though she knew all of them perfectly, and on her way home from the docks would often call out to them, asking this one how his wife fared and that one whether her son was coming home from boarding-school soon. She was friendly, you see. Positively charming, in her own way, although her smile was always tired and her eyes were careworn.

She lived in a small apartment above what used to be stables, but, of course, there were no horses there anymore. The stables were converted into a garage, and that was where Paige worked, mending old engines and changing tires. Everyone said she was the best mechanic in town. Some wondered why, in a dockside city like theirs, she mended cars and not boats. She liked the docks so much, they said, so why didn’t she want to work there?

There used to be rumors about her. People said that she took lovers often. They said she was a feminist. Some said she’d had a family once but that they’d been in an accident – whether they drowned or were killed in a car crash was greatly disputed. Someone said that she’d never had a family of her own but had been single for a long time. Nobody knew the truth, and eventually, they grew tired of talking about it. She was so nice, never hurt a fly, that there didn’t seem to be much point in speculating anymore. It would only lead to circular, pointless arguments, and besides, there were more interesting people moving in all the time for the neighborhood bar-frequenters to talk about.

Paige knew that it wouldn’t last, though. Her past was coming, she knew, and it would come from the ocean. When it did, when it caught up with her, the rumors would start flying around again. She only hoped that people would remember her kindness and interest in them when that happened.

Where No One Can See

The floor shook, and ornaments began to rattle on the shelves, the painted china ladies knocking elbows and skirts with the delicate porcelain men. There was no earthquake, no shifting of plates deep within the earth, no shifting of magma or stone so old that it remembered what it was like to have the weight of much larger creatures stand upon it. The house that the floor belonged to looked peaceful from the outside, every blade of grass intact and the little red bench on the porch perfectly clean and gleaming cheerfully.

The disturbance, as the reader may have deduced, was arising from one of the rooms. It was a small one, near the back of the house, far from the street as well as situated at equal distances from the neighbors on either side. It was the only room in the house from which sounds would not emerge for the entire neighborhood to hear and judge, as members of small, well-mowed neighborhoods will. A woman named Gina stood within this room, which was hardly a room at all, more like a linen closet that had been stripped of its shelves.

Gina wasn’t remarkable looking, for she had no one feature that stood out particularly, nor was the symmetry of her features pleasing enough to be remembered. There was an aura of the average about her, a sense of potential that may have shone for a while but was quickly snuffed out by its owner for no real reason except, perhaps, laziness or lack of motivation. This is not to say that she seemed defeated. At the moment of the shaking floors, she looked, in fact, full of restless, angry energy as she screamed and jumped up and down again and again until her voice became ragged and her throat raw.

No one who knew Gina would ever believe that she went into this middle room several times a day to perform this ritual, this cleansing of all the sour emotions that would build in her over the course of her day. Her husband, with whom she was in the process of getting a divorce, would have been surprised to learn that Gina had any such strong emotions at all. As far as he was concerned, she had taken the news that he wanted to marry one of his graduate students quite well. He even entertained the notion that they would be able to remain friends and support each other emotionally during their later lives. He thought he would rather like that, because the graduate student he was engaged to was quite vapid and, if he was truthful with himself, was mostly attractive to him because of her smooth skin, her bouncy hair and her insatiable sexual appetite.

The ornaments settled, the floor ceased its tremors and Gina emerged from the room; slightly breathless and only a little red, she resumed the duties of her everyday life.

Meta-Weather

Loraine hated it when the weather reflected her emotions. It seemed so fake, as if she were a character in a carefully crafted novel. When she cried while it was raining, she’d try to stop and be cheerful. When it was sunny, she felt a strange obligation to be sad, or at least neutral.

The worst, though, was feeling buffeted and confused when it was windy. When she looked outside on Sunday morning and saw the branches blowing every which way, she felt immediately frustrated, which only added another unpleasant layer to her already bewildered state.

She wondered if she should just stay in. She had obligations to fulfill, people to see, things to do, but none of it was so important that it couldn’t be postponed. She could let herself sink into a good book or dance in her room while listening to music, both activities that would take her away from the world and the decisions she had to make. Then the wind wouldn’t count, because she’d be distracting herself from the thoughts that were fluttering from one end of her mind to the other like the leaves in the parking lot underneath her window.

But what if it was windy tomorrow, too? She supposed she couldn’t run away from her feelings forever. She was stronger than that. She might not know what she wanted, but she knew that much at least.

Feeling like a cliché, Loraine left her apartment and locked the door behind her, hoping that her life wasn’t actually a piece of fiction in which a writer forcibly gave her emotions the weather to match.

“S”

Whenever she looked out her window, she saw a big “S” on the red brick building across from her. Just one letter, a simple one, with a serif on either end. It wasn’t the most innocent or joyful of letters; “snakes” and “sadness” and “sordid” all began with it, and she couldn’t help thinking of those and other harsh words whenever she looked at her “S.”

But not everyone had a big, two-story-tall letter painted on the building across the street. She could tell it was that large because she could see the windows next to it. Okay, so maybe it was only one-and-a-half stories tall, but it was up around the tenth or eleventh floor, and everything looks bigger higher up. Or so she thought at least.

It was kind of like Stephen (another “S”, she always reminded herself) who was so beautiful and seemed so majestic. He was tall, and his head was disproportionately large for his body. But she couldn’t help being attracted to him, daydreaming about him, adding the letters to his name to her view of “S.” Stephen, for his part, didn’t know she existed because they’d never been introduced. In fact, his name wasn’t actually Stephen, it was Pedro, but she’d given him a name of her own after she’d seen him at the bagel shop on the corner for the fourth morning in a row.

She wasn’t an obsessive person, no, you couldn’t say that exactly, she thought, but she was definitely aware, and self-aware as well, and she knew there was a certain obsessive quality to her fascination with her “S.” Especially when she knew there must be more letters painted up there, hidden from her by the jut of another building that was angled just right to show her the one “S” and nothing else. She wondered whether she’d ever see the thing, the letter or the entire word, from street level and see what it was referring to. The thought was terrifying.

Ursula Awake [Flash Fiction]

The hammering, clanging, clanking – the sheer metallic cacophony of sound was driving Ursula slowly, but surely, crazy. It wasn’t very late – only eleven-thirty or so – but there were rules about this kind of thing, even laws. No noise of this kind after eleven o’clock. Or even ten. She wasn’t sure which, but either way, by now the work should have ceased, the workers gone home for the night.

Turning over again, she lay a hand on her ear, shoving the other one deep into the pillow. Her own skin and bones weren’t nearly enough to shut out the racket, so she pulled over her husband’s pillow – he was still in the living room, watching something stupid on TV – and held it over her ear, making her head look like a strange, Ursula-faced sandwich. She began to laugh, a little at first, then harder, finally rocking with hysterical giggles, stifled behind her mouth. She tossed the second pillow away again. It wouldn’t do to be woken in the middle of the night by the sound of her husband’s ridiculing snort.

Still the noise went on. Ursula sat up and shook a couple more pills out of the plastic, orange bottle that was as familiar by now as a teddy-bear. Reaching for her glass of water, she hesitated, wondering if her habit was escalating. She decided she would think about it in the morning. Right now she needed the deep sleep that she hadn’t gotten since her daughters were born some thirty years previously. Maybe tonight would be the night, even with the pathetic stage being built in the park outside.

And that was another thing: why on earth were they building the stage at this hour? The park was controlled by the neighborhood, and they’d all signed to have the lampposts turned off there during the night. How were the workmen seeing what they were doing? Ursula mentally upbraided herself for assuming that the workmen were men. She supposed perpetual fatigue was as good an excuse as any for being a bad feminist.

The Power of Writers

When I don’t write, the world doesn’t end.

Why should it end? No reason, absolutely none. The sun, the stars, the men and women who people this planet – none of them are affected by what a twenty-one-year old does or doesn’t do with her time. It would be a terrible responsibility, a massive and frightening one, to be able to affect so much. It would be power beyond words, power so overwhelming that it would be too much for any single, sane human being to deal with.

Then again… as writers, isn’t that exactly what we do? We create worlds and people them with our characters, people who are real enough to us that we’re willing and eager to spend our days with them. When we neglect them, their world stops entirely. They cannot go anywhere, cannot find out what the next part of their story is without us. We have ultimate, godlike power over them. What an incredibly frightening notion.

I’m making all this sound much more grandiose than it is, of course. Obviously, the worlds and people we create aren’t real, not really real, not real like you or I or our next-door neighbors. Then again, when I read a book and get into it, its story becomes real to me as long as I’m engrossed. Anything less than my total involvement and belief in the characters is, in my opinion, a kind of failure of that book or story. Even fantasy or sci-fi aren’t doing their job if I don’t believe in the possibility of the people, the magic, the worlds being real.

When I look at writing this way, it terrifies and exhilarates me at the same time.

Nothing’s Wrong [Short Story]

The fragrance of fresh bread woke Thomas up one morning. He leaped out of bed excitedly, knowing what the smell signified. It meant that Uncle had come for a visit.

Thomas was six years old, and he could tell, with the instinct that all young children share, that his father liked Uncle a lot, but that his mother didn’t, even though Uncle was her brother. Thomas didn’t know why his mother didn’t like Uncle, but he sensed that it had to do with Uncle being a baker. He thought that maybe bakers weren’t as good as bankers, which is what his mother was. Thomas thought that being a baker was much nicer; Uncle wore comfy clothes and always smelled good, whereas Thomas’s mother always complained about her pantyhose and put too much perfume on.

Uncle was tall and skinny, but this morning, when Thomas went downstairs, he thought that Uncle had become like Flat Stanley, the flat boy that they were reading about in school. The illusion passed, and Thomas realized that it was only that Uncle looked even thinner than usual. He looked gaunt, although Thomas didn’t know that word, and he looked worn out and weary, more words that Thomas didn’t really understand.

“Morning, Tom-Tom.”

“Hi! What’s wrong, Uncle?”

“Drink your milk. Eat. We don’t want you to be late for school.” Thomas’s mother pushed a plate of eggs and a glass of milk at him without looking at Uncle at all. Then she swept right out of the room again, and Thomas and Uncle looked at each other as they hear Thomas’s parents yelling at each other upstairs. Uncle got up and checked on the bread in the oven. Whenever he came to visit, he’d let himself in very early and would bake fresh bread that would be ready for the family’s breakfast when they awoke.

“Here you go,” Uncle said, pulling the bread-pan out of the oven. He cut a thick, still steaming slice, and put it on Thomas’s plate. “Eat up.”

Thomas wasn’t going to give up on his question, though. “What’s wrong, Uncle?”

“Nothing. Nothing at all.” Uncle smiled.

In the car on the way to school, Thomas asked his mother the same question. “Nothing,” she said. “Why? Has Uncle said anything?”

That evening, Thomas tried again. He went into the bathroom where his father was drying off after a shower and began to swing from side to side while holding the doorknob.

“Stop that, you’ll break it,” his father said, without much conviction. Thomas kept swinging.

“Daddy, what’s wrong?”

“Well. What did Mommy tell you?”

“Nothing.”

“And Uncle?”

“Nothing.”

“Oh dear. That must mean that whatever’s wrong, it’s a big deal. Listen, bub, you and I – we shouldn’t get involved, okay?”

“Okay,” Thomas said. But when he went to bed that night, he couldn’t help feeling scared by what his father had said. It sounded like his father didn’t know what was wrong either. If nobody knew what was wrong, then what would happen now? For the first time in months, Thomas had nightmares and wet the bed.