fantasy

From My Notebook

The title of this post could alternately be “What I Do At Work.” Meaning, I often do a lot more than answer calls and explain the inner-workings of credit limits during the hours sitting at a computer with a headset murdering my ear. I have a notebook, currently a sweet red one, that I keep with me at all times in my backpack. This notebook is a constant companion as I sit and work, and whenever I can, I scribble in it. Oftentimes, I’m just rambling about nonsense. At other times, I’m actually trying to write something of substance – a well phrased thought or a story, say. Today was one of those times when I was struck with a concept, and I started writing it. However, unlike other times, I ran out of what to do with it very quickly. I’d still like to put it down here, if only for future reference; in case I happen to think of how to continue it one day. And so, I present the following, copied from my very own hand-writing:

Corinne was dreaming again. She often dreamt, but normally didn’t remember her dreams. This was different, though.

She dreamt she was dressed in an elegant and very sheer white cloth. It was fastened over one shoulder with a golden clasp, leaving her other shoulder bare. On her head rested a crown, a delicate one, almost a tiara really, that was also made of gold. Corinne dreamt she was in a large and airy white building. There weren’t any walls, only many columns holding the roof up.

As she dreamt, she knew without a doubt that she was in a temple, and knew with even more certainty that she was a goddess. Which temple, which goddess – these were mysteries that didn’t seem to matter at that moment.

In her dream-world, she looked about her, trying to find either peers or subjects, but the temple was utterly empty. She was standing on a dais at one end of it, and had a good view of the whole space, so she had no doubt that she really was alone. With the same strange knowledge that told her she was a goddess, she knew also that she wouldn’t remain alone, nor the temple remain empty, for much longer.

She was right, and very soon, the temple filled.

This is as far as I’d gotten before my inspiration ran dry. I hate when that happens, but perhaps one day I’ll figure out if this leads to anything, and, if so, what it leads to. This is one of the things I’m learning as I go along – I discard many of my ideas, but I may come back to them, so I’m better safe than sorry by writing down the silliest of them even if it leads to naught.

The Baker

The Baker had been known for years as just that: the Baker. Some knew his name, of course, but most didn’t. He didn’t mind. Being a baker was his pride, his profession and the thing he loved most, and he was pleased to be so well known amongst the others of his trade so as to be the only man called The Baker in the whole market. He knew he was a good baker. Little girls begged their papas to buy his cinnamon rolls, boys filched their mama’s coins so as to get a raisin filled treat, youths brought their blushing young ladies to his stall for a warm apple turnover to share on wintry days, and the poor, eyes wide with hunger and bellies swollen, came to his back door for the many loaves of stale bread that he would have leftover at the end of each week. The Baker was a warm-hearted man, and always made too much bread – accidentally, of course.

He awoke every day of the week before the sun had even risen. He liked to work that early, because the mornings were cool enough so that the sweltering hot oven didn’t make him sweat too much at first as he began to heat it up for the long day. He had different assistants over the years – some stayed and some left. They all left in the end, though, to marry, to have children, to open their own stall or to change trades entirely. The Baker stayed constant, and could never envision doing aught different.

When he had been a child, he’d been rail-thin. He had been the kind of boy who had arms as thin as sticks, a belly-button that puckered out because his stomach was so flat, and ribs that seemed to almost poke out. As he grew, his thin arms developed muscle and his belly rounded a little, all while helping his uncle in kitchens of the big house they lived in. His uncle taught him to bake. Not to cook, no, the Baker never enjoyed cooking meals, but he loved working with any and all kinds of dough, and he became good at it. When his uncle died and the rich family they worked for kicked him out, he’d found work at a smith, as an assistant. It was his strong arms, muscled with constant kneading of dough, that had gotten him that job. He worked, and worked and worked some more, hating the smell of burnt metal and hot coal and the mixed, unpleasant scent of sweat-soaked leather aprons and smoke. But the Baker worked, and when he’d saved enough coin, he opened his bakery stall in the market, as far from the smithy as possible.

He stayed, and his stall grew, and his rolls and pastries and cakes became known, and he became a real baker, The Baker. He never knew aught else – for even as a servant boy and later an assistant smith, he was always thinking of the way clean flour looked on a wooden board and the way dough felt in his hands and the the way a freshly baked loaf would be just that perfect shade of golden-brown. He never knew aught else, and he would never do aught different, not if it were up to him.

Letter to the Author

I am a great and loyal fan of many writers: Neil Gaiman, Terry Pratchett, Tamora Pierce, Jacqueline Carey, Kate Elliot, Libba Bray, Sarah Dessen… the list goes on and on. These are authors who are living and writing and creating today. These are authors whose books I can look forward to, whose careers I can actively follow (what with the wonders of the online community these days). I treat these people with as much reverence as I treat my favorite bands – more so, perhaps, because their fame is often less materially rewarding and their renown is limited to the community who enjoy their particular genre; meaning my respect for them and awe of them grows because of the difficulties they face in pursuing their chosen careers.

I’ve met Neil Gaiman. He was a darling, and managed not to seem the least bit bored during the two signings of his in which I participated. He is an incredible public speaker. He is extremely popular, though, and I have never felt the urge to write to him. So, also, with many other of the authors I love.

I wrote to Jacqueline Carey though. I wrote of my passion for her books and my admiration for both her literary style and her imagination, for her beautifully-wrought characters and her intricate plots. She wrote back. She really did. It was a while after I had written, but she did write back.

Which is why, I suppose, I’ve been struggling for days with trying to find the perfect wording for a second letter – this time to Tamora Pierce. I grew up on her books – I own every single one of them, and there are many, believe me. The smell of the pages of those well-thumbed novels of hers bring back memories from countless instances, and I’ve read and reread her books endlessly. I hope that once I find the words to write to her properly, she’ll respond. I shouldn’t expect it, but I can’t help but hope.

It’s overwhelming, sometimes, to love and admire people with such creative minds and incredible determination. But it’s often inspiring too.

The Unremarkable Man on the Route 46 Bus

An unremarkable man, wearing an unremarkable pair of jeans and unremarkable long sleeved shirt, stepped onto the Route 46 bus as it juddered to a halt at the Route 46 bus-stop. He flashed his monthly bus-pass at the driver who waved him into the interior of the bus (without looking at the man’s unremarkable picture and name on the bus-pass). The man walked unobtrusively into the bus, which was quite a feat as it was an early Monday morning and the bus was packed full of early Monday morning commuters, dressed in suits or geared up for the gym.

There were, of course, no seats available on the bus, and so the man had no choice but to hold onto one of the rails and stand, in an unremarkable fashion, as the bus began trundling out of the station with much clanking, banging and groaning.

It was good that two other passengers had gotten on at the same stop as the man had, or the people on the bus would have been very confused as to the reason the bus driver had stopped. No passengers had gotten off, and nobody had actually noticed the unremarkable man got on the bus at all, so it was good that the old man and his small granddaughter had been waiting at that particular Route 46 bus-stop as well. When people looked over as the unremarkable man, their gazes slid off him and they would focus on their neighbor’s magazine or the sunlight outside or the Route 46 map that hung right above the man.

The unremarkable man, used to this sort of treatment, didn’t even try to dominate the space he stood in. Instead, he let the space float around him and he let people’s eyes slide away from him, and he focused on his first project of the morning: the little girl who had gotten on with the old man at that particular Route 46 bus-stop. The girl was almost as unremarkable as the man, he thought; she was quiet, focused only on the ragged teddy-bear in her arms, and seemed not to notice her grandfather’s wheezing and coughing as he unfolded a newspaper and ignored her. The girl’s hair was an unremarkable brown, not shiny or bouncy or curly, but simply lying limply and often obscuring her face as it swung back and forth with the motion of the bus. The girl’s face, half hidden by the unremarkable hair, was plain and expressionless as she stared at the teddy-bear on her lap and twisted his ears in an absentminded way.

The unremarkable man was usually drawn to flashy characters – women in orange spandex suits fiddling with their sunglasses and purses, clowns on their ways to birthday parties looking grumpy and hot in their makeup and outfits, suited men and women who seemed only to be waiting for their next cigarette and who shouted on their cellphones. Today, though, the unremarkable man decided he was interested in an unremarkable girl. He focused his thoughts on her, and her eyes snapped up to look into his. And there it was, for a split second.

…grandaddy is so boring he’s reading the newspaper again and mr. snuffles is bored because i’m bored too and why does grandaddy have to take me to kindergarten anyway i mean he isn’t as funny as mommy is on the bus and anyway he doesn’t talk to mr. snuffles like mommy or daddy do and i’m hungry but grandaddy said that buying ice-cream early in the morning would make my teeth rotten but i don’t care because i like dr. leslie that dentist who mommy took me to because she gave me a sticker and a lolly-pop and said i was a good little girl and that my teeth would never be rotten if i kept coming to see her and mommy laughed and patted my hair and said we’ll keep coming back to see dr. leslie and miriam is going to bring me a brownie her mom made today to kindergarten and maybe mommy will pick me up and grandaddy won’t be with her anyd then i won’t have to sleep at his house tonight and i’ll be able to go home and watch barnie with mommy and then go to bed with my yellow blankets and mr. snuffles will be happy because mommy will sing us a lullaby…

The unremarkable man broke his eye-contact with the girl, who promptly turned away and continued to twist Mr. Snuffle’s worn-out ears. The man almost gasped. His brow was dripping with sweat. For a moment, everyone on the bus almost noticed him standing there. Then the moment passed, and the man calmed himself, smiling in such a manner which in anyone less unremarkable would seem to be amused. I’VE GOTTEN LAZY, thought the unremarkable man. I’LL HAVE TO FIND SOME MORE LIKE THAT GIRL. SUCH VIVIDNESS COULD LAST FOR WEEKS. WHO KNOWS? MAYBE OTHERS LIKE HER WILL MAKE ME REAL AGAIN.

Fairy Dust

Inside a snow-globe that sits in a shop in a corner of a tourist town buried deep under snow and constant cheer, there are three fairies dancing.
The fairies dance to a melody that only they can hear, trapped as they are in a roughly blown glassy ball, cheaply attached to a plastic bottom and full of a strange liquid that is neither water nor oil.
The fairies, their painted faces smiling at each other in their silent and stationary dance, will forever be suspended in a happy moment, in a dream of a movement which never has and never will exist.
If you look at the fairies you might get the illusion that they’re about to move – that they’re really just one moment away from jumping up and beginning to dance in truth, listening to the music which only they can hear. Looking at them, you might wish that they were alive, because such happiness seems to be wasted on such beings that aren’t alive and never will be.
If you pick up the glass globe and shake it, the fairy-dust and glitter and the few flakes of snow that litter the bottom will begin to swirl and you’ll be able to see, for a moment only, the fairies whirling around along with the glitter, laughing and singing. The moment you take a closer look, though, the movement will cease, and you’ll never know if you really saw what you thought you saw or if you just wanted so badly for the fairies to be alive that they obliged your imagination for a split second.

Once Again With the Kids’ Books…

I know I’ve written about this before, but I cannot help delving into the subject again. What is it about children’s books that holds such a spell over me? I know that my memories of my books when I was a pre-teen are fond ones, and I know that the books I read over and over again as a child probably are what made me become such an avid reader in later life.

The reason I’m marveling at this again is because I just finished reading a story, a pre-teen story – I’ve joined a writing workshop where you critique other writers’ stories and in turn you eventually get to send in your own work and have it critiqued as well. I’m not brave enough to send anything of my own in yet, but I’ve been reading other writers’ works and enjoying it. So, as I said, I just finished reading a chapter book for children, probably for the ages of 8-11 or so.

The short book had me completely spell-bound. I felt like a kid again, giggling at talking cats and adoring the adventure and fantasy aspects of it. I felt warm and safe in the hold of a story that I could imagine having pictures accompanying it.

Nostalgia is something that overcomes me WAY too often.

After a Separation

I missed reading fantasy.

Don’t get me wrong. I enjoyed reading Jane Austen more than I can say. I adored the snide remarks and hidden humor and the endless subtle sarcasm that permeates her language and her characters. I adored the descriptions of situations and the way she mocked them so thoroughly without ever once denouncing them obviously. I love reading books about the real world, with characters that were believable and made sense and in whose shoes I could put myself.

But the rapture, the utter ecstasy of losing oneself in a world so extremely foreign from one’s own – that is something I will never be able to give up. Letting my mind run rampant in forests, encircle itself with magic, leap up on horses and grapple with an enemy – all those things I let myself get immersed in as I delve into the latest installment of whichever fantasy novel I’m reading; those things bring magic into my life.

I really, truly, missed reading fantasy.

The Perfect Room

To begin with, it would be large and airy, with tall windows at regular intervals along the wall, to let the daylight in. Curtains, easy to pull and adjust, would hang at these windows, so there would never need to be a glare of the blinding sun at any hour of the day, but only soft light filtering through the cloth.

Comfortable seating would be the next essential in this room. Comfortable couches and saggy arm-chairs would need to fill the space of the room, just beckoning and waiting to be sat on, sprawled upon or even fallen asleep on. The seating must be the type to make even the heartiest and most energetic feel as if they’d like to sink into the pillows and take a little nap.

Next, the lighting. While there must be some sort of strong central light, it shouldn’t be needed most of the time because of the many small lamps, hung with crimson or orange shades so as to cast a comfy, romantic glow. There must be a big, heavy, wooden desk with a good and upright desk chair to go with it.

Lastly, and most importantly – books. The walls are shelves, leaving not one empty space for a picture or hanging. The books are both the adornment and the purpose of the room. Their smell fills every nook and cranny and their soft murmurings are ever present, demanding quietly that you pluck them out of the shelves and lose yourself in them.

This would be my perfect room, and if I ever get enough money to own a house, I’m definitely going to try to create it.

Storytellers

There are those rare people who can make stories come alive with their voices and bodies. True storytellers are rare – many people know how to tell a joke well, how to tell a funny happenstance or exaggerate something that happened to them. Few are the people who can make up a story on the spot and tell it in a way that makes it seem real and true and exciting.

I don’t know if I’ve met anyone yet who has come close to the way I imagine a perfect storyteller. Perhaps the kind I imagine only exists in books – the bard, traveling from inn to inn, paying for his or her meals with a story, with a tale of valor or wisdom or strife. Perhaps perfect storytellers can only exist when written down in words, when described with such things as “fiery eyes” and “a voice like no other” and “commanded attention without effort, a presence which filled the room easily.”

People don’t sit around fires and tell stories they make up – no, today everything is based on old legends or stories or the Disney versions of those stories, and people discuss politics around the fireplace, and only tell their children stories. Is storytelling a lost art then?

An Introduction to King Gregory

A man was walking through a field. It was sunset, and the tall weeds were waving in the breeze, except where the man had trampled them. He was rather squat, and was making a lot of wheezy noises as he walked, his big rucksack weighing heavily on his back and sweat dripping into his eyes.

The field seemed to whisper around him as he walked, and his movements became increasingly twitchy as the darkness increased. He jumped at small sounds that ended up being crows landing in the field, and he gave an audible gasp when a fox ran past him.

When night had truly fallen, he still had another couple miles of field yet to cross. He seemed, however, to decide against walking in the dark, and settled, with much grunting and swearing, in a space that had been cleared by previous campers in the field.

Another hour later, and the man had succeeded, if rather pitifully, in preparing some form of edible dinner. He sat by the small fire he had managed to coax into being and ate the heated broth he had made with some old bread. He looked deeply unsatisfied and disgruntled, as if not quite used to living like this.

He was, in fact, very used to living this way, as he had been on the run for over two cycles of the moon. The only real reason he was so displeased on this night of all nights was because he had gotten some news, a few hours before entering the field. He had passed a small village, one of those places where everyone was related and Auntie Shay was somehow everyone’s aunt, and while purchasing some well needed supplies at their tiny inn, he had learned that a rider had come four days previously to the town to announce that a new king had risen: King Gregory was killed and his brother, Malcolm, had sorrowfully needed to assume the throne.

Gregory, sitting in a field with some moldy bread and lukewarm broth, was still seething at this unjustified and most disgusting lie.