memory

Little Stories

I’ve been thinking a lot lately about children’s books. When you’re a child, the books you remember most are the ones that you’ve either read with your parents over and over again, or else they’re the ones that tell about everyday events, things you can relate to. For instance, I remember this book I read again and again as a girl, a book with three whole chapters! I felt so proud of myself, reading a book with chapters – it was a book about a little girl going to school; how her lessons are harder and how she plays hopscotch with her friend and how she makes friends with a boy who’s always picking on her.

I’ve been wondering though, how you go about writing a children’s book. They’re often so simple on the surface, so rudimentary and easy to read and sometimes even so mundane – and yet, the good ones are enchanting. You never forget the books you’ve read as a child. But how does a writer go about writing a children’s book that could be published? How do you write a children’s book that’s good enough to be something you charge for and isn’t just a story that you tell your own kids?

It can’t be as easy as it would seem, writing a children’s book.

Just A Bench

Think of a bench you know. Just a bench, a regular bench – just made of some planks of wood and a few rusty nails. Picture this bench that you see every day, on your way to work or the supermarket, and never think about twice. And now, indulge me for a moment, and really think about it. There is life in that bench.

A thousand people have sat on that bench. Hundreds have put their arms around the back of it, or perched on the edge of it, or lay down upon it. So many have stopped to tie their shoes there, or put down their grocery bags on it for a moment, or even walked along on top it for fun.

This bench, this commonplace, every day object has witnessed so much: Old men sitting on it and schmoozing for hours, watching the world go by; Old women putting down their purses on it and waiting there for the bus into town; Children have walked on it, holding their parents’ hands and squealing, feeling so high up; Those same children, years later, sitting on it and fervently passing a cigarette around late at night, feeling naughty; The homeless have made homes of it; The drunkards have made beds of it; The mad have had conversations with it; The weather has, of course, never shown it one bit of mercy.

This bench has probably encountered more people than we will speak to in a lifetime. This bench, in a way, has held more life than we will ever know upon its rickety wooden planks, carved and scratched and scarred as they are, holding the memories of hundreds upon hundreds. This bench is more alive and full of memory and experience than we will ever be able to comprehend.

Sniff

Leaning out of the window, bringing in the laundry, hands touching the cold clothing hanging in the cold air, I catch a scent. Just a whif at first, and then the smell fills my nostrils, and I breath it deeply, tears gathering in my eyes. It’s the smell of latkes, this sort of potato-patty thing – it’s a traditional thing to cook during the Jewish holiday, Hannukah, which is ending tonight. Why is it that the enticing smell of fried potatos makes my eyes water? My father used to make them every holiday time, and when I was smaller and ate an even smaller variety of foods than I eat today, I hated the smell. Today though, it makes me hungry to smell it and cry to think that my father won’t ever make it again and I’ll never get to show him that I might like his cooking for once.

It’s incredible how smell triggers the memory, isn’t it? The smallest of scents blown into your nostrils from a tiny breath of wind can remind you vividly of a sumemr’s day when you got your first kiss, of a night of partying with friends, of a person you haven’t seen for a long time or of a place you miss and long to be in. It’s amazing, in my mind, how smells can bring up memories long forgotten or ignored.

Sniff away, then, I say – you may discover some feeling or time you hardly remember.

Move [Part II]

“Annie! Annie, honey, look what you got in the mail!”

“What? Mom? What is it? Come on, give it to me!”

“It’s… The big envelope! You got in! Sweetie, look, you got in! Oh, love, I’m so proud of you.”

“Oh my god! I got in! I can’t believe this! YES! Oh- oh, Mom, don’t cry, please don’t cry. I’ll be back from there every weekend, you know I will.”

“I know, I know. But the house will be so lonely without you. I still don’t love the idea, you know that. I mean, I know it’s a great honor to be able to join this experimental group that the Set have started, and I know it’ll be an amazing thing to put on your college applications in a year, but still…”

“Mom, you know how bored I am at school. You know that I would start college right now if I could. The Set are offering kids like me the opportunity of a lifetime! I can’t pass this up. Mom, tell me you’ll be ok without me…”

“Of course I will, honey. I’m just going to miss you, that’s all. As long as I’ll get to see you once a week, I’ll be alright.”

“I’ll be home every weekend, Mom. Promise.”

Marianne stared blankly at the boulder in front of her. It was still hovering. She moved her eyes, and her concentration, to the right. The boulder moved with her mind. The loudspeaker made a gurgling cackle and the ever-present voice told her that that will do. Marianne let the memory fade away as she shook her head and rubbed her aching, tired eyes. The boulder fell to the floor with a crash as Marianne threw herself on the thin mattress that lay on the floor in the corner. She felt herself crashing into unconsciousness just like the boulder and then knew no more.

Move [Part I]

“Again!”

Frowning in concentration, Marianne wiped the sweat from her brow, took a deep breath and tried once more. The grain of rice on the table in front of her was her challange, her goal, and she had to conquer it. She had to master it. She couldn’t let her thoughts wander at all. She tried once more to believe, with all her mind and heart, that the grain was rising from the table, that the grain, lighter than a feather, could easily defy gravity. Marianne’s upper lip and forhead began seeping with wetness again as she gazed fiercly at the tiny grain of rice and tried with all her might to make it rise.

She almost had it, she felt, so close – but then her thoughts began to wander again, despite her best efforts, and she thought sullenly Why am I even doing this? Why am I doing what they tell me? In a moment, she collapsed in a heap on the floor, exhausted, and felt as if she had been wrung out like a sponge. She sat there, on the cold, metal floor, and tried to organize her thoughts again. She didn’t know where she was. She didn’t know how long it had been, but she knew it must have been some weeks – it seemed so endless. She fingered the white hospital-type bracelet circling her left wrist. It read “NOVICE  #824: MARIANNE” in big block letters, with no more indication than that.

“Again! Try again!” Came the cold voice over the loudspeaker. Marianne didn’t even see where the speaker was in the room, but she’d learned to hate the crackle of it, that little “Ffff…” before the person, who she couldn’t recognize as male or female, spoke. The voice was as present in her current situation as the sweat on her brow. It was the voice that awoke her from her restless sleep, the voice that commanded her to take the food from the odd, metallic dumbwaiter and eat it, the voice that told her relentlessly, over and over “AGAIN!”

As she had nothing else better to do, and she’d almost been convinced that maybe something would come of this, and also because she had learned what happened when she refused, Marianne rose to her feet, walked to the table with the grain of rice on it, and tried again. For a moment, for no reason at all, her mother’s face flashed before her eyes as she was concentrating on the grain. Blinking away the vision, Marianne stared at the reality in front of her. The grain of rice was hovering a full foot off the table. She coughed, and the grain clattered onto the metal table.

“Finally.” Said the voice over the loudspeaker. Marianne looked up at the wall, as metal and unadorned as the rest of the room, and tears filled her eyes.

Peanuts

Growing up in Israel, I had to endure children who only knew who Snoopy was. Nobody here knows of Linus’s blanket, Lucy’s mean spirit or Violet’s vanity. No one here knows anything more about this wonderful comic-world than Snoopy’s dance steps. They don’t know of the ice that nearly crushed his house [he was lured out with a pizza] and they don’t know that he has a Van Gogh in his doghouse and they surely don’t know that he fell in love with a girl beagle with long ears but that her father didn’t let them marry because he’s an “obedience-school dropout.”

Why do I know these things? In a generation where Peanuts was still in the Sunday comics for a few years but no more than that? Well, I know because I still have all my mom’s, dad’s and aunt’s Peanut books. They all cost ninety-nine cents back then, it says so right on the cover. I’m super careful with all these books because I love them, I adore them, I know half the comics in them by heart. At least half. I know of the dandelions on Charlie Brown’s pitcher’s mound, I know of Linus’s crush for his teacher – which was weird because at first he just found her odd and kept telling about the changes she wanted in her salary. I know about the Great Pumpkin and how Linus ruined his chances at being school president because he told everyone how on Halloween night the Great Pumpkin rises out of the pumpkin patch.

Can you tell that I have a bit of an obsessive love for the Peanutes gang?

Forgetting Spring

Imagine a great, big tree. Grand and majestic, an old soul, it carries thousands of small leaves, leaves that fall each winter to the ground and scatter in the wind. Each fall, as the leaves begin to change colors and one by one fall from the branches, the tree begins to feel lonely. It knows that soon it will be bereft of all its cover and will be alone. So every fall, the tree grows sadder and sadder until, as the first frost kisses the branches, the tree feels dead and alone.

The months of winter whip the tree into a fierce skeleton of its former glory. All leaves gone, the tree is left without support, without cover, without anything to shelter if from the winds and snows and the rains and the frosts. If the tree could have a voice it would be howling with pain as the wind beats through it, screaming as the cold drops of rain hit its branches or moaning softly as the snow buries it under a cold blanket of wet white flakes.

The tree never remembers during the winter what it feels like to wake up in spring. But nevertheless, every year, there comes a morning when the tree feels the warm glint of the sunlight on its branches. It drinks up the water from the wet ground through its roots and seems to stretch out as the warmth thaws it. Soon enough, the new leaves start budding, one by one, and the tree would be smiling if it could, greeting every new bud with a drop of water to sustain and nourish it.

It’s hard to remember sometimes that spring will come, but come it will, whether we know it or not.

Comfort Books

There is a particular type of book – I suppose it must be very individual for each person, but generally this type of book is either a favorite novel, well thumbed and read many times, a book from childhood with a silly story but beautiful writing, or sometimes even just a Peanuts comic-book from the sixties. These books are comfort, at least to me.
When I’m feeling horrible, or just down and sad for no reason, all I need is to pick up a book like this, tuck myself into bed, and read for a couple hours.
The yellow pages seem the most beautiful thing in the world and the crinkle as I turn them is like music to my ears. The smell – ah, the smell! I sometimes literally pause in my reading and bury my nose in the spine, sniffing up the memories of childhood, when I first read the book, or the countless bus-rides and walks to school when I read it, or even just the memory of being exactly where I’m sniffing, curled up in my bed, just a few months or years beforehand.
Some people have comfort foods – ice-cream, chocolate, warm milk. I have comfort books.

Popular Haunt

Every small city has to have at least one spooky place. We have ours, alright. Oh yes, we do. As girls, me and a couple of my friends actually went into the single abandoned and, of course, reputedly haunted house. We’re alive to tell the tale, amazing as it sounds.

The house is truly creepy. It is set back from the street, and you have to climb a long set of winding, falling apart, stone stairs that are cut right into the wall of boulders that the house sits on. The stairs are overgrown with weeds, stinging plants and thorns a necessity. When you reach the top of the steps, there is a locked gate, and climbing over it is quite painful, the plants getting in the way constantly, and the gate is so rusty that your hands come away caked in brown metal shavings.

Then there is the house itself. The story goes that the architect – or sculptor? – that lived there just moved away and left the house to decay and no one knows why he didn’t sell it, because it’s big. The creepy thing is, it used to be rather clean inside. The house is completely empty, and is very like a maze – there are two separate wings to it, and the only way to get from one to the other is by crossing through the balcony. The tap in the kitchen is rusted shut, and the doors are all gone or creaking slowly in the wind that moves through the house. There is even a loft, its stairs mysteriously gone, and no way to get up there.

My friends and I sneaked in there a few times when we were younger – even at night once or twice. Sadly, over the years it has become less spooky and much more a place for teenage drunkards to crash. It is now full of people’s exceretians, spray paint and even a couch someone had the strength to drag up there, and it has pentagrams and funny drunken messages painted on the walls. The creep factor is there, but now it is more “Ew, it stinks and some drunk guy will attack me” rather than “Oh god, oh god, I swear this place is haunted, I swear, I swear!”

“Innocense”

Left in a meadow where flowers always bloom
A little girl dances forever,
Playing with her dolls and teddy bears and blankies.
She never cries, never sighs, never needs a hug,
She’s perfectly content knowing that everything,
Everything is fine. All is well.
Sometimes she pauses,
Raises her eyes to the heavens,
And tries to grasp at a forgotten memory,
-Or perhaps a vision-
Of a darker girl,
A dangerous, wild and wonderful girl.
But the feeling of something forgotten fades,
And the girl lives on obliviously
In her meadow of innocence.

I wrote this poem… sometime. I don’t actually remember when, but I stumbled across it while going through some of my old poems and I rather liked the imagery, so I thought I’d post it.