“I like to be in the dark sometimes.”
We lay together, side by side, barely touching. Or is it lie? Do we lie together? Which is the correct conjugation of the verb? We care about language, this is a crucial issue. If we lie together, does the insinuation extend beyond the simple act of bodies naked limbs stretched side by side on a too narrow bed minds on different planes of consciousness which we have already agreed are impossible to bring together in any substantial way? If we lie together are we lying to ourselves and each to the other as well? There’s no need to raise this question aloud, of course, it will only spoil the thoughts racing in our minds which may be exactly the same and may on the other hand be entirely different, but are equally valid. The gap is unbridgeable or is it that the bridge is ungappable? We can’t remember, that conversation was too many pleasures ago.
“Is this okay?”
“Yes. Is this okay?”
We talk about books and music and likes and dislikes and our heads are filled with mush and gray matter and our lips move around words which mean things or don’t and the hour grows later and light grows brighter and the birds chirp and our voices grow softer. Soft like what, is this important? Are they soft to the touch like a piece of felt that is smooth when you run your fingers along it both ways, or soft like velvet which is so smooth it may induce tears when touched one way and suddenly course and upsetting when touched against the grain, like a cat being pet to make its fur stand up? And on the subject of furs are the tree version used for Christmas celebrations absent from both our locales as they seem to be at first glance or is Christmas celebrated in a half of this darkness that is still unexplored?
The day was brisk and revenge was in the air. Trevor was looking forward to the end of it all. He wanted to reach the point at which he would feel vindicated and satisfied. But he didn’t know when that would be, and even though the wind blowing the strands of damp hair away from his face was cool, he still felt too warm and continued sweating profusely. He contemplated taking off his coat, but that wouldn’t be quite right. Revenge required a certain style, there were standards to be met, and those included the long, black leather overcoat he was wearing.
He knew he looked the part, but he wasn’t feeling it anymore. When he’d woken up in the morning, everything had felt right – the stars were aligned in his favor and his muscles were loose and pliant as he conducted his daily exercises. Everything matched his expectations, right up to the fine spread of grayness that filled the sky in a perfectly foreboding way.
The clothes were already prepared from the night before and they lay draped over the chair beside his bed, inviting him to put them on. He put music on first so that he could pretend he was in a movie. When he dressed, he made sure to pull his sleeves taut in time with the bass line and to knot the tie when the drums started up again after the bridge.
Trevor lived with a soundtrack. Although he worked in a job that he enjoyed – he was a studio musician – he wanted to work at something different. He wanted to be the person who chooses the music to go with each bit of a movie. When his friends described their lives to him, he constantly thought of which song should go with each instance. In his own life he kept meticulous playlists on his iPod and was ready for any situation he might fall into.
Today he was listening to his revenge playlist, but he only kept one earphone in because he also needed to hear the door opening. When it opened, he would be ready for her.
He tried to make his hand stop shaking. It looked distinctly unprofessional. The only thing he could hope for was that when she came in everything would suddenly work on instinct, just like in the movies. That’s what should happen.
But the door slammed open and she rushed out, clearly in a hurry. She was putting her earrings on as she jogged to her car. His hand kept shaking, and the metal didn’t glint, and it was all wrong now. Somehow she was already in the car, and the car was starting and then she was gone, and Trevor was left there, hunched behind the rose bush, the sweat finally growing cold on his face and his hand finally beginning to steady.
Too late. He was too late. He wanted to scream. His music stopped and he looked at his iPod and saw that it had died. He must not have charged it for long enough. This was awful.
“This is awful,” he said aloud. “This isn’t how it should go.” He wanted to ask someone what his next line was, or maybe ask to do the whole scene from the beginning, but life didn’t work like that and there was no director waiting to say “cut!”
It started raining as Trevor walked home and he wondered whether this was a turning point. Was this when the hero of the story was supposed to learn something? Was he supposed to take this as a sign or should he just try again tomorrow? Maybe he needed a sunny day, something less obvious than a gloomy day. Or perhaps he needed to just break into her house at night and do it then.
When he got home he put another playlist on. This one was called “Disappointment.” After a moment he changed it to the one he’d named “Failure.” It sat better with him. Stretched out on the bed, on his back, he struggled out of his clothing, trying not to lift his body very much because he was suddenly exhausted. He wondered whether he was coming down with something. He was drenched from the rain, after all.
The phone rang. He didn’t pick it up for a while, but finally, when it didn’t stop ringing, he decided to answer. It was her. She was asking him if he was ready to be friends yet. He said “Yeah, okay,” and made plans to meet her for dinner that evening.
Maybe there had been a reason for his failure after all.
Okay. Maybe it’s not. Maybe I’m just bitter. That is a very great possibility. And yet- and yet, there’s a reason why advice to new couples is “Less history, more mystery.” There’s a reason why white lies exist, and why we use them constantly. It’s because the truth can be harsh, unpleasant, unwanted.
Why do we blurt out the truth at the worst possible times? Why do we ruin the beauty and simplicity of friendships with bitter pills and noxious notions of some falsely noble honesty? I don’t have the answer. I also know that I have rarely accidentally said something honest – it has always been deliberate, and that makes me think that this time it was just as thought-out and planned as ever, only subconsciously. That doesn’t make it better. While we’re not the masters of our subconscious, we are the masters of our mouths, and should keep them closed tightly when needed.
I am less than a month away from my twenty-first birthday, and yet everything I’ve written above strikes me as intensely and unpleasantly adolescent. I guess we all have days of regression, and this must be one of mine.