description

Another Excerpt

Here is another scene in the story I’m working on. It is the beginning of the first chapter, and follows a prologue, which I may or may not post here eventually. For those who may not have realized it yet, I wanted to explain the nature of this story. It’s a fantasy story, based in a kingdom where class and nobility matter.

__________________________________________

At fourteen, when everything changed for me, I was a beautiful girl. I had been a beautiful child as well. I knew this. I was the noble daughter of Duke Pietro der-Milt and his Lady Dermira. How ever could I not be beautiful? I was taught that the noble houses held the most beautiful people in the land, the most gifted thinkers, the greatest of artists and the kindest of spirits. So my governess told me during my childhood, using my parents as the best examples.
“Look at your pretty mother, little Miya! see what a beauty she is?” Pirima would say. She’d point at my mother, sitting in our great drawing room or in my father’s study or in the corner of my nursery. She was a beauty indeed. My mother always knew how to look beautiful and delicate. She could embroider, read, write letters, instruct servants, talk with my father, survey the accounts – all while looking as pretty as a picture, without a hair out of place or wrinkle in her dress. Pirima often whispered to me that she wished she could look like my mother, and her lips would twist in a sad little frown. I didn’t understand the nature of jealousy or envy when I was young; I merely thought it natural that everyone would want to look like Mama, who was, I was sure, the most beautiful woman in the world.
There were plenty of mirrors in our home, so I learned early on that I was a beautiful child. My skin was smooth and healthy, a few shades darker than my mother’s milky-white complexion. My hair, which was black as coal, thick and wavy, hung down my back when I was a little girl, kept away from my face by a neat little bow which Pirima would tie into it every morning. My eyes were grey, and Pirima always said they reminded her of the stormy sea because when I was angry or sad they turned dark blue. My black eyebrows were delicate and thin, and my nose was small and rather flat, accentuating the fullness of my red lips. My body was that of a healthy little girl – rounded with the healthy fat that children possess, my limbs strong with activity.
One day, when I was about six or seven, I stood looking into the tall, gilded mirror that stood in one of the corridors. As I stood there, admiring myself, I watched my mother come up behind me. She laid one white hand on my shoulder and smiled at me in the mirror. My eyes widened.
“I look like you, Mama!” I cried with delight.
“You do, my dove. You look like your papa as well. You have his hair and his nose,” she touched my hair and my nose as she said this, then knelt down behind me in a rare motherly gesture and hugged me tight, arms encircling my stomach. She usually didn’t touch me much. My joy at seeing we were alike, though, seemed to make her emotional. I had no cynicism at that age, and I didn’t see her emotion for what it was – a kind of vanity. I was happy to be in her arms, happy that she smiled at me, happy that I looked like her and like Papa.
“Now, Miyara, let’s go visit your papa in his study, hmm?” she took me by the hand and we spent a quiet afternoon in the study with Papa, who was in a good mood as well. I remember that day as one of the happiest of my childhood. It wasn’t often that my parents made any effort to spend time with me. We usually met only during meals. The rest of the time I spent with Pirima, who was my only other company for a long time.

Leaving

Exactly a week from now, I’ll be on an airplane somewhere over the ocean, just a couple hours away from the shores of New York, my new home-state. My orientation week will begin on August 29th, move-in day, and my classes begin on September 7th. The new experiences that are looming in front of me are overwhelming but exciting and enticing nonetheless. I’ll be able to study again – bury my nose in books, strain my brain and hopefully become passionate about the new things I’ll be learning.

But as the time to go draws nearer and the free moments I have grow few and far between, I realize just how much I’m going to miss about living here. First, of course, is the simple physical aspect of my home – the apartment my mother and I live in and have lived in for thirteen years; the bookcases lining our walls and the messy lived-in atmosphere that permeates each and every room; the cats perching on the counters or sprawling on the beds, tummies up to catch the nonexistent breezes of late August.

Next, the people – my mother, my boyfriend and my friends. These are people who I care about and who care about me, people for whom I have great respect and with whom I enjoy spending my time. I know, of course, that I’ll be meeting new people and forming new friendships, but they won’t be able to replace my friends here, most of whom I’ve known for at least three years, and the rest of whom I’ve known since I was a tiny tot.

Finally, and this is the thing that shocks me most, I’m going to miss Israel. Yes, this place I bitch and complain about constantly – the rude people, the bad drivers, the unbearable heat and humidity of Tel Aviv, the pathetic winters – all this, I’m going to miss. Most of all, I’m going to miss the Hebrew language. Last night, when I couldn’t sleep and my mind was racing with the thoughts and worries that are forever nagging at me at this stressful time, I began reading a book that I’d bought at the Israeli book fair last year. It’s wonderful, absolutely amazing, and I realized that the roots of my love of writing come from writing in Hebrew. The first creative writing piece I did was in a seventh grade literature class – I wrote, basically on my own, a thirty page story for a big end of year assignment. A few years after that, I began writing poetry in Hebrew. I still have a page on a well known Israeli creative writing site with my poetry and a few short stories on it – all in Hebrew. My father, who wrote a book in Hebrew and was a gifted writer both in Hebrew and in English and who, incidentally, was very Israeli in so many little ways, was the first who told me that I had a gift for writing.

So yes. Despite everything I can say about this place, this country full of drama and upheaval and stupid religious wars, I will miss it. I’m glad that I’ll be able to come back here for my vacations.

Silas (3)

Footsteps sounded from around the corner. Silas became even more still than he’d been before. His breathing made no sound and his limbs were poised for movement. He hoped the footsteps indicated that the job was almost over. He was tired and hungry and extremely annoyed at Mr. Smith for giving him faulty information.
The sound of footsteps grew louder, and the man who was walking began to whistle cheerily. Silas, hidden in the shadows, waited patiently until the man walked passed the alleyway where he was crouched. He caught a glimpse of a rather short, stocky man, suit coat flung casually over his shoulder, expensive watch gleaming in the lamplight. This was him, indeed.
Silas rose from his crouch and began walking behind the man, matching his footsteps to his so as to mask the sound. His boots were, of course, almost completely silent anyway, but there was no point in taking chances. The streets he and the man walked through were deserted, it being very late at night – late enough to be considered very early in the morning. They walked down one street and then another. The man never looked back and kept up his merry whistle and his brisk stride. After about ten minutes, the man walked up to a fancy skyscraper, obviously housing luxury apartments, and began to push the buttons on the coded lock to the front door.
Silas stood now to his side, about twenty steps away. He was hidden in the shadows once more. Everything was in readiness. He put the small tube he was holding in his hand to his lips and blew.
The man stood stock still for a moment, and then crumpled to the ground. Silas was already at the end of the street.

___ Drive: An Essay

This was the essay I submitted to the University of Chicago. It’s more of a creative writing piece than an essay, though, which is why I decided to share it here.

Nestled in the gorgeous hills of the city called Los Angeles, there is a street. It is a pretty street, suburban and colorful. It is called ____ Drive.
Many of the houses on ____ Drive are rather old, though you wouldn’t guess it by looking at them. In the fifties, all the houses were new and pristine, perfect little packages of suburbia. Young couples or families just beginning their lives moved onto the street, and made it what it really became – a homey, beautiful, precious place to live.
The street starts out with a wide bend, curving off the main street that leads up the hill. There is a store there, right near the corner, ridiculously overpriced and adorable, all brown wood on the outside and the good smell of bread and snacks on the inside. For me, that’s where the street really starts, at that store.
Right on the bend into the actual street, there is a single, solitary apartment building. It’s been renovated so many times over the years that it never seems to actually house anyone at any given time. After the building, the street starts proper, with a dip down straight off, houses looking crooked on both sides. There aren’t any sidewalks on the street – for why would there be? This is LA, the city of cars – and so you always need to be careful to walk against traffic, along the side of the road.
Every house on the street is different than its neighbor. There are no two alike, not even a little – each has its own unique brick patterns on the outside, its own colorful or bare garden, its tree or its bushes or its roses, the swing next to this house and the bench in front of that one. This one has a porch, the next might have a wildflower garden, and the next might have a collection of stones in front of it. Some of the houses are memorable, and some aren’t.
Although time has been kind to most of the houses on the street and they still look classic and well-tended, some newer families have moved onto the street and they decided that the houses they bought were too small. So what did they do? Why, what any upper-class family trying to live the American dream would do. They tore down the old, endearing, family-sized house, and built large concrete monstrosities with four garages and five stories, and park their Hummers on the street, because apparently the kids need the garages.
Still, if one can ignore those places, which stick out like sore thumbs, the street is one of beauty and tranquility. On Sunday mornings the grandkids come visit and ride their little tricycles in the driveways. Their parents sit back indulgently, speaking of times when they were that little with their own parents, the inhabitants of the street. On most other mornings, you will see sixty- and seventy-year olds walking briskly up and down the street with their usually-outdated portable music players, or maybe you’ll see them driving to work in suits and ties, with hair and mustaches sleeked.  You’ll see the younger families carpooling to work with their children bouncing in the back seat, watching Spongebob Squarepants on their portable DVD players.
The afternoons on ____ Drive will be quiet, people napping, resting, doing homework, relaxing and giving themselves alone time, swimming in their pools by the light of the setting sun and its reflection on the water. Occasionally the sound of a helicopter will break the peace of the quiet afternoon, but more often than not the street will be serene, almost eerily so.

So, the days. The nights are different. The nights might be noisier, as one house or another is bound to be having a dinner-party, a birthday, a casual get-together, a wild night of drinking in the house where the parents have gone on vacation. Even when it’s quiet, the patches of yellow glow from the windows cast a pretty light up and down the street. Everyone remembers dutifully to turn on the garden lamps as well, so as to help drivers coming down the road to see well.
There are walkers at night too, of course – the people with their music players, all bundled up now because of the cool, crisp mountain air. It is always cool at night up there, even during the height of summer. Some nights it’s foggy, making the air smell deliciously damp, like being in a real cloud.
If you walk down the street very late at night, it will be quite dark. Although many people leave their garden lamps on, their light is dim, especially at that hour of the night. Coyotes and raccoons often roam the street, the raccoons even opening garbage cans to rummage inside, and deer creep into the backyards to eat the flowers or drink from the pools. The man with the hybrid wolves will be walking down the road, taking them for their walk when the fewest people are around. The wolves are part dog apparently, but they look fearsome, even though they’re muzzled, and their size, their ice-blue eyes, and the ample amount of spiky grey fur on them isn’t very reassuring, though beautiful to look at.

There are two things that make ____ Drive the most wonderful, beautiful, splendid street in the world for me. The first is what you will see if you walk down to the very end, at night. Once upon a time, when I was very small, there was no gate there. There was just a long, long driveway, leading down to the biggest, ugliest house of all that sat alone on a huge plot of land, surrounded by out of place palm-trees and odd gazebos. Now, the house is the same, but there is also a gate before the driveway, a big black gate.
Still, nothing, not even the gate, can ruin that spot. You can stand there and see the whole of Los Angeles spread out before you, all twinkling lights. The lights are arranged in grids, little squares of suburbia similar to the one you’re standing in. It’s an astounding sight, awe-inspiring, especially when the air is clear and you can truly see so far. It is just a blanket of endless fairy lights, all seeming so happy.
The second reason for this street’s splendor is the fact that it was the center of my visits to the US all through my childhood; it was where my beloved maternal grandparents’ home was. The memories of it are now bittersweet. I will probably never venture up there again, as my grandparents have both passed away and we’ve sold their gorgeous, comfy house. Still, I will always and forever remember every detail of the street and its atmosphere, both with the sweetness and innocence of my childhood days there and with the cynicism of my older state today.

Silas (2)

Mr. Suit’s name turned out to be Thomas Smith. Silas assumed the name was fake, but didn’t mind much. In this business, he knew, privacy was essential. Part of the reason he was so successful at what he did was that he understood this simple fact and acted on it. It had been twenty years or more since anyone had seen Silas’s real face, and he intended on keeping it that way.
The face Thomas Smith saw that day was a pock-marked wreck; cheeks hollow, eyes a muddy brown, a crooked nose and a gash of a mouth, obviously scarred. Smith didn’t seem at all disturbed by this face, which annoyed Silas a little. He liked making people uncomfortable. It was another reason he was so successful – people didn’t want to spend more time with him than they absolutely needed to, so they wouldn’t try to socialize or bribe or judge him. Instead, they simply gave him the facts of the matter.
Smith looked at Silas, and then turned his head around, first to one side and then the other, taking in the empty tables and the dirty street. Then he did something that surprised Silas. He swiveled his body around and looked up at the dingy building above Mick’s Burgers & Beer, obviously checking to see if anyone was looking out of a window. Silas hid his surprise behind a stony face once more, and waited patiently.
“It’s like this, Magician,” Smith began. “I heard about you from a lady friend who used to be… well, shall we say, not in the best of situations. She says that you’re known among the South-dwellers.”
Silas nodded, and broke in rather wickedly “South-dwellers, eh? ‘Round here we call ourselves Southies. As you would know from your lady friend.”
“Yes, well,” Smith didn’t seem offended in the least. “The official term is still South-dwellers, Magician. Also, if my information is correct – which I am sure it is – you haven’t been a Southie, as you say, forever.”
Now Silas took notice. This man, this Mr. Smith, knew more than he was letting on. He knew more than any corporate stiff had a right to know. Mayhap he was simply rich enough to get tongues a-wagging, but then again maybe he he’d hired someone to find out about Silas, and the thought that he might have missed someone lurking around here made him very uncomfortable.
“I’m the Magician,” Silas said coolly, refusing to show he was unnerved. “I’ve been lots of places in my lifetime, Mr. Smith.”
“Indeed.”
“You gonna tell me what the job is or shall I leave you in peace to enjoy a burger and a pint, Mr. Smith?” Silas was desperate to get the job, sign the contract and get away from this suit.
“It’s very simple. The company I work for has placed a spy in a rival company. This spy is now an-” he hesitated, but then continued. “an inconvenience. We need him taken care of.”
“Right,” Silas smirked. “Taken care of. Understood, Mr. Smith. Tell me when and where I find him. And you’ll have to sign this.” He took a crumpled contract from his jeans pocket. “Fill it in, as much as you can, and sign right down there.”
Mr. Smith seemed, finally, slightly discomfited, but he did as he was told, filling in the short form while explaining to Silas where and when the spy could be found. He agreed to the fee Silas demanded without haggling. He returned the contract to Silas, who scanned it quickly as the man rose from the table.
“Just a minute, Mr. Smith,” he took hold of the suit’s arm, firmly grasping it so that he caught skin and sinew, not only the expensive shirt fabric. He tightened his grip as he continued. “You didn’t sign right at the end here, like I asked you to. I asked nicely, didn’t I, Mr. Smith? Can’t do a job without you signing the contract.”
Mr. Smith stared blankly at Silas, then back at the contract. Finally, he reached back to his pen, which he’d put in his shirt pocket. Slowly, ever so slowly, he signed the name “Thomas H. Smith” on the dotted line.
Silas looked at Mr. Smith’s face and saw the surprise and alarm in the suit’s eyes as he felt a jolt, like an electric surge, go up his arm. Silas smiled grimly, his jagged mouth tightening into a hard line.
“They call me Magician for lots of reasons, Thomas H. Smith. You remember that.”

Silas

Silas was crouching in the alleyway, hidden deep in the shadows. The streetlight that stood at the far end of the alley was flickering on and off, accompanied by a buzzing sound; it was driving Silas mad. He shifted his weight a little, careful not to disturb the loose stones in the corner between the sidewalk and the building he was leaning against. His boots made a slight scuffing sound as he moved, and he froze. The last thing he wanted was to be heard.
It seemed like he’d been there for hours, and upon reflection, Silas decided he probably had. The stars in the sky were definitely in a different position now than when he’d taken up his post. At the very least, he decided, he must have been in the alley for three hours. The thought didn’t comfort him. This was supposed to have been a quick job, easy money, child’s play. But something had gone wrong, or else he’d simply received faulty information.
Two days before, Silas had been sitting in, for lack of a better work, his office. It was the place where he took on jobs, at any rate. His so-called office consisted of a grimy table at Mick’s Burgers & Beer, a popular hangout for bikers and shady businessmen. Silas had his very own table, courtesy of Mick himself. Mick had been his most appreciative client by far, and Silas still got free burgers and greasy fries whenever he wanted them – which wasn’t very often. Silas liked to eat well, and usually ate at Mick’s only when his cash was running low. Lately, this had happened more than usual, and it made Silas very cranky.
Two days ago, Silas had dipped his last French-fry into an oozing paper cup of ketchup, grimacing. He chewed it slowly, and washed it down with his dark brown stout. He wiped his hands slowly and methodically on his already stained paper napkin and threw it into the trash-can behind him. He’d perfected this throw over many a long-afternoon, and never missed anymore.
He took another sip of his beer when he realized someone was standing off to his right, staring at him. He looked over and saw a tall man, his limbs long and gangly, wearing grey slacks and a white shirt. He held a briefcase in one long arm and had a Cashmere sweater tucked under the other. His hair was dark brown and slicked back from his forehead, a couple strands jumping loose and sticking up comically. Silas took the man in and discarded him. This was obviously some lost corporate drone, or perhaps he wasn’t so lost and was simply looking to avail himself of the services of Madame Etoile’s Entertainment Parlor, the whorehouse that had for time out of mind sat across from Mick’s.
The man in the slacks, however, didn’t even glance over at the pink neon sign for Madame’s. Instead, he walked over to Silas’s table and sat down across from him. Silas gave him a stony look.
“You lost?” he grunted.
“No,” said the man softly. “I’m here to hire you, Magician.”
“Well, well,” Silas smiled slowly, “I’m all ears then, Mr. Suit.”

The Jazz Bar

The jazz bar is situated off of the main pavilion where the common pubs are located. The pubs on the main drag are all basically the same – crowded, smoky, electronic music blasting too loudly from the speakers. The jazz bar, however, is different. It’s roomier, more spread out, with tables both inside and out. They’re all simple affairs, black plastic tops on stainless steel legs, the chairs matching them. The main difference, of course, is the music: live jazz. The musicians change, sometimes during the course of one evening, but they make up the same basic grouping: a drummer, a bassist, a pianist, sometimes a guitarist or a trumpeter, occasionally the odd harmonica-player. The atmosphere at the jazz bar is relaxed. Although the live music is loud, louder than you would expect, conversation is still an option.

Saturday night found the jazz bar full to bursting – yet still, the space outside didn’t feel cramped. Four young men and a young woman, none of them long out of adolescence, shared a table. Four of them sat and sipped their beers while the fifth slurped his strawberry-melon-smoothie moodily, wishing he hadn’t made himself the stupid promise of zero-alcohol-for-a-month. They sat and listened to the music, one of the youths, who was on his break from drumming, occasionally made snide comments about the trumpet player who was blasting his sounds into the air. The conversation went back and forth, encompassing everything from the latest party to the correct technique of asking a girl out to dietary tips to tattoos.

The group was clearly comfortable together. The solitary girl, who wasn’t a regular addition to the group as she was the girlfriend of the curly, black-haired young man, was welcomed among them and felt surprisingly at home with them. She talked easily and laughed readily, not fearing being ridiculed and not taking to heart the light teasing that is often a single girl’s lot among boys. It dawned on her that this, too, she would leave soon. Oh, she would be back, of course she would, but the experience was all the more precious because she knew it might not be repeated for a good long while.

Trance

It is night. I am alone. I am in my car. The time is 1:23 AM. My car is dark blue and no doubt looks black in the darkness of the night. There are no roadside lamps on this stretch of highway. I am utterly, completely and undoubtedly alone. The road stretches in front of my car. It seems to go on forever. I cannot see the end of it. All I see is the few feet in front of my car, where my headlights shine on the black asphalt and the white lines drawn on it, passing me by one by one.

My vision blurs as I try to count the white lines passing by on my right. One. Two. Three. Four. But no, they’re going to fast to count. I’m going to fast to count them. The speedometer shows me I’m going too fast. I slow down.

The radio in my car isn’t working. Way out here there is only a fizzle and crackle from any of the stations. My CD player is broken. The only noise I can hear is the sound of fast wheels on cold asphalt, and the sound of my own breathing. In and out. In and out.

The highway is taking me from one home to another. One home, the one I left, is broken, destroyed, a-shambles emotionally. My mouth curves into a wry grin before I can stop myself; after the confrontation tonight, it is a-shambles also physically. Not my problem anymore. I glance back, suddenly worried, but my suitcase is still in the back seat, holding every possession I own. The home I am going to is an old home, a half-remembered home, a home where I don’t know if I will be welcomed. The smile disappears. I was a disappointment. Surely I will not be welcomed. But there is no other place to go.

I jerk. I look at the clock on the dashboard. It is 3:44 AM. I cannot remember the last hour and a half. I’ve heard of this before. It’s called road-trance. Your body drives without you having to pay attention. Your mind sleeps and your body works on its own. Figures. That’s what the last four years of my life have been like, after all. Damn it all to hell. I keep driving. Maybe there will be something worthy at home. My old home, or rather, my renewed home.

A Daughter’s Fever

Miranda looked down at the small crib. It was without ornament – nothing like the wonderful crib she had at home, with the painted bars and the bright sheets and blankets. Hospital cribs don’t have to be pretty, merely functional, just like hospital beds. It was strange that she’d never thought of hospitals having cribs before. Of course, when she’d given birth there was a crib, but it was small, it was near her own bed, and her daughter hadn’t been in it much; Miranda had preferred to hold her in her arms as she slept.

Miranda stirred, tearing her eyes away from the sight of her little golden-haired girl red with fever. She’d been sick for five days already. When Miranda saw that the fever wasn’t going down, she’d taken her girl to the hospital. It was a throat infection of some sort, that’s what the doctors said, but the fever was still so high… Miranda couldn’t stop worrying. She hummed with nerves.

She looked at the lone chair that could fit beside the crib. There were others in the room, but they were occupied by other parents watching their sick infants. What a dismal place to bring a child, Miranda had thought when she’d first walked through the door to that room. Her opinion of the cheerless place hadn’t improved since. Her husband was in their chair, fast asleep; the poor man. He’d borne with Miranda’s worries and unfounded fears and had tried to calm her, but she wouldn’t calm. She couldn’t calm. She’d exhausted the poor man.

Miranda thought of her work. She was needed, she knew. Real people, everyday people, depended on her. She knew some of them would be in agonies without her support and encouragement. She felt bad for not being there for them, but that feeling was in a very small corner of her mind. She really mostly felt bad because she was worried sick and still her little girl’s fever raged on.

She looked back into the crib and wiped the sweat of her daughter’s forehead with a small white towel. The doctors said that she needed to wait and let the medicine do its work. She waited.

The Servant

The Servant walked through the halls and knew himself to be invisible. Every effort he made to please went unnoticed and unremarked upon. Every action he took was taken for granted, never acknowledged. Every breath that he took seemed to be silent and he so rarely used his voice that he almost forgot what it sounded like. He must be invisible then, perhaps not even substantial enough to be considered a living human being.

And yet his hands felt substantial enough when he lifted the dinner things off the table. The muscles in his arms hurt when he took the heavy coal box from one room to the next in the winter. His legs ached and his feet blistered as he trudged through the snow to get the carriage or the horses or the ponies for the girls in the winter. In every physical aspect he felt real and alive – so he cherished his work and bore it, day after day, because he felt through it what it was like to be a person.

On the other hand, he very much doubted that the Master or the Mistress or the little girls often felt such aches and pains as him and they considered themselves to be extremely alive – more alive than him for certain. Perhaps, if so, the pain he bore wasn’t a sign of being a person? Perhaps it meant something else – that he was like an animal, bred only to do the work for others. Of course, unlike animals, he received a sum of money for his constant drudgery.

Every time he remember the fact that he earned wages, The Servant felt slightly better. It was then that he would think of his free day once every two weeks; it was then that he would remember what it was like to whirl a pretty girl around the dance floor at the best tavern in town; it was then that he would remember that he knew how to laugh and that he could make others laugh too. So long as he was stuck in the house with Master and Mistress and the little girls, though, he felt he was invisible, a ghost that came to life only once in two weeks but was dead as can be the rest of his days.