fear

Under Ground

Lost underground, the girl sat alone and forlorn and waited for someone to find her. She’d been down in the tunnels all morning as well as half the afternoon already, and still, she was lost. It was a disconcerting feeling, and the girl didn’t like it at all. There were strange noises that came from all over, such as the bubbling of far and unseen geysers and the crunching of earth within itself as people moved around above and below. These sounds unsettled her, especially as they were the sounds of home to her and she’d never before found them frightening. Something familiar turning into a threat is one of the scariest things a person can go through.

The girl hugged a lumpy cloth doll closer to her. It was in the guise of a mole, and the girl had named it, for inexplicable reasons, Piggy. She looked into Piggy’s glass eyes and wondered whether he would come to life and speak to her. Maybe he’d be able to show her the way back to her cave. But he remained a doll, stuffed and mute, and she hugged him close again for comfort.

She looked again at the time telling device that hung on her neck. It was an hourglass, with a very tiny hole in it. Every morning, her mother would reach into the neck of her nightshirt and pull out the hourglass, and she’d turn it over. She told her daughter that if she didn’t lie down all day but stayed up and working like the good girl she was, she’d always be able to tell time, because of the tiny notches, painted red, that told her how many hours had passed since dawn. In their underground existence, night and day were mere formalities, but they kept everyone sane and working, the rhythm helping them.

The girl brought the glass closer and peered in the poor light at the notches. It was now twelve hours past dawn, and she’d been lost for most of those. She felt panic rising in her again and debated beginning to scream again. But the last time she’d done that, the earth had shifted and some crumbs of dirt had fallen onto her from the ceiling. She knew about cave-ins, of course, and the spill at deterred her from trying to call out too loudly again.

To pass the time and suppress her panic, she began a counting game that she’d begun teaching her little sister. She made Piggy jump up and down along with her whispered rhymes, and tried to invent more of the song when she ran out of numbers. When she grew weary of this game, she began to stretch her legs and walked up and down the empty corridor she was in. She tried, for the umpteenth time, to remember how she’d gotten here, but she was almost sure that she had at least one mistake in her visual memory of the way, and she knew, as she’d been taught since infancy, that one wrong turn could mean falling to your death or losing your way and going so deep into the earth that no one would ever find you. That was why she’d stayed where she was when she discovered she was in an unfamiliar corridor.

She wondered when her parents would come looking for her. She hoped it would be before suppertime. She thought of her little sister, eating at the large square table without her, and of her parents, whispering urgently to each other in the corner of the room. She imagined them going to the Chief and asking for more people to help the search. She tried to envision who it was who would find her, and she hoped fervently that it would be the Chief’s fifteen-year old son. The thought of his dark skin and red lips made her blush in a way that was still quite new to her. But it was as her parents always said – even Under Ground, life goes on. She hoped her life would go on with that boy in it.

The girl chastised herself suddenly for thinking of such things. There was no excuse for thinking of a boy when she was lost without food or water. She had her whistle with her, at least, but she wasn’t going to resort to it until she heard a search party nearby. The risk of the ceiling falling in on her was too great for using the whistle if she wasn’t absolutely sure she’d be heard.

Tired of the roundabout route her mind was taking, the girl sat back down, across from where she’d set a groove in the ground already, and began to listen to the sounds around her again.

 

Vonna

It was opening night, and Vonna sat in the back room with the gallery owner and breathed into a paper bag.

“It’s going to be alright, honey, just breathe for me,” the kindly old man tried to soothe her.

“But-what-if-they-hate-everything-?” Vonna gasped through breaths. Her voice came out slightly muffled by the bag, but the panic in it was still clear.

“Darling, they’ll love you,” William, the gallery owner, said. His gray hair was still thick and shiny, despite his advancing age. He was past eighty, but Vonna would never have guessed it. He had the dulcet tones of a gentleman, having shed his New York accent over the years since he’d left the Big Apple.

Vonna finally put the paper bag down and looked into his eyes. He looked right back, faith shining there. “What was it you said to me the day I brought you my paintings?” she asked.

“I told you the truth. I would never let any artist show and sell their art in this gallery if I didn’t think I’d make a profit out of it. I know art and I know people. They will love you, my dear, and they’ll buy up every piece you’ve got. Maybe not tonight, maybe not tomorrow, but within a month, your pieces will be hanging on strangers’ walls. Do you remember what you said to me then?” he chuckled.

Vonna offered an embarrassed smile. “I said that I wasn’t sure if I wanted my pieces hanging on strangers’ walls. And then you said that if I didn’t, well, I’d be just like all those singers who get their mom and friends to buy up all their CDs, and that I’d be pathetic. I didn’t like you much that day.”

William began to laugh. “Dear, dear, I can’t imagine that you would have! But you know better now. You know that I simply want the best for you, and that I believe in your work, otherwise I wouldn’t let you sell it.”

“True. You’re a greedy old goat, just like Sanjay told me you’d be.”

“You’d better tell the same thing to anyone you refer me to – I have a reputation to hold up, darling. Now let me go check that everything is ready. You sit here – sit!” he pushed Vonna back into the chair she was about to rise up from. “I’ll call you a few minutes after we open the doors and then you’ll circulate like the social-butterfly that you can be.” He left the room, winking before he shut the door.

Vonna got up the moment he was gone. She began pacing up and down the little office, three steps in each direction before turning and going the other way. Within moments she was dizzy and sat down again. She had forty-two paintings hanging on the walls out in the beautiful space of Marigold Gallery, one of the better known small galleries that seemed to be the life and soul of the art scene in the city. Gallery openings, she knew, were social events for anyone who wanted to scope out competition, invest wisely, or else mingle with the artisy and the rich. She’d been to enough openings as a guest to know the drill. The doors would open, the crowd would come in looking disdainful, excited or haughtily curious. Half would rush to the table where the champagne glasses were set, and the other half would begin to walk around lazily.

She pictured herself at the last gallery opening she’d been to. It had been at Wings of Freedom Gallery, a bigger place that had openings for multiple artists at a time. She’d walked in at the tail end of the crowd and had begun to walk around, feeling that curious leap in her stomach when she saw something she loved, and that strange plummet that made her look away from something that bothered her, revolted her or bored her.

But tonight it was her turn and – heaven forbid! – people would be looking at her own pieces like that! Forty-two paintings she’d done in four years. Soon, all would be gone. Except for those three that weren’t for sale (“It makes people more interested to see that the artist is keeping his or her own personal masterpieces for themselves,” William had patiently explained.)

Vonna felt like hyperventilating again. Maybe if she fainted, she needn’t go out there at all. But no, there was William, coming back in.

“They’re all in there, dear. Are you ready to mingle? A couple people have already asked where you are. They already have things to say to you, you see? Nothing to worry about. Come,” he held out his hand, wrinkled and soft. Vonna took a deep breath, took his hand, tossed her own graying red hair back, put on her social-smile, and stepped into the gallery.

A Story Excerpt

I was inspired today to start writing something else in addition to my main project. It was one of those things, like Robin of a few days ago, that just started writing itself in my head before I was ready for it. Luckily, I was able to turn immediately to my computer and write. This is only about half of what I’ve written so far, and I don’t know how much potential it has, but I’m going to keep working on it, because, well, I feel like it!

**

The sirens began to wail all over the city, and we made ourselves ready. We all knew what the sound meant. In our shelter, Ben and I gathered up the weapons we had at our disposal – he a staff, and I my twin daggers. He’d learned how to use a staff at his mother’s knee, and he wielded it as if it were part of his body. I envied his skill, especially when he’d shown me that the extras he’d added to his weapon. When twisted in the center, sharp steel blades shot out of either end of the heavy wooden staff, heavier still with the lead infused in it. I could hardly lift the thing, although I’d tried often enough. Ben had the muscles of an infomercial bodybuilder – he’d added two pounds of lead to the staff every year since he hit his teens.

My skills were harder won, for I wasn’t a child of violence. I had never meant to join the revolutionaries, never meant to get tangled up in any of this. My parents were simple folk, and I grew up in a small town near the coast. I learned fishing and cooking while Ben learned the fighting arts from his mother. While he sweated in the gym, I paddled happily in the vast salt lake’s waters. While he took his oath and swore his dedication to the rebellion and revolution, I was picked as beauty queen of the seventh grade. While he debated and studied philosophy and the way of life in which we lived, I was blissfully unaware of anything outside my small community. I didn’t even know how downtrodden we were.

We were allowed television, although no Internet access. I knew vaguely about the Net because of visitors that came to the coast to enjoy some free time. They often complained about the isolation – the radios only caught music stations, and our televisions had no news channels. In our town, the war might well have been a myth. It was a myth to me until I reached adulthood at seventeen and was allowed the knowledge that had been barred from me during my childhood: the world was at war.

Faced with an Empty Page

Opening a new, white and pristine page can be one of two things. It’s either exciting, pulse-raising and inviting, or terrifying, threatening and off-putting.

It doesn’t matter what sort of page this is – it can be a new page in a much used notebook, the first page of an unopened one, or the electronic, virtual one that comes up in a writing program.

No matter what emotion arises when faced with a blank page, the demand that it throws is undeniable. A blank page craves to be filled, to be written upon with ink or to be full of coded letters.

There’s nothing worse than opening a new page and feeling the terror bubbling in your throat, the pressure building up behind your eyes, in the crevices of your very mind. The emptiness seems to call to the very soul, demanding in loud and certain tones what it needs. Sometimes, fear can lead the way into the second, better emotion. Once a page starts to fill up, the demand lessens, the pressure recedes, and bit by bit, the terror evaporates.

There’s nothing better than opening a new page and feeling the excitement bubbling in your stomach, the itch in your fingers as they long to start writing and the images that jump around your mind, urging you onward, ever onward, so that you can’t resist putting down your pen to the paper or your fingers to the keyboard and beginning to write. When the page fills up, bit by bit, a sense of pride in your own words filling up such a space is added to the other emotions, and it too spurs you onward.

Sometimes, when a page is full, it demands another page to be opened. It’s not finished yet, the emptiness of the next page tells you, you must continue.

Sometimes, when the page is full, it’s enough. The urge, the need and the drive all quiet in you, and you can look at the full page and know that you’ve completed something, even if it’s not finished, you’ve put something down on the page, and there it will stay.

Being faced with an empty page is an adventure, whether dream or nightmare.

Combination Lock

Three turns to the right. Stop at “Guilt.”

Two turns to the left. Stop at “Self-loathing.”

One turn to the right. Stop at “Guilt for the narcissism of self-loathing.”

Open the safe. Inside, you will find another, small safe.

Three turns to the right. Stop at “Anger.”

Two turns to the left. Stop at “Impatience.”

One turn to the right. Stop at “Self loathing for feeling angry and impatient.”

Open the safe. This time, you’ll find a drawstring bag inside. Open it, and out will flow dozens of small, egg-sized capsules. Each is clear, with a folded up piece of paper inside of it. You can open the capsules look at the writing on the papers if you like. One will say “Happiness.” Another will say “Misery.” Another will say “Oddball.” Another will say “Unique.”

There’s something else in the cloth bag. If you reach right to the bottom of it, you’ll find a needle. The moment you try to pull it out, you’ll find the cloth bag unraveling. But if you leave the needle in place, you’ll be able to put all the capsules back inside. Then you can draw the strings shut tight, and even tie them. You can put the bag inside the first safe, and put that back inside the second. You know the combination now, so it’s no trouble going in and retrieving the bag whenever you like.

But what if you lock both those safes and throw them into an ecologically correct trash heap? Melt them down, use the metal to make… not bullets or guns, no… not spearheads either… and not jail-bars… how about wrought iron railings, delicate and beautiful, the kind you can train vines and flowers to grow around? Then you can still feel safe, but you don’t have to look at a cage or a weapon. You can’t use the railings against yourself, because you can step over them and make them beautiful. Forget the flowers – even without them, they’re beautiful. Just wait, see if other people admire them. I’ll bet you they will.

What about the bag, you ask? Well, that’s still with you, isn’t it? Tie it to your belt. Let people look into it sometimes. Let the people you love go in deeper, and sometimes maybe take a risk with a stranger. Don’t worry, they can’t steal anything. Even if they take one of those capsules in there, a new one will pop back instead of it. But more importantly, spend some time with that bag yourself. Look into it. Sort it out. See what belongs and what doesn’t. See, this is the magic about it – if anyone else tries to take something away, it’ll pop right back. But if you give it to them willingly or get rid of it yourself, it’s gone for good.

Careful, though. Don’t throw away “Compassion,” or “Love,” or even “Fear.” Don’t let yourself throw all of it away, both good and bad. Keep most of it. Just sort out things like “Pointless Guilt” and “Worthlessness” and you’ll have a good start going.

But remember the combination. If you don’t know how to open that first safe, you’ll never get anywhere. What if the combination changes, you ask? Ah, well, if it does, I trust you’ll be able to listen to that little click-click when the wheel hits the right place, so you’ll crack it in no time. Just make sure to try.

On Command

“Sir-yes-sir!”

Lyle was practicing in front of the mirror again. He had on the army uniform costume that he’d worn on Halloween, and he’d stolen the medal out of his mom’s sock drawer. It was draped around his skinny neck, the gold-colored part resting somewhere around the level of his belt. He marched up and down in his room, trying to make his limbs as stiff as possible, and then turned back to the mirror.

“Sir-yes-sir!”

Under different circumstances, the sight of an eight-year old boy wearing a Halloween costume and walking like a robot would have been amusing. But as it was, it made Robby, Lyle’s older brother, throw his backpack violently across the room. It hit Lyle, who went down right in the middle of another salute.

“Shut up, you idiot, mom’ll be home soon!” Robby gave his brother an extra shove and went to the bathroom to shave. He’d been with his girlfriend after school, and she’d told him she didn’t like his itchy stubble. Trying to calm himself, Robby took out the old razor and placed it on the sink. He lathered his face with lotion, and began, with hands still trembling with anger, to scrape the old, thin blade across his cheek. He managed not to nick his right cheek, his upper lip and his chin, and moved on to the left cheek.

A scream seemed to tear the house into pieces. In the bathroom, Robby cursed as the razor blade cut into his cheek and blood started to seep out of the thin slice. It mixed with the shaving lotion until the lower half of his cheek looked like a marshmallow. Rinsing himself off, Robby got a wad of toilet-paper and held it to his cut as he opened the bathroom door with a crash. A horrible scene met his eyes.

Lyle was face down on the floor, his mother leaning over him. She had the ribbon the medal hung on in one thin, wasted hand, and she was pulling at it, hard. It was still around Lyle’s neck.

“Mom!” Robby dashed forwards, and forced his mother’s hand to let go. He heaved her backwards, away from Lyle, pushing her until she was leaning against the far wall. Her eyes looked dead, and she made no move to go back to strangling her son, so Robby left her and bent over Lyle, turning him over. He was breathing – crying, choking on his mucus and tears, but breathing nonetheless. He huddled in Robby’s embrace, hiding from their mother. Flashing a look of scorn towards her, Robby picked him up and carried him to their tiny, shared room. He took the medal off of him, got him out of the costume and put him in bed. He drew the covers over him and tucked them snug. Lyle was already asleep when he left the room, curled up into a ball.

“How could you, Mom?” Robby faced his mother, who still hadn’t moved from where he’d pushed her. He held the medal forth. “This is what you want? This stupid piece of tin and some gold paint? Take it! Here, take it!” He threw the medal at her feet. Her eyes moved towards it, and she finally moved, kneeling down to pick it up. She looked at it lying in her hand, caressed it, and then held it closely to her breast. Raising her eyes, she gave Robby a withering glare. He didn’t budge, didn’t say a word.

“You never – do you hear me, son? You never talk about your father’s memory that way again.”

She rushed into her bedroom, closing and locking the door, before Robby could scream at her that his father was dead, that he died in a stupid war, that the medal didn’t really mean anything, that his father’s memory lay nowhere near the stupid thing. He slumped against the wall. It was too much, suddenly. It was all too much. His mother had never gone this far before. And Lyle – Lyle was just like her! Why did her need to steal that thing out of her drawer every other day?

Trembling, forgetting about the tissue that was still stuck to his face, Robby went down the hall to where the phone rested on a small table – his father had managed to get a great bargain on it at the flea market, Robby remembered that day… Without dwelling too long, though, he picked up the phone and dialed.

“Aunt Jenny? It’s Rob. Robby. My mom – she – Lyle – I just… We need help.”

Commencement Speech

This is a challenge and an invite from Jane, and although I haven’t yet graduated from college, I have graduated from high school. So I have a little bit of experience. I also attended my brother’s graduation and watched the video of Rahm Emanuel give the speech for the graduates of 2009 at Sarah Lawrence College. But what would I want someone to tell me, to tell my peers? I think I’ll give it a try, see what happens.

__________________________________________

It’s graduation day. How are you all feeling? Hot, I bet, in those gowns. You had to pay for them, too, right? I bet you wish they’d made them a bit more comfortable. Plus, those hats can’t be fitting very well.

But hey, it’s graduation day! This means any number of things – your exams are finished, your last papers are in, your theses are written and sitting in the professor’s files. You’re all probably feeling a little nostalgic too – thinking about how soon you’ll be walking down the halls for the last time, and looking into classrooms for the last time, and eating at the dining hall for the last time, and accidentally opening the door when someone’s in there in that bathroom on the third floor that never locks. And no one ever fixes it. Maybe when you come back for your reunion in ten years, you’ll go check if that bathroom lock’s been fixed. Maybe you’ll feel happy if it is, maybe disappointed. Maybe even shocked.

Things will change. These halls will change, new flowers will be planted in the quad, a new building will be built. But more importantly, you will change. I can bet you anything that if you come down here in five years, maybe even three, maybe even in two months – you’ll be looking at it all with different eyes. Because no matter what you think right at the moment – no matter how many promises you’ve made – no matter how many resolutions – things will change.

I’m probably scaring you. You think I’m saying that you’ll lose who you are. You think I’m telling you that your dreams will go to pieces. But I’m not, not really. I just want to reassure you that it’s okay if your dreams change. It’s okay if the person you are today isn’t who you are in ten years, because even if that’s so, you’ll always remember yourselves as you are today.

It’s a big, scary world out there. But don’t think that you need to change to fit into it. If you change – like you changed majors last year, or girlfriends, or favorite writers – then it’ll be for you, for your own reasons, and you probably won’t notice it happening. But don’t let that world, the one seems larger than life and scarier than Freddy Krueger right now, don’t let it tear you down. Use it. Use your fear of it to get where you want to go. Use the things you’ve learned and the skills you’ve mastered guide you, and let your instinct tell you when you need some help, too.

Now, I bet you all want to go hug your friends and your families. Maybe you’ve got a party later on, or night in, packing up. Just remember that today is about you, and what you’ve achieved. Go take off those gowns that mark you so clearly as “COLLEGE GRADUATE” and let the rest of you come out into the open and breathe a sigh of relief that this speech is over.

It Was a Dark and Stormy Night…

… and the wind was blowing against the windows, making them shudder and rattle. It was almost impossible to see anything outside unless all the lights were off. Even then, the only thing that Patricia Nicole Baker could see was a blurry outline of the pine trees and their branches weighed down and tired from the barrage of water being dumped from the sky. It was a moonless night, and Pat knew what that meant. She shuddered, turned away from the window, and lit up every light in her small house.

It looked snug with the warm glow of half a dozen small lamps. There was the familiar lumpy couch, faded from red to pink over the years. There was the armchair, contrasting horribly with the couch, still a too-bright, too-light green. She’d picked both up at yard sales in town, years ago, along with the three rickety bookcases that stood side by side at the wall. Then there were the kitchen table and chairs, the familiar cupboards with little designs she’d painted on them. Pat walked to the bedroom, reassured again – the heavy wooden dresser, the floor lamp casting a blue glow through its shade, the double bed with crisp white sheets – she’d changed them just today – and the minuscule desk, just big enough for a laptop, a cup with pens in it, and a coaster for her drinks. The printer had to sit on the floor.

Normal, all was normal. Pat avoided the windows and puttered around, taking comfort in little tasks. She washed the dishes she’d used to eat her dinner off of, put the kettle on the stove, waited for it to boil and made herself instant coffee. Opening her mini-fridge, she drew out the bottle of fresh milk that she still got delivered to her – one of the perks of living isolated as she did was the rapport she’d built up with the farm-owners. Adding a dollop of milk and a spoonful of sugar, she picked up the mug and held it between her hands, enjoying the warmth it gave her clammy, cold hands. Striding to the bookcases, she looked through and found what she wanted. It was at the top of the right hand one, in the corner.

The children’s book she brought to the couch was well-worn. The spine was frayed and the front cover had some stains on it. The inside, though, was still beautiful. The images of the soft pastel colors washed over her, the familiar words forming in her mind without needing to read them. Sipping her coffee, she put it down on the floor beside her feet, took a deep breath and glanced at the old-fashioned clock on the wall. It was 9:45. Two more minutes, then, she thought. It was always at the exact time that it happened.

And then, on the moonless, stormy night, Pat lifted her eyes and saw a small figure standing in the middle of the room. He was dressed in a small, cheap gown with pictures of sheep on it. His hair was shaved off completely, though Pat remembered its original dirty-blond color. She knew that if he turned around, there would be a line of stitches at the back, looking fresh and congealed with some blackened blood. She’d asked for that – asked to see him without all the bandages wrapping his head. The doctors had allowed it, knowing there was no hope anymore.

Seth looked at her, his blue eyes shiny with tears.

“Mommy!”

Pat caught him in her arms, sobbing with him, hugging him so close she could suffocate him. Only she couldn’t, of course.

“Mommy, why?”

It was the question kids asked the most, especially very young ones. Pat had read all about it, about how you should give honest answers and admit it when you didn’t know. So she said, quietly, “I don’t know, darling. I don’t know, Seth-boy.”

Once they’d settled together, Pat opened the book, and started reading it to him in a bright voice. He stared hungrily at the pictures, laughed uproariously at the giraffe who got tangled up with his neck in a tree, pointed at the cute monkeys like he always did. Pat read slowly, trying to savor every page, but Seth was a little boy and he always wanted to know, even though he’d read it a hundred times before, what the next page held.

Once she would finish reading, she knew that Seth would fall asleep in her lap while she stroked his forehead. She always fell asleep, too. She knew that once she’d wake, he’d be gone, and she would wait for the next night with no moon, half fearful of his coming and breaking her heart all over again, and half fearful that he wouldn’t show up this time.

If Life is Indeed a Cabaret

If life is indeed a cabaret,

Then how is it that every day,

We simply make our weary way,

From sunup ’til in bed we lay?

**

If the world is merely a stage,

Then why work so hard for wage?

And why then do we fear to age,

If elders are supposedly sage?

**

If we’re meant to see ourselves as flowers,

That bloom and wilt after some hours,

Then why does Death make us cower?

And why does his nearness make us sour?

**

But let us say life’s a show,

One that is unnaturally slow,

And if we accept there’ll be some woe,

Does it make it any easier to go?

**

No, it doesn’t, that I’ll say!

For if life is good, we’d like to stay.

And even if it’s not, that’s still okay,

Death will come sometime, anyway.

A Leroy Excerpt

Leroy remembered only two things from his early childhood. Tony Boss-man has asked him about it once, to see how good his memory was. So he’d told him those two memories, like pearls in the rough and dirty shell he’d become, and he’d felt he was giving part of himself away. But then, the Boss-man always made everyone feel as if they were giving themselves away. That was part of the Boss-man’s power.

The first thing he remembered was eating cereal when he was about two years old. It had been a shabby house then, shabbier even than the next ones would be, but he had a corner that his mother had painted yellow, and his little mattress was there with his few toys. Inevitably, night after night, he’d sit in that corner and watch as his mom fought with his dad. It happened every day, as far as he could tell, and only years later did he figure out what his mom was doing and why his dad objected. The particular memory that he could see so clearly in his brain was different. It didn’t have drunken-dad and floozie-mama in it. It had been an afternoon alone, and he’d climbed up onto the counter in the kitchen with the aid of a stool, a chair and then a big heave with his puny arms. If nothing else, being inside had strengthened those skinny arms of his. No one can stay weak inside. If you do, you’ll get in trouble. But on that afternoon, he’d felt it was the biggest accomplishment of mankind that he’d gotten all the way on the counter. He’d opened the cupboards because his belly was rumbling – and there was something else, he was always hungry then, but of course he would be, why should his parents give a hoot over a two year old’s nutrition? He’d found a box of cornflakes in the cupboard, and he sat triumphantly on the counter with his small legs dangling daringly. He dug his tiny fist into the box and heaved out a handful of the dry little flakes. He put them in his lap and ate them slowly, one by one. One by one. That’s what the Boss-man always told him, too. Take ’em one by one, Leroy, taken ’em on one at a time and it won’t feel so big. As if the Boss-man, sitting in his office with his piggy little eyes knew anything about the streets.

The second memory Leroy had was from around the same age, he thought, and was just as vivid, although it had a more surreal quality to it. It was a night when Momma and Pop were settled, not fighting. They’d gone to their room for a while, and both came out smiling. Leroy remembered smiling, too, and reaching out with his arms to latch onto Pop’s leg. Momma lit a cigarette and gave it to Pop. The smell wasn’t the same as the one that already permeated the house. It was different. He’d gone over to his corner and taken a pen and stuck it into his mouth, pretending to pull something in and then blow something out. Momma and Pop laughed, so he did it again, and stood very straight with his arm bent sideways, the way Momma held her cigarettes. They laughed again, and this time Pop stooped down to him and gave him the burning roll-up in his hand. Leroy’d been afraid, but he wanted Pop to keep smiling so he took it but didn’t know what to do. Pop took it back and whispered to him that this wasn’t just that green stuff or brown stuff that your Momma has all the time. No, this was some fine quality heroine right here. So smoke up, boy, never too early to have some fun. Leroy, panicking, tried to bend his face away from the smoke that was so close, making his eyes tear up. Pop put it in his mouth and pinched his nose closed, so he’d had to inhale a bit of whatever it was Pop had. He went limp, and the last thought he remembered having before he passed out was that maybe Pop was making him a hero, he gave him hero smoke, maybe he’d be like Superman.

Leroy’d thought a lot about those memories when he was inside. When he worked out, he thought again and again about getting rid of his tiny arms, of those little things that had hauled him onto the counter. When he sat and muttered and made people think he was crazy, he wondered if that toke of heroine smoke – hero smoke, as if – had really made his wiring go wrong. Those memories had proved to Boss-man that he could do what was needed. That’s all that mattered in the end, really – Tony Boss-man approving you or not. He’d been approved and he was damn proud of it at the time. But the man – the gaping hole – the smell of gunpowder – and Tony, letting him take the fall. No, that didn’t sit well with Leroy, not one bit.