horror

Lucy’s Diary, May 27th

May 27th, Night, Library

Dear Diary,

Something is going on with R. I’m getting worried. He was supposed to be getting better, but when I visited him today I found him trying to claw his way across the floor. He was sweaty and feverish and I’m positive he was delirious at the time. The doctors aren’t telling me much, because they don’t have proof that I’m a relative.

Diary, I’m scared. I’m terrified, in fact. I feel like every flicker of a light or creak in the floor is someone coming to… to something – kill me, poison me, force me to tell them about R or about how far my parents spread their research on the Parazelli.

Forgive me, my thoughts are completely scattered tonight. I feel a knot in my stomach, and I’m pretty certain that if I try to get up now my whole body will cramp up due to my muscles being so tense.

I don’t know who to ask for help – I don’t know how to help R. But I have to help him. I have to find out what’s

Oh no. Oh no. This is too much. This is just TOO much. My phone just rang, and I answered it, thinking it was R calling me for reassurance that I’ll be there tomorrow morning. Instead, it was his doctor. He said he found my number on a note next to R’s phone and called me. R’s being poisoned. The doctor said that the police are coming in first thing in the morning to interview people at the hospital, because he was being poisoned with snake venom, which is not something that could accidentally have gotten into R’s food by a negligent nurse.

The doctor says R is going to be fine, they’re pumping antidotes into his system. But that’s not what I’m worried about anymore. The Parazelli must be very close, and they’re obviously sending us a message. It’s not like they thought R would die of poison while he’s IN A HOSPITAL. No, this is a warning.

Ok, I have a plan. Not a very elaborate plan, but a plan nonetheless. Something to get me through the night. The plan is this: talk to R tomorrow and figure this out. Yes. Good plan.

I think I better go to my room, Diary, and try to catch some sleep. And tomorrow I shall set my brilliant plan in motion.

Yup.

Lucy

Move [Part VIII]

Marianne was afraid for the first time in days. That is to say, she was consciously afraid – her muscles, whether she knew it or not, had been clenched in a sort of animal fear ever since she had first woken up in that cold steel room. But this was different. Marianne had gotten used to the routine of this place, these facilities in which she acted as lab-rat. Her mind was constantly ticking away and her plan was slowly forming during those short spans of time when she knew she wasn’t monitored as closely.

She was unprepared, therefore, for what was currently taking place. She had come to think of Miss Flanders as a scientist; pure, precise and utterly ruthless when it came to her experiments, one of which was Marianne, Adept [for she had been promoted from Novice apparently] #824. Marianne wasn’t ready for Miss Flanders to come into her room, sit down, and try to chat with her.

When Miss Flanders had entered, Marianne froze in what she had been doing. A panic that she had been discovered rose in her, for she had just been making her usual rounds of the room, jogging, trying to see if she could detect any more cameras in there. She jogged so as to have excuse in case she was asked what she was doing, taking rounds and rounds of the room as she did – exercise, she would reply. She promptly forgot this excuse, however, as the fear of Miss Flanders’ entrance erupted in her mind.

Miss Flanders didn’t ask a thing about what Marianne was doing. She didn’t speak for several minutes, but just sat down on the vacant bed in the room and stared politely at Marianne. Marianne couldn’t help noticing that Miss Flanders’ pupils were very wide, so her eyes looked blacker than ever. She also detected a strange smell about the woman, though she couldn’t explain what it was.

When Miss Flanders opened her mouth and asked Marianne the question, in a false, bubbly voice, Marianne knew that things were only going to get worse from now on, and she had to sit down on her bed to stop her legs from buckling completely.

“So, Marianne, what’s your mom like?” Miss Flanders asked.

“Wh-why? Why are you asking that?” Marianne was thinking furiously, trying to figure out what was happening here. She guessed by now how the Set worked, and she was chilled to her very bone at the thought of what they might do to her mother.

“Oh, I just want to know what you think of her. I mean, dear, all our other volunteer subjects talk about their families all the time,” Miss Flanders’ cheery voice was somehow much scarier than her normal, deep, musical and threatening voice. “You, however, seem rather quiet on the subject. You haven’t, for instance, asked to go home since those first few days.”

“Your OTHER volunteer subject? Meaning you think I’ve volunteered for this?” Marianne tried to take the subject away from her mother, but wasn’t sure whether or not Miss Flanders would see through this.

“Yes, you did. You applied, you got accepted, you signed the papers. Now, what about your mother?”

Marianne gulped. She knew that what was coming wouldn’t be a pleasant interview. She’d lie as well as she could, tell Miss Flanders that she absolutely loathed her mother, tell her whatever it took to try and convince her of that. She knew the truth though. She knew that they were planning something to do with her mother. As she lied fluidly to Miss Flanders, Marianne was speed-thinking, trying to figure out her plan and how she could carry it out quicker than she had intended. She resolved, as Miss Flanders raised her eyebrows in disbelief at Marianne’s lies, to begin practicing.

I’ll practice every night if I have to, she thought to herself. We’ll see how they like a taste of defiance soon enough.

Santa Ana

A Los-Angeles girl at heart and soul in many ways, there are certain feelings and scents and types of weather that I can identify as being utterly LA-ish, even though I have no good reason to know or understand LA weather to such an extent. For instance, there is a wind blowing outside my window right now – a warm wind, carrying with it dust and grit and a dryness that makes you need to lick your lips every few seconds.

This sort of wind is called a “Santa Ana” wind, because that’s the sort of wind that flows through that area in California. It’s a desert wind, and there’s something infinitely creepy about feeling it on one’s face at midnight in January. It is earthquake weather – it feels as if the earth is about to tear open, as if all the dogs are going to start becoming giddy soon, feeling the disaster coming on. It feels as if the sky will break open and sandy, dirty rain will fall, even though there are no clouds to speak of.

It is the sort of night that is build for unconventional horror stories, a night where you know you won’t be able to fall asleep because the warm air will prevent you being comfortable in your quilt. Moreover, the wind will be moaning its dreadful sound and making the dry, dead leaves shake like death rattles. The wind brings to mind graveyards in summer nights, endless deserts and no water or sustenance, haunted houses and funerals. It is unpleasant, and yet it still smells and sounds like a bit of home to me, a bit of LA transferred to this tiny country.

Nightclub

As you enter, you hit not so much a wall, but rather a whole cathedral of sound. There is no escape, no corner where relief from it can be found. If you’re there, you’re not looking for that kind of relief anyway. No, if you’re there, if you’re one of the mass and crush of bodies that fill the place, you’re looking for the kind of relief that can be found only in surrounding and drowning yourself in sound.

Darkness – though punctured by swirling colored lights one moment and a bright flashing white light the next moment – is still the feeling and the living presence that dominates the space. You can feel it in every square inch, the darkness being beckoned and welcomed as a savior, as a necessity, as a living thing to be worshiped. The throng of people treat the darkness as a blessing, a way to keep their anonymity, a way to overcome shyness or fear, a way to live out their wildest sides.

The music is no less important than the darkness. It seems to induce madness, or perhaps levitate towards ecstasy, as people lose themselves in the movement, in the noise, in the never-ending thrum of the bass in their hearts and stomachs. Smoke coils endlessly in the air, the pungent smell of strong alcohol mixing with it, as cigarettes are lit one after another, as drinks pass from hand to hand.