writer

Alphabet Nonsense

Once upon a time,

The letter A took a walk.

She saw the letter B

And boy, she had a shock.

**

B was round where A was not,

And A was quite appalled.

But the letter B laughed at her,

And said “Try being small!”

**

When A became a she realized

That she had some roundness, too.

She sought out B and asked him if

He’d be her friend, real and true.

**

So A and B had lots of fun

And paired up for many words,

Like abbey, abort and able,

Abolish, abet and absurd.

**

They were friends for many years,

And they met some other letters,

And they learned never to think

Of themselves as anyone’s betters.

**

A and B liked C and D,

And many others as well,

They were a band of twenty-six,

The spellers and the spelled.

**

But A and B have special status,

They’re nobler than the others,

For the alphabet is named after

Their great-great-Latin-grandfathers.

To Berlin!

Yes, it’s true, I’m going abroad tonight! Again! I know, I know, this is getting insane… But to be fair, this time I’m using my mileage on Swiss-Air to fund a flight! And I’ll remind you all again that flying to Europe from Israel is much less hassle that from North America, or indeed, Australia/New Zealand. It’s about three and a half hours to Frankfurt, where we switch planes and fly to Berlin.

Yes, this is the third trip abroad that Sir B. F. and I are undergoing together! The first two were to London, England, a place we both love beyond measure. London is fantastic city, absolutely amazing in everything from culture to architecture. But we’ve “done” London twice, and we decided we need a change.

Sir B. F. has a family member who’s relatively wealthy and he has an apartment in Berlin which we can stay in – there’s no way we could have succeeded in funding this trip if we’d had to stay in hotels. Even the cheapest of hotels cost about 100 Euro a night. But no, we get our own cozy little apartment in Charlottenburg, and we have the Schloss Charlottenburg, which is a palace with extensive gardens, right in our own neighborhood! It’s definitely a perfect location for us  – it’s quiet, so we can rest peacefully at night, but close enough to transportation so that we can get right into the centers of Berlin.

While I’m gone, I will try to keep up with everyone’s blogs as often as I can – and yes, I’m still visiting your blogs, but I’m just commenting less. I want to keep my circle of friends here, and I know that in the bloggy-world, the first sign of waning friendship is less commenting – so I truly do apologize, and I’ll do better in future!

I’m also going to try to write a bit (or a lot) while I’m there. I’m bringing my trust netbook, and we have internet in our apartment – plus, there’s neighbourhood-wide wifi connections in some areas of Berlin! Now that’s a service that I think every city should adopt. But back to the point of this paragraph – writing! I’ve already started my travel journal, which I intend to write in as extensively as possible, and if I have time then I’ll also try to continue with my own project which has slowed down a little, although things are getting clearer and closer to an ending, at which point I’ll finally be able to start working on a second draft! Woo!

And so I leave you now to tackle the rest of my day and half the night, as I wait impatiently for my exciting vacation to begin.

Story? Novel? Book?

So here’s a question for all my fellow writers out there: what do you call the projects you work on? I mean, if you’re writing something that’s novel length, do you call it a novel? Or a book? Do you label it?

My current project, the main one I’ve been working on for the past two months, is now way over 100,000 words, and is over 280 pages. know the point to which I want to get with my characters progress before I stop and begin the strenuous and, I assume, long process of editing, fact checking and making sure that everything makes sense and isn’t total crap. I accept the fact that it might well not be worth a damn once I’m finished and that maybe I’ll put it aside and begin something new. The idea doesn’t scare me as much as it used to. It’s okay to write things that stay in the closet and never leave, because they’re practice for those things that are good enough to show the world and be proud of.

Anyway, the point is that my story is in advance stages, more than halfway through – maybe even three-quarters of the way. I know that if I choose to keep it, there will be a sequel or a part two or something of the sort, because I’ve simply discovered so many things that my characters need to go through that I didn’t realize before. But I still call the whole thing, all 285 pages that I have so far,  a “story” because it is. It’s a story, there’s no doubt about that, but I feel that calling it a novel or a book is… well, somehow it’s as if I don’t deserve those titles for it yet.

Don’t get me wrong – I’ve actually gotten to the point where I actually do consider myself a writer, because, well, I write! I write two hours a day, and I enjoy it. I love the feeling the words coming out of my mind and suddenly finding themselves on paper or screen, the little sounds that they keys make as my fingers fly across them on my tiny little laptop, my sturdy companion. I love the way the pen feels in my hand when I write in my journal. I love the feeling of knowing that I write every day, and I even love the frustration and anger and hate that I sometimes feel when I try to write and don’t manage to. It’s all part and parcel of being a writer (not yet an author, of course, but a writer) and I love it.

But how about you? Do you put labels on your work? Are you scared to do so like me, or are you bold and courageous and agree to say that your project is a novel or book-in-progress?

Can’t. Write. Panic. Attack. Plus a Research Question.

Not quite an attack, but almost.

It’s scary – feeling like I can’t write. I think it may be the kind of fear that wakes me up from nightmares. It’s a taunting fear, too – it’s like the music buildup in horror films, the kind that goes into a crescendo just to calm again around the next corner, then climb again suddenly when the monster jumps out of the shadows.

It’s a vacant feeling, too. Like something disappeared. My rational, logical mind knows that nothing disappeared, that it’s still there somewhere and that today, for some reason, I just couldn’t reach it.

Instead of writing, I tried researching. And I got very upset about that too, since I couldn’t find the price of paper in the seventeenth century. I’m not sure it matters, not really, especially as I found some cool stuff that might be very useful and that gave me ideas, but still – the thought that there will be something glaringly anachronistic in what I’m writing bothered me so much that I had to take a walk, reading The City & The City by China Mieville, just to take my mind off it.

So here’s the question – I don’t know how many of you write fantasy of any sort, but if you do… How much license do you give yourself? How much creative freedoms do you think you can take with a story that’s clearly based in a different world?

Sticking With (Rather, Not.)

On this blog, I’ve posted many an excerpt. I’ve mostly posted short pieces – character studies, scenery descriptions, dialogue, short scenes that seem to need to belong to something longer, short stories, and a few beginnings to novels.

All this is great. It’s exactly why I started this blog – in order to try things out, try to figure out different genres and create different characters for myself to think over. I’ve practices my style, flow and different voices [at least, I hope I’ve managed to write in different voices].

But I’ve gotten addicted to having people read my work. I love posting on this blog and being able to get feedback on what I write. Why is this a problem? Well, in many ways, it isn’t. It’s good that I feel a connection and an obligation to be here, because it helps me sit my butt down and write most days.

The problem is that although I start many things, I haven’t finished a large percentage of them. Yes, I wrote a few complete short stories: The Princess Without a Name, One-Eyed Steve, Spam. But my longer works in progress always seem to shudder to a halt. I do have on fantasy novel [hopefully, eventually] that I’ve never posted anything from and probably never will, but other than that, I seem to get stuck. I don’t know if many of you remember my first attempt at a thriller, Move? Probably not. But I was so excited about it for so long, and then I just couldn’t think of anything more.

How do I dedicate the time to just one project, make it a commitment and try to finish it? Forget finish – how to I pass the fifteen page mark? I’ve written papers that were more than twenty pages long, so why do I get stuck with longer fiction? The irony is that I’m usually much more of a novel or novella girl – I enjoy short stories, but only really specific ones and only when I’m in a certain mood.

My whole goal in writing, besides the mere pleasure it brings me and the fact that now I’ve started I don’t ever want to stop, is to succeed in creating something that speaks to someone. Even just one person. When I daydream about being published one day (and I don’t allow myself to do this often, since it’s much too scary) I think about that one letter I’ll get, or that one email, from someone like me who just really enjoys reading and had fun reading something I wrote. That, for me, will be success right there. To make even one single person feel like I feel when I read novels or stories of any kind. That’s a bigger goal than I think it is, I’m sure, because all I ever hear are the horrors of publication, and I shouldn’t be striving for that in my writing anyway.

I should be striving to tell true things. Or have a basis of truth in what I write. I don’t mean that I should write an autobiography or base characters on real people – just that there should be some truth in the emotion and underlying tones of whatever I write.

This has turned into a much longer post than I intended. So I go back to my main question. How do you finish things? How do you just stick with something and finish it?

Boggle

Boggle is an under-appreciated game. Big Boggle even more so. You may be asking, what is this strange word? You may be asking, has she finally gone totally batty? Well, maybe not. Maybe it’s a really well known game and the only reason I’m not aware of that is because there wasn’t one [not even one!] set of Boggle at The Black Squirrel, which is the Sarah Lawrence student-run cafe.

Boggle, in case you don’t know, is a pretty simple game. There are sixteen six-sided dice, and there’s a sort of box thing that has little openings the size of those dice. And then there’s a cover. You shake it around until the dice fall into place, and then you see only one side of each of the dice, and those are the letters you get to work with.

You then need to try to write down all the words you can find in that little box of letters in front of you.

That was probably one of the worst explenations of Boggle ever written, but what can I say? I don’t remember how the rule-book words it.

The point is, it’s a fun game. It’s a wordy game. It’s a game I’m really good at. Scrabble? I’m okay. Quiddler? Well, both my brother and Sir B. F. beat me every single time. They have strategies, you see. If you haven’t heard of Quiddler, I highly recommend looking into it.

But Boggle – that’s a game that plays to my strengths. I write fast, I remember that words like “pot” and “tin” and “teem” can all be written backwards and mean something else, so I always get two words when I see these.

It might be possible, ever so slightly, to tell that it’s 1:24AM and I don’t have much to write about. I spent a half hour today starting to write something that Anne Lamott recommends doing in her amazing book, Bird by Bird. Anyone who wants to read a book about writing that’s both honest and hilarious should read it.

So now, without further babbling, rambling, chatting or similar, I bid you, good fellows or fellowettes, good night.

Fun House Mirror

It grows, grows, grows,

The time stops, then flows,

The truth that nobody knows,

Is how it grows, grows, grows.

**

It hurts, hurts, hurts,

Danger no longer flirts,

They’re filled out now – her shirts,

And that hurts, hurts, hurts.

**

It numbs, numbs, numbs,

Endless pages she thumbs,

Only they make the heart drum,

‘Cause it’s numb, numb, numb.

**

It gets better, worse, the same,

While the wild impulses are tamed,

Moods shift as if in a game,

So it gets better, worse, the same.

The Night Greg Died

Greg died in a car crash. The police say they don’t know exactly what happened, but that someone must have rammed him off the road. They say that they’re on the lookout for badly dented green cars on the highways. When I asked why they were only looking for green cars, they told me that they’d found some green dust inside the big dent in Greg’s car. The dent that was so bad that the door caved half-way in. The dent that punched Greg in the stomach and killed him even before he crashed into the metal railings on the highway.

Myra and I know that the police aren’t going to find a darn thing by looking out for green cars. Whoever rammed into Greg is long gone. Maybe they feel guilty for killing a man. Then again, maybe they’re just relieved that they got away with it. Maybe they don’t even read the papers and don’t have any idea that he died. I sure as hell don’t read the papers anymore. They’ve gotten too depressing.

“You know what’s weird?” Myra asked me at around three in the morning. We’d been sitting up having coffee after coffee ever since the police came and went.

“What?” My voice was all croaky, like a morning voice only worse because I’d been crying. We both had.

“That Greg died in a car crash. I always thought he’d scrape himself off the road on that red beast of his, but in the end it was in his dad’s ratty car and it wasn’t even his fault.”

I knew what she meant. My eyes slid to the photo that hung on the wall, behind Myra. It was taken the day Greg bought his red Suzuki motorcycle. He’d been so proud of it – of her. He’d named her Tessie. Myra and I always freaked his dates out by telling them that no matter what, Greg would always love Tessie more than he’d love them. Then he’d take them out to see her, and the girls would simper and giggle and hate Myra and me. That was okay. We usually hated the girls – they were all much to air-headed to be called women – that Greg went out with.

In the photo, I saw Myra and Greg and me. Tessie was leaning on her kickstand, and Greg was sitting on her, sidesaddle, his arms crossed across his chest and that goofy grin of his spread across his face. His hair was longer that summer, almost down to his shoulders, and the wind had blown a couple lanky strands of it into his face when the photo was taken. Myra was standing behind him and her arms were flung around him, head poking from one side, face scrunched in her usual photo-pose – lips puckered in an exaggerated kiss. Her hair was in its usual bun, trying to restrain her wild ginger curls. Then there’s me. I was standing next to Greg, one hand resting on Tessie’s gleaming handlebar, the other making a peace-sign behind Myra’s head, giving her horns. I’m smiling to, my tight-lipped smile, my photo smile. I can’t for the life of me smile my real grin, all teeth and open mouth, when I’m in front of a camera. So my smile looks fake in that photo. It was the summer that my hair was bubble-gum pink.

That photo was taken six years ago, when Myra, Greg and me all got an apartment together during the summer between freshmen and sophomore years at college. We’ve lived here ever since, a small three-bedroom with a kitchen so tiny we need to literally squeeze around each other when we’re all in here. The dining room and living room are slightly bigger, and it’s around the table we used to eat at with Greg that Myra and I sat at three in the morning that night.

After tearing my eyes away from the photo, I saw Myra staring at Greg’s place at the table. The MAD magazine he’d just gotten that morning was still at his place, open to one of the articles. I felt the same tears prickle in my eyes as those starting to roll down Myra’s cheeks.

“It’s not fair,” Myra said.

“Nope.

“Nobody should die when they’re twenty-five.”

“They sure shouldn’t.”

I must have said something wrong, or maybe my tone of voice was too flat for her to deal with. She looked up at me, her eyes blazing, and threw her coffee cup against the wall behind me before running to her room and slamming the door. I still hadn’t moved when I heard more objects being thrown around in there. But after another small eternity of staring at that photo of us all, I got up to get the broom and started to sweep up the pieces of cheap porcelain scattered on the floor.

Block

It shouldn’t be called “writer’s block.” The word “block” gives the image of a beginning, of something being built, one piece at a time until it’s complete. But writer’s block merely means a lack of building blocks. But perhaps not? Maybe writer’s block is an overabundance of images and ideas that refuse to be put into any form or shape that seems coherent. Or maybe writer’s block is when all the visions that fill the imagination fuse together into a big shape from which nothing can be isolated and looked at on its own.

Lewis Carrol’s Birthday

According to a writing prompt I found online, today is Mr. Carrol’s birthday. The writing prompt suggested that I write about my favorite character in Alice’s Adventures in Wonderland. I thought that this was a marvelous idea, especially because during my semester at school, I had to read it for a project which I won’t, alas, be doing.

I bought myself a beautiful copy of both Alice’s Adventures in Wonderland and Through the Looking Glass. It has all the original illustrations in it, as well as a beautiful, colorful cover. I felt immense joy at carrying the book around and just thumbing through its pages. A book’s physical presence can be so helpful to the experience of reading it. This is why I don’t want a Kindle or a Nook or any of the other electronic readers. I’m straying off topic, so let’s get back to little Alice.

I think my favorite character in Adventures, apart from Alice herself, is little Bill, the lizard. Poor old Bill is always the one who gets picked on throughout the book – first he’s forced to approach Alice in her gigantic form and receives a kick for his troubles; next, mischievous Alice steals his pencil and he keeps writing with his fingers without making any marks on the page, to his great perplexity.

In Through the Looking Glass, I’d like to say that my favorite characters are the kittens – but that’s just because I cannot for the life of me resist kittens. In truth, though, I suppose my favorite character is that of the clumsy knight. The knight is said to be Lewis Carrol himself, in all his chivalrous silliness, and the way he’s described is so very touching. It’s as if Lewis Carrol wants so badly to be a white knight for little Alice, but knows that he is much too bumbling and awkward to be of any help.

[Note: I know there’s lots of controversy about Lewis Carrol and Alice, but as far as this post is concerned, I’m treating it as the innocence it’s portrayed to be by Lewis Carrol himself.]