novel

Style Aping

I’ve fallen deeply in love with Virginia Woolf lately. I’m generally enamored of the classics that I read, if only because the kind of writing styles that existed in the 17th, 18th, 19th and early 20th centuries are so utterly different from the contemporary books I read. This isn’t a bad thing, as far as I’m concerned, because writing, like everything else, changes over time. Language changes, mannerisms change, people look and speak differently… So even though human nature probably hasn’t changed all that much at its core, stories about people are definitely going to sound different at various points in time.

Virginia Woolf has a beautifully unique writing style – in my opinion anyway – and I feel that she loves language just as much as she loves people. Yes, I think she loves people in general for being so different, versatile, strange, quirky and interesting. I truly believe that nobody could write the way she writes without loving the process of writing, even if it caused her much anguish and hardship. However, that’s not even the point, because much as I find her a fascinating person, I want to write about her style right now. That style, in my view, is distinctive. There’s a very stream-of-consciousness feel to it, although at the same time there’s a calculating purposefulness to it, a feeling that the writer knows and understands so much more than her characters do and that she, in looking at them from above, is smiling down at their thoughts and hearts that are laid bare to her. It’s beautiful, self-conscious but at the same time utterly abandoned – I don’t know how Mrs. Woolf achieved this duality in her writing or if she was even aware of it, but it’s beautiful.

A week or two ago, I read The Hours by Michael Cunningham. I highly recommend this book to anyone who likes Virginia Woolf, although I would say that you should read her Mrs. Dalloway before reading The Hours. In certain, well-chosen, parts of the book, Cunningham manages to copy Virginia Woolf’s style beautifully, to its smallest details, while still keeping the plot and character fully immersed in late 20th century New York City. The man, in my opinion, is an incredible writer. The fact that he can mimic Mrs. Woolf’s style so wonderfully, while also giving other characters their own distinct voices, makes me admire him no end.

Now I finally come to the question this whole post was about: what do you think about copying a writer’s style? Personally, I think it’s interesting as practice. I feel myself trying to do this whenever I finish a book I particularly enjoyed, and I have fun with it. There’s something challenging about writing according to specific rules and trying to adhere to a very distinct atmosphere. It’s not easy, but it’s also a very different feeling than trying to find your own voice or a character’s specific voice. Still, I don’t think that I’d ever try to write something long or substantial while mimicking another writer’s style, unless (as in the case of The Hours) I was doing it purposefully and obviously.

So… What are your thoughts on this?

Julie’s Last Blind Date

Checkered shirt tucked into tan-colored pants, the man struck an image that wasn’t charming or heartwarming, but somehow caused those who saw him to feel sorry for him. He knew that he had this influence on people, and he didn’t mind at all. On the contrary, he worked to preserve the sympathy that was directed his way because he knew how quickly it disappeared.

The problem was that underneath the thinning hair, bushy mustache and rather bulldog-like cheeks lived a mind that was almost entirely fixated inwards. The man heard a child crying and thought about how he’d cried when he’d been taken out of his mother’s arms in his earliest memory; he saw a documentary on a village that a big volcano had destroyed and he thought about how awful it made him feel; he saw the death of a distant third cousin as a cause for self-pity and an excuse for not listening to what other people said.

On the first date, however, Julie didn’t know any of this. She simply walked into the restaurant where she’d made plans to meet him, and saw a slightly scruffy face, strangely hairless arms and a nervous, scared look in the man’s eyes. She knew immediately that here was the man who was waiting for her. After fifty-one blind dates in the past year, Julie was proud to say that she could recognize that deer-caught-in-the-headlights look that graced almost every man’s face as he waited awkwardly to meet his future wife.

Julie didn’t have any intention of marrying this man (Pete, she reminded herself sternly, this one’s name is Pete). She’d never had any idea of marrying any of the men she’d been hooking up with through 1-800-FOURTYS, a dating hotline, but they all seemed to be sure that she was going to be their next, or sometimes their first, love. It made her sad to think about this, so she tried not to. Instead, she enjoyed the meals out, and collected material for her book.

Special-novelty-concept books were in now, and she had bowed down to popular demand. Her weekly column in the paper was doing well, but her fans wanted something longer, something substantial to hold and to put on their bookshelves. Her agent told her she might as well try, so she’d come up with a name for her book: “The Year of Dates.” Her agent was skeptical about the name, but he liked the concept.

Now Julie was on her fifty-second date (although the first with this man) after which she could finally finish the book. She breathed a sigh of relief as she walked through the restaurant, a smile fixed rigidly on her face, and thought about how she could spend next Saturday evening alone for the first time in a year.

“Julie?” the man in the checkered shirt had gotten up abruptly as she approached his table. He had a bit of a stoop, and he looked uncomfortable in his own skin.

“Yes,” she continued smiling. “Pete, right?”

“Yes.” He sat down almost violently, as if punishing his chair for something. Julie fought the urge to raise her eyebrows and sat down as well.

“So…” she tried. She dropped the smile, felt her jaw muscles relax and leaned back in her chair. She had already decided that she had enough material for her book already, and that she was only going on this date so as to come full circle and finish the thing properly. Still, there was no reason to make much of an effort.

“I’m married,” Pete said abruptly. He gave a small, sniffling laugh at Julie’s expression. “Well, still married that is. I’m going to get a divorce, of course.” His accent was strange, not New York or Boston, but also definitely not California. Julie couldn’t place it.

“Oh,” she said politely. “Been separated long?”

“No, well, yes, of course. I don’t know. After twenty years of marriage is six months a long time?” The last half of the sentence was muttered and Julie had to concentrate rather harder than she wanted to in order to understand him.

“I don’t know,” she said hesitantly. “I suppose that’s not very long at all. Not after twenty years.”

Pete stared at her intently before dropping his gaze and shifting positions in his chair. He seemed to have a breathing problem (was he asthmatic?) that made him sound like he was snorting with every intake of air. Julie didn’t find this attractive in the least.

The rest of the evening seemed to take its cue from the way the first minute of their conversation had gone. They spoke haltingly, uncomfortably, and of disconnected subjects. Pete’s eyes seemed to burn with fiery passion when he spoke of films of which Julie had never heard. He mumbled and became awkward when she tried to ask him about his personal life. All in all, Julie felt the evening was a failure.

“Can you believe I’ve been on twenty-five of these things?” Pete asked as they split the bill (Julie only let the men she’d enjoyed spending time with pay for her meals.)

“What things?” she asked distractedly, trying to calculate the tip. Math wasn’t her strong point and she was focusing quite intensely when Pete’s next sentence caught her off-guard.

“Twenty-five blind dates,” he said. He snorted and went on. “One a week since my cupcake moved out. Crazy, eh? My head’s not quite right these days.”

Julie looked at him and wondered if she could have heard right. So there was someone else as mad as she was wandering around? A date every week for months on end? With a different person every single time?! Nobody, she thought, in their right minds would do that.

“Do you want to go out again?” she asked abruptly, surprising herself. Pete looked surprised too, and Julie could tell that he’d never been asked that question in all those dates. She could sympathize with the other women – he wasn’t a very good conversationalist and seemed a bit odd – but for some reason, she suddenly couldn’t bear the thought of never seeing him again. It was as if his own brand of unique madness made her feel a little less crazy herself. “Not on Saturday, though,” she added quickly. “We can go out on Friday.”

“Alright,” he said. “Sure, yeah.”

They parted chastely in the parking lot, shaking hands rather than bumping cheeks. Pete walked to his car with an odd, off-balance gait, and Julie unlocked her own car and watched him go. She felt repulsed by him, but also fascinated. Maybe, and a bit of a grin began to form on her face as she thought this, maybe she’d just found the subject of her next book.

 

 

Confused

I’m rereading my finished novel, the first in what would ideally be a series. Yes, it’s a fantasy novel, in case you were wondering.

Reading it over now is bizarre. I can remember quite clearly what I was thinking as I wrote most parts, and it’s sort of fudging with the whole process. I’m reading it through for the first time without making any notes at all – I’m just trying to get a general feel for it and see if I like it. On my next read I’m going to start taking notes on big points that bother me, as well as fixing typos and things like that. Then, so the plan goes, I’ll start rewriting, adding and subtracting, changing brutally if I need to.

Meanwhile, I’m also trying to build a world for the novel I’m going to write for NaNoWriMo. I’m beginning to get a real feel for the fictional world and city that I’m building (yes, yes, another fantasy novel – I’ll try something else next, believe me) but I’m having trouble writing it down. Hence today’s rambling post, written right on my desktop computer for your viewing pleasure (or snores, or boredom, or simply your not reading it – those are okay too.)

I managed to keep up my writing schedule well for so long, but now that I’m done with the first draft, I’m having trouble writing again. I don’t know if it’s writer’s block, circumstances being annoying lately, or simply my mind needing some time to rest, but whatever it is – it’s frustrating and confusing me. On the one hand, I’m so pleased that I managed to finish a proper first draft of something. On the other hand, I’m not all that pleased with the result, and although I know that’s part of the process, I’m having trouble accepting it. Then, on the third hand, (because my hand-structure is clearly a being with more than two hands – I’m writing fantasy after all, right?) I’m simply annoyed with myself for not being able to write anything new. On the fourth hand, my annoyance is shifted and turns into fear that I’ll never be able to write anything again. The fifth hand has given up on trying to restrain the other four, and it and the sixth hands are just hanging out together.

Can you tell I’m going a little batty? Well, it’s because I am.

Fun (Recent) Facts

1. I officially finished the first draft of my very first novel, which is, as of yet, untitled. I’m extremely happy to have been able to do it, even though I think it sucks. For now, I’m taking a few days away from it, since I’ve been working on it almost every single day since the end of June. The distance will hopefully allow me to see it with fresh eyes when I go back to it and start working on the re-write.

2. I signed up for NaNoWriMo, a very fun project that I learned about this year even though it’s been around for quite a while. The confusing name, for those who haven’t heard of it, stands for National Novel Writing Month. During the month of December, there is a sort of challenge to write a novel (which, they stipulate, means 50,000 words or more.) Kit, at Goggle and Lace, is also participating (and, in fact, has a very cool job in her region and she’s a fabulous writer, so go check her out!) so I have one buddy so far! Anyone else participating? If so, my author name is “Ilana” so feel free to add me.

3. The last couple of days I didn’t write at all, almost, and I have to say that I’m extremely pleased by how much I missed it! My biggest fear is that writing will become too much of a chore for me, because I do try to have a schedule with it as much as I can. But no, writing is still a joy, even when it’s rough, and even when it pressures me. I’m always pleased with having written for a while, even if I’m not happy with the results.

4. I’ve had this blog for more than two years… I didn’t celebrate my anniversary or anything! Oh, well, I guess I’ll wait until next year and celebrate my three-year anniversary then.

5. I actually don’t have another significant fact that I can think of, so… I’m reading “Anna Karenina” by Leo Tolstoy. It’s the first of the classic Russian novels I’ve ever read, and I’m enjoying it immensely – more than Charles Dickens, if I may say so (don’t string me up, please!)

Story? Novel? Book?

So here’s a question for all my fellow writers out there: what do you call the projects you work on? I mean, if you’re writing something that’s novel length, do you call it a novel? Or a book? Do you label it?

My current project, the main one I’ve been working on for the past two months, is now way over 100,000 words, and is over 280 pages. know the point to which I want to get with my characters progress before I stop and begin the strenuous and, I assume, long process of editing, fact checking and making sure that everything makes sense and isn’t total crap. I accept the fact that it might well not be worth a damn once I’m finished and that maybe I’ll put it aside and begin something new. The idea doesn’t scare me as much as it used to. It’s okay to write things that stay in the closet and never leave, because they’re practice for those things that are good enough to show the world and be proud of.

Anyway, the point is that my story is in advance stages, more than halfway through – maybe even three-quarters of the way. I know that if I choose to keep it, there will be a sequel or a part two or something of the sort, because I’ve simply discovered so many things that my characters need to go through that I didn’t realize before. But I still call the whole thing, all 285 pages that I have so far,  a “story” because it is. It’s a story, there’s no doubt about that, but I feel that calling it a novel or a book is… well, somehow it’s as if I don’t deserve those titles for it yet.

Don’t get me wrong – I’ve actually gotten to the point where I actually do consider myself a writer, because, well, I write! I write two hours a day, and I enjoy it. I love the feeling the words coming out of my mind and suddenly finding themselves on paper or screen, the little sounds that they keys make as my fingers fly across them on my tiny little laptop, my sturdy companion. I love the way the pen feels in my hand when I write in my journal. I love the feeling of knowing that I write every day, and I even love the frustration and anger and hate that I sometimes feel when I try to write and don’t manage to. It’s all part and parcel of being a writer (not yet an author, of course, but a writer) and I love it.

But how about you? Do you put labels on your work? Are you scared to do so like me, or are you bold and courageous and agree to say that your project is a novel or book-in-progress?

Sticking With (Rather, Not.)

On this blog, I’ve posted many an excerpt. I’ve mostly posted short pieces – character studies, scenery descriptions, dialogue, short scenes that seem to need to belong to something longer, short stories, and a few beginnings to novels.

All this is great. It’s exactly why I started this blog – in order to try things out, try to figure out different genres and create different characters for myself to think over. I’ve practices my style, flow and different voices [at least, I hope I’ve managed to write in different voices].

But I’ve gotten addicted to having people read my work. I love posting on this blog and being able to get feedback on what I write. Why is this a problem? Well, in many ways, it isn’t. It’s good that I feel a connection and an obligation to be here, because it helps me sit my butt down and write most days.

The problem is that although I start many things, I haven’t finished a large percentage of them. Yes, I wrote a few complete short stories: The Princess Without a Name, One-Eyed Steve, Spam. But my longer works in progress always seem to shudder to a halt. I do have on fantasy novel [hopefully, eventually] that I’ve never posted anything from and probably never will, but other than that, I seem to get stuck. I don’t know if many of you remember my first attempt at a thriller, Move? Probably not. But I was so excited about it for so long, and then I just couldn’t think of anything more.

How do I dedicate the time to just one project, make it a commitment and try to finish it? Forget finish – how to I pass the fifteen page mark? I’ve written papers that were more than twenty pages long, so why do I get stuck with longer fiction? The irony is that I’m usually much more of a novel or novella girl – I enjoy short stories, but only really specific ones and only when I’m in a certain mood.

My whole goal in writing, besides the mere pleasure it brings me and the fact that now I’ve started I don’t ever want to stop, is to succeed in creating something that speaks to someone. Even just one person. When I daydream about being published one day (and I don’t allow myself to do this often, since it’s much too scary) I think about that one letter I’ll get, or that one email, from someone like me who just really enjoys reading and had fun reading something I wrote. That, for me, will be success right there. To make even one single person feel like I feel when I read novels or stories of any kind. That’s a bigger goal than I think it is, I’m sure, because all I ever hear are the horrors of publication, and I shouldn’t be striving for that in my writing anyway.

I should be striving to tell true things. Or have a basis of truth in what I write. I don’t mean that I should write an autobiography or base characters on real people – just that there should be some truth in the emotion and underlying tones of whatever I write.

This has turned into a much longer post than I intended. So I go back to my main question. How do you finish things? How do you just stick with something and finish it?

2. Amanda [4]

She led her little pack into Oakwood’s front hall, and up the stairs to the fourth floor, where the new students were roomed. She asked whose new roommates had slept in, and then made everyone start pounding on doors up and down the hall. A few tousled heads poked out of doors, only to be dragged laughing or scowling into the hall in their pajamas.

“Hey, this is your orientation-leader talking – and no, I don’t mean I’m going to help you figure out if you’re gay or straight, you’re on your own there – and I’m telling you all to put some clothes on so we can get going! Believe me, there are some awesome secret places on this campus, and if you choose to go back to sleep now, you might never be able to tell your future kids how you crawled through Acorn’s airway ducts to try to get to the Dean’s office.”

A silence followed this little speech, and then some titters. But as Amanda left Oakwood, her pack had almost doubled, although most of them were still half-asleep. That’s okay, though, Amanda mused, I can’t wait until I show them the secret passageway in Treemont Dorms. They’re going to love those.

It was a true and rather odd fact that Valley U’s buildings had been designed by a slightly eccentric architect with an endless fascination for old palaces. Although most of the buildings looked merely classic and collegiate, some even with ivy clinging to them, they were all filled with some secret passageway or hidden nook or secret cellar room. Amanda knew that the professors knew about them all, as well as the staff – well, she assumed they all did anyway – and merely chose to turn a blind eye because of the fun and unique character it gave the university.

2. Amanda [3]

Amanda sat in the back of the auditorium, ready to spring up the moment the last speaker was finished. She was wearing a dark red t-shirt two sizes too big for her, bearing the legend “Valley Camp Leader” in bright pink letters. Once again, she felt that although she loved her college, their sense of humor was often a bit stilted. Not many of the first years liked the joke of being at camp – they, like Amanda had felt just a year before, wanted to be reassured that they were free from their families and from their old towns and homes and were embarking on some sort of independent life.

As the lights came on, Amanda got up with the other three orientation-leaders, and they all blew their whistles half-heatedly – more for the benefit of the overenthusiastic Office of Admissions employees then for the new students. Leaving off the piercing sounds, they just yelled instead for their respective groups.

She was leading the new Oakwood students to the day’s activities that were supposed to acquaint them with the campus and the school. Her group was rather feeble, stretching and yawning and rubbing their eyes. She gave them what she hoped was a sly smile, and told them that before they were going to go on their in-depth tour of the campus, they’d go back to Oakwood and bang on the doors and wake all the lazy butts who hadn’t shown up for the morning talk.

This won her a few smiles, and she led them down to Oakwood. A gangly boy, with a mop of blond curls adorning his head, came up to her.

“Your name’s Amanda, right?”

“Mhmm, it’s right on my sticker,” she pointed at the big tag on her t-shirt with her name on it.

“I know this is like, totally weird and all, but are you by any chance Jake’s twin?” the boy’s face was open and honest, and Amanda stared at him for a moment, wondering how on earth he knew her brother. Then the pieces clicked into place.

“Bo, right?”

He grinned at her and ran his fingers through his hair, making them unrulier than ever.

“Yeah, I work with Jake at Lila’s. I was working full time over the summer, but I’m thinking that at twenty-three, I’d better finally use that fund my grandparents left me for college. Plus, this way, I get to stay in a dorm instead of with my Aunt Tanya.”

Amanda couldn’t help but smile. She could see what Jake saw in this boy’s – young man’s, she corrected herself – guiless face and long limbs flying every which way as he walked.

“Well, I’m glad you came here. It’s kind of weird for me to be your-” she made air-quotes with her fingers, “Camp Leader and all. I’m only nineteen, you know.”

“Yeah, I know I’m starting college late, but heck, I figure I’ll be really popular what with having a real ID stating I’m over twenty-one and all,” he grinned at her as she waved a finger at him and walked back to join the group trailing after her like tired little ducklings.

Amanda’s mood took a definite upward swing. Jake had mentioned in his rambling and confused way that Bo was coming to Valley U, but Amanda hadn’t realized he’d be living on campus. She hoped this would mean she’d get to see Jake more often, as well as in a better mood. Good start to the year, she thought.

Mr. and Mrs. Adams [6]

While Mr. Adams was reacquainting himself with his old office, Mrs. Adams, who was the less nostalgic and whimsical of the pair, decided to skip going to her office and walk straight to Bloom Hall, the large auditorium where the first years would be gathering.

Mrs. Adams had long been a part of that faculty that spoke with the new students during orientation and made them feel welcome. Although she was sometimes gruff with her own students, believing usually that they could do better than they were, she firmly believed in keeping the kids’ confidences intact and making them feel as if they could do whatever they wanted if only they applied themselves. It was for this reason that she asked, year after year, to participate in many of the orientation seminars – the staff in the Office of Student Affairs agreed one and all that the students left Mrs. Adams talks with smiles on their faces and a sort of hope in their faces.

Mrs. Adams walked into Bloom Hall through the back entrance so she could walk onto the floor of the sunken stage when called. She greeted the other faculty who were going to speak at the event – entitled “What Valley U can do for U!” – and they all complained together about the involuntary cringe they experienced when they had read that title in the invitation to speak.

Soon enough, Mrs. Adams was sitting comfortably on a chair in the auditorium alongside her fellow professors, waiting for her turn to stand at the microphone. She let her mind wander as the Dean spoke of some of the boring technicalities that she knew backwards and forwards. Instead, she contemplated the students in front of her.

A good many of them seemed to still be half asleep – no doubt there had been numerous late night gatherings the night before, which had been the first night in the dorms. Mrs. Adams could tell that a good many of the new class wasn’t even present, and that those who were both present and alert were few. It was amazing to her just how young they looked each year. Four years changed people at that age, and she knew from experience that when she watched these kids at graduation in four years, they would look more like young men and women than like the kids barely out of puberty that they seemed today.

This made her think of what three years worth of growth had done to Claire. She hoped she hadn’t changed into too much of a woman just yet. She hoped that when she got to lunch and saw Mr. Adams, he’d be able to give her some good news – Marty having called or e-mailed, for instance.

“And now, Professor Adams of the psychology department will speak to you a bit about how you guys can avoid utter insanity during the coming months,” the Dean’s words, followed by tired titters from the students, broke into Mrs. Adams reveries and she got up with a smile and went up to the podium.

Soot

Prologue

A cry split the cold morning air. The child, who only moments before had been chasing the pigeons, had fallen down and scraped her hand. She lay where she fell, propping herself up on the uninjured hand and looked aghast at the scraped palm on the other. The scrape looked at first just like skin that had peeled off, but soon little droplets of blood oozed out and began to trickle down to the child’s wrist.

Her wailing hadn’t ceased, and within a few minutes the stone courtyard where she’d been playing was full of people balking at the tremendous noise she was making. A woman scooped her up, ignoring the blood smearing across the white cloth of her apron and took her inside. The stone courtyard emptied as people grumbled and then went back inside the large stone building and got back to work.

“Hush, now,” murmured the woman soothingly in the child’s ear. “There, there. ‘S alright. ‘S just a little scrape.” The child had stopped her wailing by now and had subsided into hiccuping whimpers, tears still streaming silently down her face at the subtle, pulsing pain in her palm. The woman’s face was averted from hers as she put the child down on a wooden stool beside the fireplace, and the child took this opportunity to look at the blood on her hand again. Tentatively, looking quizzically at the redness, she stuck out her tongue and licked it. The taste was strange and metallic, mixed with the dirt that had stuck to the blood. She shuddered a little.

The woman bustled around her, moving around the fireplace, fetching a basin and water and setting it over the fire to heat. Absentmindedly, she patted the child’s matted hair between motions. She got a clean cloth from somewhere and, when the water was hot but not too hot, she took it off the fire and placed the basin beside the child. She dipped the cloth into it, wrung it out, and then tenderly washed the child’s scraped hand. The warmth stung, but the child was calm now, her big eyes fixed on the woman’s face.

“There, now, y’see?” the woman said, taking the child’s other hand and washing it as well. “No more tears now, there’s a good girl. Don’t hurt so bad now, do it?” Her eyes finally met those of the child. The woman gulped.

The child’s eyes were black. The woman couldn’t tell where the pupil ended and the iris began. It seemed like the child had only extremely large black holes set within the whites of her eyes. For all that, she was still only a child. Maybe two years old, three at best. She was skin and bones, almost, although her cheeks retained the roundness of a baby and had a healthy pink flush to them. The child’s hair color she couldn’t make out for it was too filthy and matted, bits of twig sticking out of it here and there making it look as though a bird had idly built its nest there one morning while the child still slept. The child’s limbs all looked to be working and normal, if too thin. The woman thought to herself, instinctively, that the child was probably full of lice and that she needed to be scoured immediately.

But then she met those eyes again. The woman bit her lip, thoughtfully.

“You got a name, child?” She asked abruptly.

“Thea.”

“Ah,” the woman said. She bit her lip again, hard. She looked around her, making sure they were alone and that no one had heard the child utter her name. No one in the large, bustling kitchen had been paying them any attention. It was near supper-time, and they were all busy. She would be told off for not helping tonight. The woman brought her mind back to the child before her and came to a decision. In years to come, she wondered whether she’d been taken on by a fit of madness or whether it was just that the child was much too thin for comfort.

“Your name isn’t Thea. Y’hear me, child? Your name isn’t Thea. You’re gonna be my daughter, and you’re name’s gonna be-” she hesitated, thinking. “Your name’s gonna be Soot, cause o’ your eyes, little one.”

“Soot,” the child repeated. “Soot,” she said again, touching her small nose.

“Soot,” the woman agreed.