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Osmond

Osmond sat in the back of the classroom and doodled on his notebook. The page was full of similar circles, spirals and crosshatching, and his eyes zoomed around, looking for a blank spot. The teacher at the front of the class was speaking, but to Osmond her voice was like white noise. He didn’t take heed of it even when it called his name sharply. He didn’t notice the ominous looks his fellow students were flashing him as they all turned in their seats. He didn’t even notice the teacher standing over him until he realized that his notebook was in a shadow that hadn’t been there before.

“Miss?” he raised his eyes, innocent as a lamb’s.

“Show me your notebook,” she demanded. Osmond turned to the page behind the doodles and handed the notebook to the teacher. She scanned it from top to bottom, and her eyes widened. Her mouth hung open a little and Osmond had to bite his lip in order to keep from smiling. Finally, after an eternity of students holding their breaths, the teacher slammed the notebook down on the desk without a word and began to talk briskly again, as if she’d never interrupted her lecture to yell at Osmond.

Making sure her back was to him, Osmond allowed himself a smile. He went back to his doodles. Every few minutes, in a flurry, he’d turn to the previous page and scribble furiously everything important that teacher had said. He’d then turn back to continue drawing. Nobody ever understood how he took in anything the teacher said when he was so clearly not listening, but somehow his notebook was one of the neater, better arranged ones in the classroom. When his friends asked him about it, he always waved it away, claiming he simply had a gift.

Little did he know that his gift, his strange concentration skills, would lead him to be recruited, at the age of thirty-five, to the most top-secret of the world’s intelligence corps.

 

A Traveling Business

The fairground was deserted, except for the lone figure strolling through it, swinging a cane with a curved handle. This man, who for some years now had gone by the name John Hathaway, whistled as he threw his large feet out to the sides and out. His walk was strange, everyone said so, like the rolling gait of a man who knows the swaying deck of a ship more than dry land. He peeked into the empty tents as he passed them, making sure that all the carnival workers were in the roped off area where their tents were set up. He’d heard about the sort of thing that went on after hours at other men’s carnivals, but he wasn’t going to let such indecorous and rude behavior go on in his.

He’d bought the traveling carnival from its previous owner, a Mr. Glencock, for pittance. It was true that the elephant was rather old and feeble, the tightrope walker was in her forties, and the ringmaster was losing his voice, but Mr. Hathaway had decided not to let humdrum facts get in the way of making a fortune. He’d hired the poster-makers to put gold-paint on all the advertisements and he’d dropped the ticket price quite a bit, so the crowds came in droves. If they left disappointed – well, they’d bought cotton-candy, kettle-corn and a few rounds of pie-throwing first. Fair’s fair, Mr. Hathaway thought, he wasn’t promising anything that wasn’t in the carnival. He chuckled at his pun – “Fair’s fair,” he muttered under his breath again – and poked his cane into the last tent. Empty too.

He started to stroll back towards the camp. Merry fires had sprung up in between the canvas shelters, and someone had taken up the fiddle and was playing some country melody that sounded familiar. Mr. Hathaway bounced a little bit in time to the rhythm and hummed rather tunelessly. Tomorrow he and his carnival would be opening for the third and last night in the small intersection here between three towns, and he’d be glad to get going. Already, rumors were beginning to spread about the poor maintenance of the paint in the main ring and the blind, toothless old lion that was supposed to “ROAR AND SCARE THE BRAVE OF HEART!” according to the poster. Well, Mr. Hathaway saw himself saying to the complainers, the lion may be blind and toothless, but poke him with a stick and he roared, alright. Still, he thought, better to get moving and go to somewhere new.

I’m Back

So. Here’s what needs to be said:

1. I’ve been writing like a fiend. I’ve completed my second novel, entitled (rather lamely,) The Empress’ Assassin. I don’t know if it’s any good.

2. I’ve missed writing on this blog more than I can say. Especially lately. Now that November is over, I’m back for good. Since I don’t have a current work-in-progress, I’m going to spend all my writing time on publishing stuff here.

3. I still – STILL! – don’t know whether or not my college will allow me back in the upcoming semester. I’m truly disappointed with the way they’ve handled the whole situation. If it weren’t for the fact that Sarah Lawrence College has incredible teachers and an amazing set of intelligent students, I would seriously consider trying to get into one of the many other schools that accepted me. Can you tell that I’m resentful? Hmph.

4. Sadly, I won’t reach my goal of reading 144 books in a year. I’m only on book #116 now, and it’s December 1st already. Still, for the first year ever I’ve kept a reading list, which I’ll publish on December 31st.

5. I’m vacuuming all the books in my house. Yes, I know, this is insane, but they’re all incredibly dusty and the shelves ought to be cleaned properly. I’ve started in my room, and have rediscovered scores of old children’s books. I found my beautiful illustrated Cinderella and Snow-White, all my lovely Patricia Polacco books, my Dr. Seuss and Charles Schulz… I could go on endlessly.

6. I just finished rereading A Little Princess, one of my favorite books ever. Strangely, I started reading Vanity Fair today and found curious similarities. Then again, as my wonderful mother pointed out, private boarding schools were the popular and proper education in England for quite a long period of time, so maybe it’s not so odd.

7. I actually have nothing further to say right now, so in lieu of actual information, this seventh item on my silly list will simply bid you all a lovely Wednesday!

NaNoWriMo Crazy

Hello blog! You look dusty, poor thing. I haven’t been taking good care of you lately, and you deserve to get more attention from me, poor thing. But please, don’t be mad, I’ve just gone a little NaNoWriMo crazy lately! Word count: 16,259, not including what I’ve written so far today.

Ahem. Yes. Sorry, everyone, for being so absent lately! I really do miss all your lovely blogs and I’ll try to check them out over the next couple of days. I’m more than meeting my daily word-count so I’m a few days ahead of schedule on my November novel, so I think I can take the time to be around more often. I’ll try, anyway!

Other than writing for two hours daily since November 1st, I haven’t got anything new to tell. I’m thrilled about my writing, because this is the first time that I’ve worked from any sort of outline and I’m enjoying it. I also am really very happy to finally be writing properly again, every day and without feeling as if it’s homework.

So yeah, I know this is a super-lame update… but at least I’m here, and I hope I’ll come back more often (during November, that is – after that things should be back to normal hopefully).

Style Aping

I’ve fallen deeply in love with Virginia Woolf lately. I’m generally enamored of the classics that I read, if only because the kind of writing styles that existed in the 17th, 18th, 19th and early 20th centuries are so utterly different from the contemporary books I read. This isn’t a bad thing, as far as I’m concerned, because writing, like everything else, changes over time. Language changes, mannerisms change, people look and speak differently… So even though human nature probably hasn’t changed all that much at its core, stories about people are definitely going to sound different at various points in time.

Virginia Woolf has a beautifully unique writing style – in my opinion anyway – and I feel that she loves language just as much as she loves people. Yes, I think she loves people in general for being so different, versatile, strange, quirky and interesting. I truly believe that nobody could write the way she writes without loving the process of writing, even if it caused her much anguish and hardship. However, that’s not even the point, because much as I find her a fascinating person, I want to write about her style right now. That style, in my view, is distinctive. There’s a very stream-of-consciousness feel to it, although at the same time there’s a calculating purposefulness to it, a feeling that the writer knows and understands so much more than her characters do and that she, in looking at them from above, is smiling down at their thoughts and hearts that are laid bare to her. It’s beautiful, self-conscious but at the same time utterly abandoned – I don’t know how Mrs. Woolf achieved this duality in her writing or if she was even aware of it, but it’s beautiful.

A week or two ago, I read The Hours by Michael Cunningham. I highly recommend this book to anyone who likes Virginia Woolf, although I would say that you should read her Mrs. Dalloway before reading The Hours. In certain, well-chosen, parts of the book, Cunningham manages to copy Virginia Woolf’s style beautifully, to its smallest details, while still keeping the plot and character fully immersed in late 20th century New York City. The man, in my opinion, is an incredible writer. The fact that he can mimic Mrs. Woolf’s style so wonderfully, while also giving other characters their own distinct voices, makes me admire him no end.

Now I finally come to the question this whole post was about: what do you think about copying a writer’s style? Personally, I think it’s interesting as practice. I feel myself trying to do this whenever I finish a book I particularly enjoyed, and I have fun with it. There’s something challenging about writing according to specific rules and trying to adhere to a very distinct atmosphere. It’s not easy, but it’s also a very different feeling than trying to find your own voice or a character’s specific voice. Still, I don’t think that I’d ever try to write something long or substantial while mimicking another writer’s style, unless (as in the case of The Hours) I was doing it purposefully and obviously.

So… What are your thoughts on this?

Julie’s Last Blind Date

Checkered shirt tucked into tan-colored pants, the man struck an image that wasn’t charming or heartwarming, but somehow caused those who saw him to feel sorry for him. He knew that he had this influence on people, and he didn’t mind at all. On the contrary, he worked to preserve the sympathy that was directed his way because he knew how quickly it disappeared.

The problem was that underneath the thinning hair, bushy mustache and rather bulldog-like cheeks lived a mind that was almost entirely fixated inwards. The man heard a child crying and thought about how he’d cried when he’d been taken out of his mother’s arms in his earliest memory; he saw a documentary on a village that a big volcano had destroyed and he thought about how awful it made him feel; he saw the death of a distant third cousin as a cause for self-pity and an excuse for not listening to what other people said.

On the first date, however, Julie didn’t know any of this. She simply walked into the restaurant where she’d made plans to meet him, and saw a slightly scruffy face, strangely hairless arms and a nervous, scared look in the man’s eyes. She knew immediately that here was the man who was waiting for her. After fifty-one blind dates in the past year, Julie was proud to say that she could recognize that deer-caught-in-the-headlights look that graced almost every man’s face as he waited awkwardly to meet his future wife.

Julie didn’t have any intention of marrying this man (Pete, she reminded herself sternly, this one’s name is Pete). She’d never had any idea of marrying any of the men she’d been hooking up with through 1-800-FOURTYS, a dating hotline, but they all seemed to be sure that she was going to be their next, or sometimes their first, love. It made her sad to think about this, so she tried not to. Instead, she enjoyed the meals out, and collected material for her book.

Special-novelty-concept books were in now, and she had bowed down to popular demand. Her weekly column in the paper was doing well, but her fans wanted something longer, something substantial to hold and to put on their bookshelves. Her agent told her she might as well try, so she’d come up with a name for her book: “The Year of Dates.” Her agent was skeptical about the name, but he liked the concept.

Now Julie was on her fifty-second date (although the first with this man) after which she could finally finish the book. She breathed a sigh of relief as she walked through the restaurant, a smile fixed rigidly on her face, and thought about how she could spend next Saturday evening alone for the first time in a year.

“Julie?” the man in the checkered shirt had gotten up abruptly as she approached his table. He had a bit of a stoop, and he looked uncomfortable in his own skin.

“Yes,” she continued smiling. “Pete, right?”

“Yes.” He sat down almost violently, as if punishing his chair for something. Julie fought the urge to raise her eyebrows and sat down as well.

“So…” she tried. She dropped the smile, felt her jaw muscles relax and leaned back in her chair. She had already decided that she had enough material for her book already, and that she was only going on this date so as to come full circle and finish the thing properly. Still, there was no reason to make much of an effort.

“I’m married,” Pete said abruptly. He gave a small, sniffling laugh at Julie’s expression. “Well, still married that is. I’m going to get a divorce, of course.” His accent was strange, not New York or Boston, but also definitely not California. Julie couldn’t place it.

“Oh,” she said politely. “Been separated long?”

“No, well, yes, of course. I don’t know. After twenty years of marriage is six months a long time?” The last half of the sentence was muttered and Julie had to concentrate rather harder than she wanted to in order to understand him.

“I don’t know,” she said hesitantly. “I suppose that’s not very long at all. Not after twenty years.”

Pete stared at her intently before dropping his gaze and shifting positions in his chair. He seemed to have a breathing problem (was he asthmatic?) that made him sound like he was snorting with every intake of air. Julie didn’t find this attractive in the least.

The rest of the evening seemed to take its cue from the way the first minute of their conversation had gone. They spoke haltingly, uncomfortably, and of disconnected subjects. Pete’s eyes seemed to burn with fiery passion when he spoke of films of which Julie had never heard. He mumbled and became awkward when she tried to ask him about his personal life. All in all, Julie felt the evening was a failure.

“Can you believe I’ve been on twenty-five of these things?” Pete asked as they split the bill (Julie only let the men she’d enjoyed spending time with pay for her meals.)

“What things?” she asked distractedly, trying to calculate the tip. Math wasn’t her strong point and she was focusing quite intensely when Pete’s next sentence caught her off-guard.

“Twenty-five blind dates,” he said. He snorted and went on. “One a week since my cupcake moved out. Crazy, eh? My head’s not quite right these days.”

Julie looked at him and wondered if she could have heard right. So there was someone else as mad as she was wandering around? A date every week for months on end? With a different person every single time?! Nobody, she thought, in their right minds would do that.

“Do you want to go out again?” she asked abruptly, surprising herself. Pete looked surprised too, and Julie could tell that he’d never been asked that question in all those dates. She could sympathize with the other women – he wasn’t a very good conversationalist and seemed a bit odd – but for some reason, she suddenly couldn’t bear the thought of never seeing him again. It was as if his own brand of unique madness made her feel a little less crazy herself. “Not on Saturday, though,” she added quickly. “We can go out on Friday.”

“Alright,” he said. “Sure, yeah.”

They parted chastely in the parking lot, shaking hands rather than bumping cheeks. Pete walked to his car with an odd, off-balance gait, and Julie unlocked her own car and watched him go. She felt repulsed by him, but also fascinated. Maybe, and a bit of a grin began to form on her face as she thought this, maybe she’d just found the subject of her next book.

 

 

Horror

Horror doesn’t only happen at night, you know. It happens on the streets of London and in the slums of New York. It happens in the homes of the rich and the poor alike. It happens in your back garden when you’re not looking, or right in front of you when you’re trying not to see. Horror is everywhere.

Believe me, I know. Why? I’m not sure you’d understand. I’m not sure you really want to know. See, there’s a problem with you people – you always say you want to know, but then you cringe and cry, snivel and beg, and I need to deal with it. It all gets very tiresome. So if you want me to tell you why I know about horror, you need to promise me that you can deal with what I’m going to tell you. Well?

Ah, there, I knew it. Once you’re confronted with what happened to everyone else who asked the same question, you back off. That’s smart of you. Sometimes you people actually do learn something. I like that. There’s nothing fun about playing with your food if it doesn’t know what the outcome is. The mouse, for instance, instinctively knows that the cat wants to eat it, so when a cat’s paw descends on its tail, it’ll bit that bit off in order to get away. Of course, once it does that, the cat will catch it by its body and eat it anyway. But the point is, the only reason it’s fun for the cat to play with the mouse is because the mouse knows what’s coming. And now, you do too.

Now, now, don’t give me that look, please. You knew from the moment you called for me what was going to happen. Yes, remember? You’re the one who called me here. You called horror upon you, and horror comes in the guise you gave it. It’s time for you to live with it simply being your own fault. You think you’re dreaming, I know, and maybe you are! But tell me… Right now, does it matter whether or not you’re dreaming? I’m pretty horrible either way.

 

Thoughts on Genius

Disclaimer: Forgive me for the pompous and maybe too flowery nature of this post. I’ve been reading Michael Cunningham and Virginia Woolf and I wanted to try my hand at writing something like this, trying to articulate my thoughts with more than my usual drivel of words. Forgive me, again, if I sound obnoxious, and if I do, believe me, I won’t force any such thing upon you again.

________________________________

If there is a feeling that accompanies the witness of genius, surely it is awe. Seeing a great masterpiece of art, listening to incredible and unbelievable music, or turning the pages of a book where words, simply words written one after the other, convey the genius of the author – these experiences all come hand in hand with mixed emotions, and at their center, awe.

Somehow, genius seems to give one both the feeling of great insignificance and great community. At one and the same time, one feels tiny compared to this piece of majesty and beauty that touches one’s senses, but also part of a vast body of all the others who have appreciated and seen and felt what one has felt. The illogical nature of this emotion – for if one is small, how can one be large at the same time? – goes hand in hand with genius, which is something, I believe, that no one, not even its possessor, can fully understand. We can understand aspects of it, appreciate parts and facets of it, but never the whole. Perhaps we could gain a full picture of the nature of genius if we collected each and every person’s idea of what the piece, be it a painting, a piece of music or a novel, conveys, we might reach a whole in which we understand both what the genius meant to pass on to us and also what he or she didn’t, what we understand, we who are the vast organism that at one moment in time seem to exist only to appreciate the piece.

There is genius that is cold, calculated and smooth, the results of which would be cold and calculated too if only we didn’t have the need to insert emotion into everything. To this kind of genius we give our own thoughts and feelings, the stirrings in our bellies and the pictures that flash across our minds. We exalt something we may not understand, but why shouldn’t we do so when something has this quality that is so hard to define – genius?

Then there is genius that gushes with more emotion, more heart and soul that we can take in a single view, a single read, a single hearing. To this genius we may do a damage as we try to reign in our emotions and control them, simplify them, understand them. Maybe we shouldn’t try to do so, though, for maybe it is this genius most of all that we ought not to try and understand – maybe it is this genius that we ought to let take us for a ride, whirl us around without apparent, obvious sense and comprehension. Maybe swimming in the place where all emotions stem from, somewhere deep in the soul, is good for us, once in a while.

 

Creatures of the Mind

Far off in the meadow,

Resides the fairy queen.

She’s always dressed in yellow,

Her face always serene.

**

High up in the cloudy sky,

Santa Clause snores away.

His wife bakes him apple pie,

For warmth on chilly days.

**

Deep down in the earth,

The devil plays at cards.

He welcomes to his turf,

All sinners, cheats and bards.

**

In every theater around,

Dionysus spends some time.

He helps sew up the gowns,

And always shares his wine.

**

The graveyards hold Death,

In all his austere glory.

He’ll take away your breath,

When it’s time – don’t be sorry.

**

In recesses of our minds,

Inside the hearts of all,

Live things we can’t define,

Unreal creatures, great and small.

 

 

Under Ground

Lost underground, the girl sat alone and forlorn and waited for someone to find her. She’d been down in the tunnels all morning as well as half the afternoon already, and still, she was lost. It was a disconcerting feeling, and the girl didn’t like it at all. There were strange noises that came from all over, such as the bubbling of far and unseen geysers and the crunching of earth within itself as people moved around above and below. These sounds unsettled her, especially as they were the sounds of home to her and she’d never before found them frightening. Something familiar turning into a threat is one of the scariest things a person can go through.

The girl hugged a lumpy cloth doll closer to her. It was in the guise of a mole, and the girl had named it, for inexplicable reasons, Piggy. She looked into Piggy’s glass eyes and wondered whether he would come to life and speak to her. Maybe he’d be able to show her the way back to her cave. But he remained a doll, stuffed and mute, and she hugged him close again for comfort.

She looked again at the time telling device that hung on her neck. It was an hourglass, with a very tiny hole in it. Every morning, her mother would reach into the neck of her nightshirt and pull out the hourglass, and she’d turn it over. She told her daughter that if she didn’t lie down all day but stayed up and working like the good girl she was, she’d always be able to tell time, because of the tiny notches, painted red, that told her how many hours had passed since dawn. In their underground existence, night and day were mere formalities, but they kept everyone sane and working, the rhythm helping them.

The girl brought the glass closer and peered in the poor light at the notches. It was now twelve hours past dawn, and she’d been lost for most of those. She felt panic rising in her again and debated beginning to scream again. But the last time she’d done that, the earth had shifted and some crumbs of dirt had fallen onto her from the ceiling. She knew about cave-ins, of course, and the spill at deterred her from trying to call out too loudly again.

To pass the time and suppress her panic, she began a counting game that she’d begun teaching her little sister. She made Piggy jump up and down along with her whispered rhymes, and tried to invent more of the song when she ran out of numbers. When she grew weary of this game, she began to stretch her legs and walked up and down the empty corridor she was in. She tried, for the umpteenth time, to remember how she’d gotten here, but she was almost sure that she had at least one mistake in her visual memory of the way, and she knew, as she’d been taught since infancy, that one wrong turn could mean falling to your death or losing your way and going so deep into the earth that no one would ever find you. That was why she’d stayed where she was when she discovered she was in an unfamiliar corridor.

She wondered when her parents would come looking for her. She hoped it would be before suppertime. She thought of her little sister, eating at the large square table without her, and of her parents, whispering urgently to each other in the corner of the room. She imagined them going to the Chief and asking for more people to help the search. She tried to envision who it was who would find her, and she hoped fervently that it would be the Chief’s fifteen-year old son. The thought of his dark skin and red lips made her blush in a way that was still quite new to her. But it was as her parents always said – even Under Ground, life goes on. She hoped her life would go on with that boy in it.

The girl chastised herself suddenly for thinking of such things. There was no excuse for thinking of a boy when she was lost without food or water. She had her whistle with her, at least, but she wasn’t going to resort to it until she heard a search party nearby. The risk of the ceiling falling in on her was too great for using the whistle if she wasn’t absolutely sure she’d be heard.

Tired of the roundabout route her mind was taking, the girl sat back down, across from where she’d set a groove in the ground already, and began to listen to the sounds around her again.