show

Star

The chords of the guitar sounded, the lights came on, and he came onstage. She watched from the crowd, wishing she could have the stationary, movie-like experience of being as if absolutely alone. But there were people pressing close on all sides and the crowd surged forward and she was born along with it as everyone pushed closer to the barrier. There was an elbow in her ribs and someone was stepping on her foot. She didn’t care, even though the physical pain was reducing her ecstasy.

But there was still a leap in her stomach as she saw him open his mouth wide and begin to sing into the microphone. His voice was almost lost amid the crash of drums, the hum of the bass and the distorted guitar. The speakers were right above her on the right and the sound was too loud to register in her ears properly. She focused instead on the sight of him, the way he moved, the way his chest heaved as he belted out the notes and the beads of sweat that appeared on his brow as the hot spotlights lit him up brilliantly.

The crowd seemed to make a wrong move, and suddenly everyone was falling, falling, falling back. She fell, the point of the falling triangle, and felt body after body crash down on her. She didn’t scream. She didn’t yell. As the breath was knocked out of her and her eyes blackened, she saw his image in front of her, the way he’d been looking right at her for a moment there. He’d seen her. That was all that mattered.

Advertisement

A Traveling Business

The fairground was deserted, except for the lone figure strolling through it, swinging a cane with a curved handle. This man, who for some years now had gone by the name John Hathaway, whistled as he threw his large feet out to the sides and out. His walk was strange, everyone said so, like the rolling gait of a man who knows the swaying deck of a ship more than dry land. He peeked into the empty tents as he passed them, making sure that all the carnival workers were in the roped off area where their tents were set up. He’d heard about the sort of thing that went on after hours at other men’s carnivals, but he wasn’t going to let such indecorous and rude behavior go on in his.

He’d bought the traveling carnival from its previous owner, a Mr. Glencock, for pittance. It was true that the elephant was rather old and feeble, the tightrope walker was in her forties, and the ringmaster was losing his voice, but Mr. Hathaway had decided not to let humdrum facts get in the way of making a fortune. He’d hired the poster-makers to put gold-paint on all the advertisements and he’d dropped the ticket price quite a bit, so the crowds came in droves. If they left disappointed – well, they’d bought cotton-candy, kettle-corn and a few rounds of pie-throwing first. Fair’s fair, Mr. Hathaway thought, he wasn’t promising anything that wasn’t in the carnival. He chuckled at his pun – “Fair’s fair,” he muttered under his breath again – and poked his cane into the last tent. Empty too.

He started to stroll back towards the camp. Merry fires had sprung up in between the canvas shelters, and someone had taken up the fiddle and was playing some country melody that sounded familiar. Mr. Hathaway bounced a little bit in time to the rhythm and hummed rather tunelessly. Tomorrow he and his carnival would be opening for the third and last night in the small intersection here between three towns, and he’d be glad to get going. Already, rumors were beginning to spread about the poor maintenance of the paint in the main ring and the blind, toothless old lion that was supposed to “ROAR AND SCARE THE BRAVE OF HEART!” according to the poster. Well, Mr. Hathaway saw himself saying to the complainers, the lion may be blind and toothless, but poke him with a stick and he roared, alright. Still, he thought, better to get moving and go to somewhere new.

The Concert of My Dreams

A lot of it was a blur. Hours seemed to pass between the time spent in a strange mall, all closed up except for one store blasting out strong music, and the actual event. It was strange, the way everything lost proportion. Time either crawled or hurried past. Scenes and people and views changed in a flash. Only some moments stand out clearly in my memory… That’s how it always is in dreams, isn’t it?

But it wasn’t a dream. It was real. We got to the mall at 15:00, found the neighboring stadium and the cluster of people. It felt like coming home. They were happy, energetic, giddy with excitement. There were nerds, and girls and Goths and metal-heads. There were young boys, barely into puberty and women in their thirties, clearly original fans.  Bottles of beer, vodka and even white wine littered the ground along with what seemed to be a thousand cigarette butts. But it was the one place, the only place, in which I felt perfectly comfortable with it.

We were there for a concert, a show. The rules are different when music pumps in people’s veins and the sun burns their backs to a crisp as they wait at a gate guarded by a couple heavy-set men. The rules have to change in an environment like that – it’s inevitable. Better to throw bottles on the ground where the organizers know it’s going to happen than throwing bottles into a crowd later and injuring someone.

It seemed as if we were in and out of the mall for food and bathroom breaks a hundred times, but finally, at 16:45, we were in the crowd waiting at the entrances. It was hot, sticky, and the sun was piercing and bright. People kept whooping for no reason, getting everyone just a bit more pumped up. Sir B. F. and I played games, guessing at what this or that person was like outside of Concert-Time.

Concert-Time is a different dimension, holding a dream-like quality, and consisting of no more than twenty-four hours in which time itself seems to shrink and elongate. The sunlit hours are the longest, whereas the moment evening falls, the breezes hold sweet and short promises. Crushed in a crowd, time elongates again in the heat and airless place. But then, suddenly, time seems to jump forward – by fifteen minutes, half an hour, an hour. The opening bands are on the stage forever, and then they’re not. The stage is empty forever, and then, suddenly, gloriously, it’s not.

They came on-stage, four men in the their mid-forties, and the crowd roared. We were part of a beast, a many-headed animal that thrashed and begged and demanded to be satisfied. The moment the first note started, we began to feed. Music, loud notes one after another, lyrics yelled at the top of our voices while the men on-stage sang loudly with us, for us. The speakers, huge and foreboding when the sun was up, were now a welcome friend, giving out the drug that we needed – the music.

**

Metallica haven’t been in Israel for eleven years. Finally, on Saturday, May 22nd, they performed at the Ramat-Gan Stadium to the ecstasy of long-time and new fans alike. There were sound issues, issues that the stadium staff blamed on Metallica’s equipment. But it didn’t matter whose fault it was – only that it was fixed, and that the crowd, and I inside it, roared approval at each return of the full blast of the speakers.

There are concerts you can’t ever go to again. Concerts that you know were likely once in a lifetime opportunities. This was one of them, and I cannot express how glad I was to be there. It was a night of enchantment – a night of dreams coming true.

At the Diner

It was Halloween night, and fourteen people sat around one long surface made up of tables pushed together. They were a loud bunch, all talking and laughing animatedly, despite the fact that it was past two in the morning. They were elated. They’d just finished what felt like the greatest, best, most amazing and spectacular experience of their lives, and they weren’t likely to forget that night for the rest of their lives.

They were a variety – all shapes and sizes, both young men and young women – but what they all had in common was the sweaty, running make-up that none of them had bothered to remove. In loud voices, they yelled up and down the table to each other, congratulating a night well done and feasting on everything from pancakes to onion rings to spaghetti-and-meatballs. They were ravenous, having completed a feat to which they’d devoted countless hours over the last two months.

Anyone nearing their table would have been able to feel the warmth, friendship and fierce-if-fleeting love they held for each other in that hour. Even the tired waitress, decked out in forced-Halloween-uniform and looking tired beyond measure, smiled at the bunch, allowing herself to be patient with them and trusting that, distracted as they were with each other, they wouldn’t complain about the slow service.

It isn’t surprising that this group wasn’t the only one sitting at a diner at two in the morning after Halloween night. The booths were filled with pirates and princesses, butterflies and Peter-Pans, all of them young people on their way back from various parties. The surprising element was that of men and women well into their middle ages, decked out in elegant finery fit for an extravagant office party or dignified family event – and there were many of these at the diner that night as well, looking happy and content, conversing just as loudly and merrily as the young folk.

If the diner could have felt the happiness and excitement that was filling its tables and chairs that night, it would have sprouted wings and begun to float above the ground.

Being Other

A toss of the hair, a gesture with the chin, a purse of the lips – these will suffice to change a person utterly from one thing to the other. From a shy, timid, slightly awkward person will emerge an attitude, a style, a replica of the actor onscreen. Confidence has nothing to do with it at that point – once someone changes, they’re in the moment and no matter what happens, the attitude will remain, the stance will stay upright and the chin raised.

Such small things, such subtle mind-shifts and twists – on such things hangs the balance of a show. But once a person is out of self, succumbing to that infamous of Greek gods, Dionysus, and loses the identity of the self, then there is no pause, no doubt, no fear. Nonexistent wine gives the head its buzz and the body its confidence; nonexistent masks take over the face and expression; nonexistent muses come and spark drama or comedy at the needed times.

Being other is liberating. The fear before succumbing to that loss of self is overwhelming, almost paralyzing. The moment the threshold is crossed, however, the fear evaporates like a magician’s rabbit – instantly, utterly, although still biding its time somewhere hidden where the audience can’t see it.

Being other is mastering fear. Being other is being free.

Boots [Part III]

Part I

Part II

“Awesome?” Sandy asked. The boots did look good. They clung, made her knees look good, gave a few inches to her height – they looked incredible on her legs. But with the light blue dress… She thought to herself a bit. Came to a decision. She gave the red-haired woman a half smile.

“Almost awesome,” she said. “I’ll take them, though.”

The red-haired woman rung the boots up, but was puzzled. As the sweet girl left with her new boots in a big bag, she looked determined; her face was set, her mouth a hard line. The red-haired woman had expected the girl to be ecstatic with her new gear, to leave the store with a smile and a bounce in her step. She’d looked instead like someone who had made an important decision, and maybe not a welcome one. Well, she thought to herself, what do I know? Maybe that’s just how the girl shows she’s pleased. She turned to the TV screen, peered surreptitiously at the doorway to make sure no one was there, clicked a button on the remote and sat back happily.

Between shifts at the restaurant and the tutoring she did at the elementary-school, Sandy spent her little spare time that week working on her closet at home. She piled lots of things into a big box. She shoved the box into a corner and left it there. At the end of the week, Sandy looked at what was left in her closet, and frowned, worried. She’d have to go back to the store, she decided. She put her hair up, shoved a couple of black chopsticks through it, smeared some of her cheap new make-up on, donned her boots, and left her apartment.

When Sandy walked into the shop this time, the red-haired woman was just switching on the tape of the horror film on the TV. She looked up from the remote, smiled a distant smile, and said “May I help you?”

“Don’t you recognize me?” Sandy was surprised. She had gotten the feeling that this woman was one of those who didn’t forget anything. Then she saw the red-haired woman’s jaw drop as she looked her over. My, my, the red-haired woman thought. Lookie here.

Sandy was attired head to toe in black. A knee-length black skirt, a black top that clung to her and showed off her white arms, a black band around her throat, and of course the boots. Her eyes were surrounded by thick black make-up, and her lips were tinted to a dark color as well. “Aw, Honey…” the red-haired woman breathed.

“I’m here for some clothes,” Sandy declared. “I don’t own enough black stuff to get me through a whole week, unless I do laundry at least twice.”

“But- I mean- Well, why?” The red-haired woman felt flustered. She had not seen this coming. “What’s wrong with what you used to wear? You know, those cute dresses you had on those times I saw you.” Frankly, the red-haired woman was disappointed. She’d thought she’d found someone who really got it. But no. Maybe not.

Sandy’s lip quivered just a bit as she answered. “Because,” she sighed. “I can’t pull off those boots without the whole- well, the whole look, you know.” Then she mumbled “Like you…”

The red-haired woman stared at Sandy. Then at the TV. Then at Sandy again. “You’re telling me you thought you needed the black clothes so you could wear the boots?”

“Yes.”

“Well, do you like black clothing?”

“Um,” Sandy looked shifty. “No. Not really. My mom always said it made me look pale as death. Which is kind of good for the look, I suppose…” Looking up, Sandy saw the red-haired woman giving her the warmest smile she’d ever received. There was compassion in that smile, appreciation and amusement as well, but most of all, kindness.

“Honey, let me show you something.” The red-haired woman flicked the remote at the TV. The image changed. From a screaming woman, it changed to Tara Banks and a line of girls in front of her, waiting to be judged. “That’s my favorite show.”

Sandy gaped. “America’s Best Top Model?!” She squeaked. “But… aren’t people like you too- too, I don’t know, too cool for that show?”

“That’s why I can’t have it on here. I beg my boyfriend to come and take over the evening shift here so that I can watch it at home, but two days a week he’s working another job and he can’t. So I make sure no one’s in the shop, and switch off the video. Until someone comes in, that is, and then I’ve got to turn the video back on real quick before anyone sees.”

“But then,” Sandy began. “Is it all a show? Are you just faking the whole thing? I mean, why do that?”

“Well, the fact that I wear black and I like big skull rings and spiky boots – all that’s just fashion. I like wearing this stuff. It makes me feel good and it makes me feel cool. I admit that. But sadly, I own this place and I don’t have enough business that I can afford to drop the image of the perfect gothic woman. Some of the clients really do care about all that nonsense – keeping the image, philosophizing about what it means, et cetera. So I hide my love of Tara Banks and too-skinny girls playing at being models and drama-queens.” The red-haired woman was speaking fast now, her words tumbling over each other in her enthusiasm. “But you, Honey, you came in here and had your own look! You just wanted to add to it! I’ve never seen a cooler outfit than that sweet little dress and the kick-ass boots. That’s what made it special, unique! I thought you didn’t care about the whole image bee-ess, and I was thrilled.”

Sandy had listened to the red-haired woman’s speech with amazement on her face at first, then acceptance, and then at the end, amazement again. When the woman finished, she felt silly. “What’s your name?” came out of her mouth without her expecting it.

“Sue,” said Sue. “Yours?”

“Sandy,” replied Sandy.

From that day onward, it was quite common to find a red-haired woman with black clothing visiting a small diner where a girl with a name tag reading “SANDY” greeted her with a squeal and a hug and good service. It was also quite common for a brown-haired girl wearing various pastel colored dresses and very dramatic boots to visit a small shop called “ROCKIN’-ROLL GEAR,” claiming every time that her cable at home didn’t work and begging the woman at the counter to turn on America’s Best Top Model for her. Every time someone asked, the woman at the counter would blame her friend for the show and would roll her eyes. They’d giggle about it afterwards.

In The Spirit of The Gilmore Girls

I don’t know how many of you out there are aware of the TV show “The Gilmore Girls” and I also don’t know whether or not it had as much hype surrounding it in its native country as it did here. I think every single one of my girlfriends watched and loved it at a certain time in their high school years.

My mother and I are not to be excluded from the GG fan base! Oh no, we watched it religiously whenever it was on, and rejoiced at the time when the reruns were on every day and we got to giggle at the excellent script and sigh at the love affairs and family dramas. The odd thing about looking back at that time is that my mother and I, though on good terms in comparison with many a mother and daughter of the day, were not nearly as close as we are now.

Now, she and I, the two girls in the house with only our cats to keep us company, are close. We’re very close, I should think. I cannot express how much it means to me to be able to consider my mother as a friend and confidante, and I love our evening routine of dinner and a movie together. I hope against hope, though it’s quite a foreign thought to me as of yet, that I manage to have such a good relationship with my children as my parents had with me.

Good Idea. Bad Idea.

What show is that from?! I’m going insane. There was a TV show that my brother and I used to love when we were younger. One of my strongest memories of being in Los Angeles with my family was how different, and superior, so much of the television programs I watched were. Not only does there seem to always be an episode of “Law and Order: SVU” on, but also the children’s programs were varied and so much better in the US when I was little.

So there was this show that I adored. I cannot for the life of me remember the name of it now. It had all sorts of sections to it – it was animated – and one of the sections was this part called “Good Idea. Bad Idea.” The good idea would be, for instance, someone changing a light-bulb with shoes on his feet and the bad idea would be someone changing a light-bulb with wet hands and getting electrocuted in an exceptionally amusing manner [at least to young children it seemed amusing]. Also, I don’t think I’m giving a very good example, because it was usually less crudely amusing and less educational, just very silly and funny.

There was also a section in this show of these weird crosses between animals and how they’d look while running a race.

Does anyone have any clue what I’m talking about or have I gone insane and imagined a whole TV show?

Work With What You Know

Following is the beginning of a conversation I had with my brother this evening.

-Hello?
-Hey.
-Oh, hey, what’s up?
-Not much. You?
-Not much either, you know, just applying to jobs.
-Oh yeah, how’s that going?
-Well, the job I applied for last week – you know, with the hotel interview and everything – I didn’t get that one. But I’ve got an interview later this year I’m really excited about.
-Cool! Where is it?
-Just this place in Washington, a research center.
-Wow, that sounds pretty awesome. I hope you get it!
-Thanks. How’re your applications going?
-Ok, I mean, I’m almost done with the essays – I still have to go over them obviously, but I’m mostly done. Now there’s just the bureaucratic stuff to finish. Oh, by the way, have you heard about the book “The End of Mr. Y”?
-No, don’t think so, what is it?
-It’s right next to me now, that’s why I mentioned it… it’s this cool book I’m reading, it’s got a lot of really awesome references to all these psychological and philosophical theories in it.
-Cool, I should check it out. You know a new Terry Pratchett book came out?
-No! Seriously?
-Yeah, a non-Disc-World novel.
-He writes about something that’s not Disc World? Wow, I didn’t know he ever did that.
-Oh yeah, he’s got a bunch of books that aren’t to do with it.

….My brother and I have fun phone conversations. The conversation continued on to talk about many fantasy writers, the reasons why so many of them are Mormon and some music. I now have homework from him. I need to check out this British show called “Ultra-Violet” and another show by Aarin Sorkin. I need to read this short story called “A Logic Called Joe” and look up “The Hipster Olympics” on Youtube. There will be a test.

Big Brother

Will someone please explain to me the fascination people seem to find with watching other people lead absolutely boring lives inside a house? I will never understand it. I see the allure of certain so-called “reality shows” – so called because I know for a fact they’re all freaking scripted – like Project Runway, which is actually about exposure and talent, or even America’s Next Top Model, which is entertaining, if not particularly intelligent.

But what’s with this new [old] genre of Big Brother shows? What’s with people wanting to watch some normal people like themselves stuck inside a house for months with nowhere to go and nothing to do? What is so damn interesting about that?! Every day when I go to work I hear people talking about the damn show – heck, now they can watch it twenty-four seven cause they’ve made a whole freaking channel dedicated to it!

Oh yeah, by the way, did you know that those shows are scripted as well? Meaning you’re not even watching the real goings-on in the house, you’re watching planned and scripted dramas! So why not just turn on a soap-opera? At least then you KNOW it’s scripted and you’re not believing some lame lie!

Argh. I hate this new reality-tv-based society. I like writers who write scripts and tell everyone in no uncertain terms that that’s what they’re doing. Seems more creative and interesting that way. Then again, maybe it’s just me.