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The Concert of My Dreams

A lot of it was a blur. Hours seemed to pass between the time spent in a strange mall, all closed up except for one store blasting out strong music, and the actual event. It was strange, the way everything lost proportion. Time either crawled or hurried past. Scenes and people and views changed in a flash. Only some moments stand out clearly in my memory… That’s how it always is in dreams, isn’t it?

But it wasn’t a dream. It was real. We got to the mall at 15:00, found the neighboring stadium and the cluster of people. It felt like coming home. They were happy, energetic, giddy with excitement. There were nerds, and girls and Goths and metal-heads. There were young boys, barely into puberty and women in their thirties, clearly original fans.  Bottles of beer, vodka and even white wine littered the ground along with what seemed to be a thousand cigarette butts. But it was the one place, the only place, in which I felt perfectly comfortable with it.

We were there for a concert, a show. The rules are different when music pumps in people’s veins and the sun burns their backs to a crisp as they wait at a gate guarded by a couple heavy-set men. The rules have to change in an environment like that – it’s inevitable. Better to throw bottles on the ground where the organizers know it’s going to happen than throwing bottles into a crowd later and injuring someone.

It seemed as if we were in and out of the mall for food and bathroom breaks a hundred times, but finally, at 16:45, we were in the crowd waiting at the entrances. It was hot, sticky, and the sun was piercing and bright. People kept whooping for no reason, getting everyone just a bit more pumped up. Sir B. F. and I played games, guessing at what this or that person was like outside of Concert-Time.

Concert-Time is a different dimension, holding a dream-like quality, and consisting of no more than twenty-four hours in which time itself seems to shrink and elongate. The sunlit hours are the longest, whereas the moment evening falls, the breezes hold sweet and short promises. Crushed in a crowd, time elongates again in the heat and airless place. But then, suddenly, time seems to jump forward – by fifteen minutes, half an hour, an hour. The opening bands are on the stage forever, and then they’re not. The stage is empty forever, and then, suddenly, gloriously, it’s not.

They came on-stage, four men in the their mid-forties, and the crowd roared. We were part of a beast, a many-headed animal that thrashed and begged and demanded to be satisfied. The moment the first note started, we began to feed. Music, loud notes one after another, lyrics yelled at the top of our voices while the men on-stage sang loudly with us, for us. The speakers, huge and foreboding when the sun was up, were now a welcome friend, giving out the drug that we needed – the music.

**

Metallica haven’t been in Israel for eleven years. Finally, on Saturday, May 22nd, they performed at the Ramat-Gan Stadium to the ecstasy of long-time and new fans alike. There were sound issues, issues that the stadium staff blamed on Metallica’s equipment. But it didn’t matter whose fault it was – only that it was fixed, and that the crowd, and I inside it, roared approval at each return of the full blast of the speakers.

There are concerts you can’t ever go to again. Concerts that you know were likely once in a lifetime opportunities. This was one of them, and I cannot express how glad I was to be there. It was a night of enchantment – a night of dreams coming true.

The H Cafe

The H Cafe is a small place, sitting right on a busy, noisy street. It’s a main thoroughfare between one part of the city and the other, and the sound of cars, trucks, ambulances and motorcycles is constant. There is also a cake store on the corner next to the H, that doubles as a plain bakery and cafe. It could be said, by some people, that the H Cafe is not in a prime location.

But it’s never empty. The waiting-staff don’t wear uniforms. Not even t-shirts with the H’s cat logo. The only way you’d know who your waiter or waitress was, would be because they came to you. And they do. They’re kind, sweet, funny and patient. They don’t get mad if you order a coffee and nothing else. They don’t bug you when it takes you a long time to order. Best of all, they don’t seem like they’re suffering, and that’s a good thing to see. They look, rather, like they happen to be asking people what they’d like to eat. When they aren’t needed, they stand around the register and talk to each other, laughing charmingly, but always with an eye out. If a hand pops up or a head turns their way, they’ll be there in a flash, still grinning.

How, you might ask, does it manage to have clients at all hours on such a busy and noisy street? The H has cleverly made up for its location by simply refusing to admit to it. The outdoor seating area is raised on a wooden platform, and is bordered on three side by greenery. The lamps that sit on the platform, entwined in the bushes, look like they were taken straight out of London in the 1920s. They’re picturesque, yet simple. The tables are wooden and often wobbly, but the chairs are comfy enough and you’re never in the sun or rain. During the summer, plain white fabric umbrellas rear their heads and give a pleasant tent-like quality to the place, while in winter the area is surrounded by glass and feels like a cozy, warm fish-tank.

The menu is small but with wide variety, the coffee is superb and the atmosphere lovely. It’s the only place in which I’m ever recognized and acknowledged as a regular customer. The H Cafe is a diamond in the rough.

Lost

Sometimes, I get lost.

Lost in a sea of emotions. But they’re confusing. They come from everywhere and nowhere. They come from the sky’s particular tinge of blue that reminds me of a childhood, a true childhood, that’s been gone for longer than it should be. They come from some mysterious place within the tightness in my chest, grounding themselves with no explanation as to why they’re there.

Sometimes, I get lost.

Lost in an ocean of thoughts. My mind is like some sort of quantum machine, managing to be in all different lines of thought at the same time. Only when I choose to look at a particular theme does it become stark black ink against the backdrop of grey matter swirling in my mind. But when that happens, the thoughts become slow, strange, so sharply focused that it hurts to look at them. So I let them go back into the maelstrom, and I stop concentrating.

Sometimes, I get lost.

Lost in a wave of delirious physicality. Walking, dancing, making contact – they all take on such an incredible appeal, pump such strong streams of endorphin into my brain that I become more acutely aware of my heart pumping, my muscles working, my sweat dripping. When I’m inside the movement, I feel close to some sort of essence of the body. After a while, I get the feeling that I’m no longer in control. I have to keep walking, I must keep dancing, I really can’t bear to end the hug.

Sometimes, I get lost.

Lost in words.

When It’s Hard to Write

It’s hard to write when you’re on a bus, holding a notebook in your lap.

It’s hard to write when you’re so tired that you can barely keep your eyes open and your brain feels like it’s melting.

It’s hard to write when you feel like you have nothing to say, or at least nothing new.

It’s hard to write when you’re not feeling well and your hand is shaking as you hold the pen or type.

It’s hard to write when you’re in a noisy and dark bar.

It’s hard to write when someone’s watching over your shoulder.

And, apparently, it’s hard to write when you’re on vacation and spending precious time with people you rarely see.

Farmer’s Market Singers

When we got there, the bar was already in full swing, open to the elements, right in the middle of a little junction of the tight avenues inside Farmer’s Market. The occupants ranged from just turned twenty one to middle aged to elderly gatherings still enjoying the gargle on a Friday evening.

The stage was low, the microphone basic, but the speakers were more than adequate. The man who was on stage when we happened upon the place was bald, beer-bellied and had to be at least sixty. He was just wrapping up a song to applause and cheers.

The DJ announced that next up was Phil, and from the table right in front of us rose a large, pink, white-haired man with a tight shirt and a smile stretched across his meaty face. He looked to be  at least seventy, but when he started to bellow into the mike, he had the vigor of a much younger man. He sang like Louie Armstrong, with a growl and a grin.

An extremely inebriated but happy man in his thirties followed. He was tall, maybe a surfer-dude turned corporate but out for a fun evening with friends. He sang the B-52’s Rock Lobster perfectly, with added dance movements for the long pauses between the sung lines. We cheered like crazy, and I even managed to snap a few photos of a father dancing with his two-year old daughter, teaching her how to turn under his arm and then swinging her around in the air.

We left to buy lemons, and when we returned we were rewarded with the best yet. She was tall, with baggy pants and tennis shoes, a jeans jacket hugging her thin form. Her hair was blonde-going-grey, and she sang like an angel. One hand casually hanging in her pocket and the other holding the microphone, she sang sweetly in a country-singer’s sweet but slightly rough tones, and her partner and friend cheered and took pictures of her while she sang. The crowd went nuts once she was done, clapping and cheering.

When the next man started singing about Jesus being right for him – and we weren’t sure whether he was being sincere or ironic – we decided to leave. But my mind is still swimming with the variety of cultures represented in the crowd, the different age groups and social dynamics that could be found there. Everyone, it seemed, wanted to watch the karaoke at Farmer’s Market on this cool Friday night.

Arrived

Los Angeles is one of the most special cities in the world. Even when the weather forecast announces that it’s going to be overcast with possible showers, you can still feel the presence of a bright yellow sun behind the clouds, and within hours the sky clears and that bright orb makes its appearance just in time for a last walk in the sunlight before dusk falls.

Beautiful as it still is and will always be to me, there are things that have changed. Nothing that’s unique to LA, but rather things that have changed across the United States. Melrose, the hip-happening street of fashion, food and fun, has now more FOR LEASE signs that it ever has before. Shutters are drawn across the empty store fronts, and the glass looks dusty, as if it’s been waiting for a new tenant for longer than it’s used to.

When we ate lunch today, a dark-haired, scruffy, tall homeless man walked over to the table behind us and took the tip that was left there for the waitress. We saw it, as did a woman inside the restaurant, and none of us did anything. It seemed to happen so fast. We all were sure he was going to take some item of food, but then he was gone and so was the waitress’ tip. What do you even do in a situation like this?

I’ve been taking photos. Too many, and probably mostly bad ones, but I’m finally going to try to catch some of the essence of this bizarre half-city-half-suburb in more than words.

I’m jet-lagged and exhausted and our trip took more than twenty-four hours. I think now is the time to sleep.

Freakout

Tears swell up.

Bile churns.

Head aches.

Heart burns.

*

Muscles tense.

Thoughts amass.

Hands shake.

Words turn crass.

*

Flying away.

Later today.

Not to stay.

But that’s okay.

*

Freakout.

Walkabout.

Lipsapout.

I’llsortitout.

Night Birds

Our apartment has huge windows in the adjoining kitchen and living room. It’s almost a balcony. Only it’s not. We have blinds that we lower and raise, depending on the hour, on how brightly the sun is shining, on how much privacy we want.

Big windows can be horrible if all you’ve got to look at is the inside of someone else’s house. If that’s the view you get, you have a sort of forced intimacy with whoever lives across – you know they see you, and you know that they know that you can see them. It can become very awkward, trying to time things right so as not to spy on each other. Maybe then you both become recluses and never catch a ray of sunlight.

We don’t have those kind of big windows. Ours overlook a relatively large oval-shaped park, surrounded by trees and lined by paths going around and through it. There are benches there where the Filipinos hang out and talk while their elderly charges sit, awkwardly, either unable or unwilling to talk with their peers. There are mothers and fathers walking strollers along the paths, trying to lull to sleep screaming babies, or maybe just sitting by empty strollers while their toddlers delight in the sandbox and the wooden pirate ship that dominates it. There are elementary-school kids and high-school teenagers walking to and from school every day, backpacks weighing them down, some in groups and some alone and some even more alone than the others. These are the things we see during the day.

At night, it’s harder to see. The lamps in the park are yellow and dim and sometimes blown out or simply not turned on. So we use our ears instead of our eyes. On some nights, we can hear teenagers sitting on the benches, whistling and yelling, the glowing red of their cigarettes the only light in the park. On other nights, it’s so silent out there that we long for a storm to come along, to thunder in the sky, to pour down rain so we can hear the tip-tap-drip on our windows.

The best nights, though, are when the night birds sing. We’ve never yet seen them, only heard them. Their cry is shrill, like a whistle, but it’s melodic as well. They seem to be yearning for something, missing something or someone so deeply that it hurts them. Their sound makes our hearts melt a little bit, and even as we smile and pause to listen to their lonely, beautiful cries, our hearts seem to tug at us, feeling a little sore and swollen all of a sudden. Our night birds let us share their desperate want for something unnameable, they nurture our longings, even if we don’t realize it’s happening.

I sometimes wonder if our night birds are like emotions – unseen, only heard somewhere deep, sometimes shrilly enough that it’s impossible to ignore them.

Time

The keyboard clacks and clicks,

The clock now tocks and ticks,

As time goes by,

The words do fly,

Little shapes like sticks.

**

The music beats and swells,

Containing sounds of bells,

The speakers thrum,

The voice does hum,

Like echos in a well.

**

The night is damp and dark,

Loud voices in the park,

Dreams are rare,

When sleep is spare,

But wish they could embark.

**

The days are long and slow,

But weeks, they seem to flow,

Confusion reigns,

The body strains,

And missing is the glow.

The Night Greg Died

Greg died in a car crash. The police say they don’t know exactly what happened, but that someone must have rammed him off the road. They say that they’re on the lookout for badly dented green cars on the highways. When I asked why they were only looking for green cars, they told me that they’d found some green dust inside the big dent in Greg’s car. The dent that was so bad that the door caved half-way in. The dent that punched Greg in the stomach and killed him even before he crashed into the metal railings on the highway.

Myra and I know that the police aren’t going to find a darn thing by looking out for green cars. Whoever rammed into Greg is long gone. Maybe they feel guilty for killing a man. Then again, maybe they’re just relieved that they got away with it. Maybe they don’t even read the papers and don’t have any idea that he died. I sure as hell don’t read the papers anymore. They’ve gotten too depressing.

“You know what’s weird?” Myra asked me at around three in the morning. We’d been sitting up having coffee after coffee ever since the police came and went.

“What?” My voice was all croaky, like a morning voice only worse because I’d been crying. We both had.

“That Greg died in a car crash. I always thought he’d scrape himself off the road on that red beast of his, but in the end it was in his dad’s ratty car and it wasn’t even his fault.”

I knew what she meant. My eyes slid to the photo that hung on the wall, behind Myra. It was taken the day Greg bought his red Suzuki motorcycle. He’d been so proud of it – of her. He’d named her Tessie. Myra and I always freaked his dates out by telling them that no matter what, Greg would always love Tessie more than he’d love them. Then he’d take them out to see her, and the girls would simper and giggle and hate Myra and me. That was okay. We usually hated the girls – they were all much to air-headed to be called women – that Greg went out with.

In the photo, I saw Myra and Greg and me. Tessie was leaning on her kickstand, and Greg was sitting on her, sidesaddle, his arms crossed across his chest and that goofy grin of his spread across his face. His hair was longer that summer, almost down to his shoulders, and the wind had blown a couple lanky strands of it into his face when the photo was taken. Myra was standing behind him and her arms were flung around him, head poking from one side, face scrunched in her usual photo-pose – lips puckered in an exaggerated kiss. Her hair was in its usual bun, trying to restrain her wild ginger curls. Then there’s me. I was standing next to Greg, one hand resting on Tessie’s gleaming handlebar, the other making a peace-sign behind Myra’s head, giving her horns. I’m smiling to, my tight-lipped smile, my photo smile. I can’t for the life of me smile my real grin, all teeth and open mouth, when I’m in front of a camera. So my smile looks fake in that photo. It was the summer that my hair was bubble-gum pink.

That photo was taken six years ago, when Myra, Greg and me all got an apartment together during the summer between freshmen and sophomore years at college. We’ve lived here ever since, a small three-bedroom with a kitchen so tiny we need to literally squeeze around each other when we’re all in here. The dining room and living room are slightly bigger, and it’s around the table we used to eat at with Greg that Myra and I sat at three in the morning that night.

After tearing my eyes away from the photo, I saw Myra staring at Greg’s place at the table. The MAD magazine he’d just gotten that morning was still at his place, open to one of the articles. I felt the same tears prickle in my eyes as those starting to roll down Myra’s cheeks.

“It’s not fair,” Myra said.

“Nope.

“Nobody should die when they’re twenty-five.”

“They sure shouldn’t.”

I must have said something wrong, or maybe my tone of voice was too flat for her to deal with. She looked up at me, her eyes blazing, and threw her coffee cup against the wall behind me before running to her room and slamming the door. I still hadn’t moved when I heard more objects being thrown around in there. But after another small eternity of staring at that photo of us all, I got up to get the broom and started to sweep up the pieces of cheap porcelain scattered on the floor.